Curatorview [Alfredo Cramerotti]

Alfredo Cramerotti and Michael Takeo Magurder for Apocalypse in ART: The Creative Unveiling

www.censamm.org

The word ‘apocalypse’ originally indicated an ‘unveiling’, and the speaker in the Book of Revelation is a ‘seer’. This is perhaps one of the reasons that this ancient text (and others like it) have generated such a ferment of creative responses in the visual arts – as well as those other non-visual strands of the arts which have their own way of engaging our mind’s eye.

The rich variety of types of artistic unveiling (visual, musical, dramatic, literary) makes an engagement with the creative arts a deeply valuable way of understanding and appreciating the idea of apocalypse, alongside more traditionally academic modes of enquiry.

This conference seeks to explore our relationship to art, its practice, its study and what the arts unveil to us. As artists or as audiences of art we can be profoundly transformed by our encounters with artistic creativity; indeed, we can find ourselves using the language of revelation to describe such encounters, regardless of our individual faith, religion or beliefs. Mark Rothko is quoted as saying, “the people who weep before my pictures are having the same religious experience I had when I painted them.”

Thursday June 28th

9.00 – 9.30 Registration and coffee

9.30 – 9.40 Welcome

9.40 – 10.40 Keynote Speaker:  Christopher Rowland, Dean Ireland’s Emeritus Professor of the Exegesis of Holy Scripture, University of Oxford: ‘John Saw these things Reveald in Heaven On Patmos Isle’: the Book of Revelation anticipates Blake’s Apocalypse.

11.00 – 11.30 Kip Gresham, Master Printmaker at The Print Studio, Cambridge: In the shadow of Durer.

11.30 – 12.00 Elena Unger, Department of Art and Critical Studies at Goldsmiths University of London: Desert Time: The Silence at the Heart of Apocalypse

1.00 – 2.00 Keynote Speaker: Michelle Fletcher, Research Associate on The Visual Commentary on Scripture at King’s College London where she is also a Research Fellow. Author of Reading Revelation as Pastiche: Imitating the Past (London: Bloomsbury, 2017): Visualising the Apocalypse as a Thing of the Past

2.30 – 3.00 Jonathan Evens, Associate Vicar, Partnership Development, St Martin-in-the-Fields, London: A Hard Rain’s A-Gonna Fall

3.00 – 3.45 Round table discussion with artist, Michael Takeo Magruder and Alfredo Cramerotti (Director of MOSTYN Wales and curator of “De/ coding the Apocalypse”)

3.45 – 5.00 Tour of “De/coding the Apocalypse” by Michael Takeo Magruder and tour of the Panacea Museum.

Friday June 29

9.00 – 9.30 Registration and coffee

9.30 – 9.40 Welcome

9.40 – 10.40 Keynote Speaker: Eleanor Heartney, author and journalist, contributing editor to Art in America and Artpress, New York: Revelation as Inspiration: The American Apocalypse

11.00 – 11.30 Rebekah Dyer, PHD candidate, School of Divinity, University of St Andrews: Reserved for Fire: Creative fire performances at David Best’s Temple and Shetland’s Up-Helly-Aa festival

11.30 – 12.00 Lilla Moore, Lecturer at BA programme in Mysticism and Spirituality, Zefat Academic College and Cybernetic Futures Institute (UK): Technoetic Aesthetics of Revelation and Transcendence – The Horse in the Mind

1.00 – 2.00 Keynote Speaker: Natasha O’Hear Lecturer in Theology & Visual Art at ITIA, University of St Andrews. With Anthony O’Hear, author of Picturing the Apocalypse: The Book of Revelation in the Arts Over Two Millennia (Oxford University Press, 2015): Visualising the Biblical Vision

2.30 – 3.00 Massimo Introvigne, Managing Director of CESNUR, the Center for Studies on New Religions: Filming the Age of Kingdom: The End Times and the Movies of The Church of Almighty God

3.00 – 3.30 Matthew Askey, artist, curator, and Anglican priest. Currently serving as school chaplain at Southwell Minster, Nottinghamshire’s cathedral: The Cross and the Zombie Apocalypse: Two Images for our Time

3.30 Closing comments.