Talk: XXNFT: Revealing Remarkable NFT Women Artists
Thursday 15th December 2022, 11AM EST / 4PM GMT
XXNFT: Revealing Remarkable NFT Women Artists✨
During the webinar we will discuss the XXnft as the platform promoting female NFT artists. Moreover, co-founders of XXnft Auronda Scalera and Alfredo Cramerotti will share their perspective on female #NFT projects and #NFTart collecting. At the end webinar guests will reply to questions from the audience.
Guest Speakers:
▫️Auronda Scalera is the Cofounder of XXnft, a publishing platform for women and not binary in NFT; Co-Director, Infinity Art Museum on the Verse; curator and consultant for contemporary and digital arts based in London and Dubai. Upcoming projects include the organization of panels about NFTs and museums for plusTATE and IKT.
▫️Alfredo Cramerotti is Director at Mostyn gallery; Co-Director, Infinity Art Museum on the Verse; Adviser, British Council Acquisition Committee & UK Government Art Collection. He curated 4 national pavilions and collateral events at the Venice Biennale, EXPO Film & Video in Chicago, and the biennials Sequences VII and Manifesta 8. Cofounder of XXnft, a publishing platform for women and not binary in NFT.
Scalera and Cramerotti will be the curators during the next Venice Art Biennale for the Decentral Art Pavilion
Hosts:
▫️Denis Belkevich
Art economist and visiting lecturer at Sotheby’s Institute of Art (New York), external consultant of Deloitte CIS in Art & Finance, General Partner of Fuelarts – the first dedicated ArtTech & NFT startup accelerator.
▫️Sonia Stubblebine
Art Historian with specialization in Art Management and Art & Finance. Fuelarts’ manager and interpreter.
Curating & New Technologies: Alfredo Cramerotti’s talk for New Curators curatorial platform, hosted by A4 Arts Foundation, Cape Town, SA
Thursday 15 December 2022, 1pm UK time
A new training course for aspiring curators from lower socio-economic backgrounds has been launched by three former Tate specialists. “So many people who would be interested in curating don’t even try to enter the profession because the courses are prohibitively expensive,” says Mark Godfrey, a former senior curator of international art at Tate Modern.
Godfrey will run the New Curators training programme in collaboration with two co-directors: Kerryn Greenberg, former head of international collection exhibitions at Tate, and Rudi Minto de Wijs, who worked in the institution’s marketing department and served as co-chair of its Black, Asian and Minority Ethnic (BAME) network.
Cramerotti’s talk will focus on how artists relate to technology:
How can artists and curators understand and mobilise changes in technology, from the internet and smart phone to AI, block-chain, NFTs etc?
What are the risks of replicating spectacle-culture and potentials of resisting it?
What do we make of the initial hype surrounding NFTs and subsequent fall?
What does this mean for the future?
What advice would we give emerging curators who are interested in learning about artists working with new technologies?
Curatorview [Alfredo Cramerotti] 
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