alcramer [Alfredo Cramerotti]

Lecture | Alfredo Cramerotti : Museum as Broadcasting

Posted in nEws and rEleases by alcramer on July 11, 2019

Lecture | Alfredo Cramerotti : Museum as Broadcasting

Goldsmiths University of London, British School Rome
Thursday 11 July 2019, 3.00 pm

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Goldsmiths Department of Art and the British School at Rome are pleased to announce the 2019 Curatorial Summer School entitled ‘Curating the Contemporary’

This Summer School is now in its third year and is aimed at those who are interested in the professional field of curating. This will take place in July 2019 at the prestigious British School at Rome. We are looking for entrants from a mix of backgrounds but particularly graduates and artists who are considering working in curating as well as established curators who want to think and talk about the challenges and opportunities that face curators in the contemporary moment.

The course will provide you with an opportunity to engage intensively with the activity of curating contemporary art, one that produces exhibitions and events within an expanded field that includes commercial and public galleries, museums and foundations, but also public spaces and social contexts. It will investigate various modes of curating contemporary art, as well as in the expanded sense of the philosophical idea of the curatorial as it is currently discussed in the field.

Please note that this is a two week course taking place from Monday 1 – 15 July 2019.

Read more here: https://www.gold.ac.uk/short-courses/curating-the-contemporary/

Recent Press |Spring 2019 at MOSTYN

Louisa Gagliardi: Under the Weather

Louisa Gagliardi,

Louisa Gagliardi, “Sip and Stare”, 2017, Courtesy the artist and Rodolphe Janssen, Brussels.

My Art Guides | Louisa Gagliardi: Under the Weather
17.11.2018

 

Josephine Meckseper

Capture

ARTnews Today | Consumer Report: Josephine Meckaseper
07.02.2019

 

She Sees The Shadows

Capture2

Wales Arts Review | Exhibition | She Sees the Shadows (Oriel MOSTYN)
17.07.18

IDEAL-TYPES [Chapter 2]

Posted in nEws and rEleases, Uncategorized by alcramer on May 2, 2019

Curated by Alfredo Cramerotti and Elsa Barbieri

Marignana Arte
Venice, from 7 May to 7 September 2019



Opening: Tuesday, 7 May, 5:00 – 10:00 pm
Special openings: from Wednesday 8 to Sunday 12 May, 10:00 am – 8:00 pm

 

Invitation Card

Inspired by Max Weber’s theory, whereby for studying a social action without reducing its particularities to a collection of individual events we must start from the perception that the individual has of the real world, this ongoing exhibition project is designed as a speculative tool which makes possible to measure reality: the ideal-type (Idealtypus).
Athanasios Argianas, Maurizio Donzelli, Nancy Genn, Artur Lescher, James Lewis, Alice Pedroletti, Antonio Scaccabarozzi, and Verónica Vázquez, are the eight international artists invited to formulate an artistic language that visually translates the thought relationships when trying to set out a concept; they do so through the dialogue between their respective art works, and with gallery spaces. A methodological paradigm that is never traceable empirically in its conceptual purity, the ideal-type is intended as a utopia that shares characteristics with real objects, even if it does not correspond to any specific example. With it, the materiality of existence must be compared in order to illustrate the
significant elements of its empirical content.

It is thus a matter of adopting something imaginary or intangible to better understand the concrete. The concept does not copy real life but underlines its most intrinsic connections. Without any expectation of objectivity, the artists build a kind of seductive, meticulous and inconsistent verisimilitude to verify empirically. By isolating a particular phenomenon from the complex of interactions, and catching uniform elements in the repetition of the same, each one proceeds in structuring the ideal-type that operates as a unilateral and rational measuring device of reality.

The artworks on display question the viewers by encouraging them to develop always new readings on the being within a visual and spatial conversation. The three wall low reliefs from the series “Clay Pressings” (2016-18) by Athanasios Argianas suggest a liminal space where systems and mechanisms freely swap with intuition. The tapestry “Angelicato” (2014) by Maurizio Donzelli is the result of in-depth research about the manipulation of the image. Works on paper by Nancy Genn, “Construct Blu I” (2003),
“Construct Yellow” (2003) and “Rainbars 6” (2011), are earthy, solid, layered, full of spirituality. Their pure and raw material fits in the unique variations of colours and textures, releasing a sharp and delicate lyricism. The steel sculpture “Sem Título, Da Série Nexus #2” (2013) by Artur Lescher is composed of single pieces in suspension, which highlight their volume and deny the action of the force of gravity. The wood,
paint, resin and lead work by James Lewis, “Diseases of Warm Lands (Rhombus)” (2018), corresponds to an extinct star constellation and is a visual monument to the impossibility of defining the parameters of human understanding and endeavours. “Study for a sculpture” (2016-19) by Alice Pedroletti is a series of photographs and paper sculptures, accompanied by sketches, that recreate a hypothetical landscape. They are fragile and temporary prototypes that constitute a city inspired by organic shapes. The works from the series “Essenziali” (1990-95) by Antonio Scaccabarozzi are self-representations of the pictorial body; free strokes of pure colour, wide, oblique, accurate and strong, without any support. Result of the interpretation of the practise of assemblage and contemporary weaving, “De la série tapices con metales” (2016), “Escultura en acero I” (2016), and “Sin Título” (2018) by Verónica Vázquez express the reperforming value of the material


 

Artists:
Athanasios Argianas (1976, Athens, Greece; lives and works in London)
Maurizio Donzelli (1958, Brescia, Italy; lives and works in Brescia)
Nancy Genn (1930, San Francisco, United States; lives and works in San Francisco)
Artur Lescher (1962, São Paulo, Brazil; lives and works in São Paulo)
James Lewis (1986, London, England; lives and works in Vienna)
Alice Pedroletti (1978, Milan, Italy; lives and works in Milan)
Antonio Scaccabarozzi (1936 – 2010, Lecco, Italy)
Verónica Vázquez (1970, Treinta y Tres, Uruguay; lives and works in Uruguay)

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JOB VACANCY at MOSTYN: Curator of Visual Arts

Posted in nEws and rEleases by alcramer on April 19, 2019

 

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Curator of Visual Arts at MOSTYN, Wales, UK

We are seeking an ambitious and talented individual to join the team and lead the curatorial programming at MOSTYN, Wales UK, working with Director, Alfredo Cramerotti, and the wider gallery team, to create a stimulating high-quality exhibition offer to our audiences and online community.

We require someone familiar with the functioning, both financially and content-wise, of the international contemporary art world and its connections, able to discuss and mediate complex themes and concepts in a clear and easily understandable way to local, national and international audiences.

A wide network of contacts, and a far-reaching approach and ambition is essential.

£30k pa (pro rata) £24k for 30 hours per week
Application deadline: 5pm Monday 27th May 2019

For job description and application details please visit
https://www.mostyn.org/news/job-vacancy-curator-visual-arts

 

Posted in nEws and rEleases by alcramer on March 29, 2019

Museo del Paesaggio

Saturday | 30 March, 2019

A Conversation on Performance and Video

http://www.museodelpaesaggio.it/

 

alfredo cramerotti

DEADLINE EXTENDED| MOSTYN Open 21: call for submissions

Posted in nEws and rEleases, Uncategorized by alcramer on March 17, 2019

MOSTYN open call

MOSTYN Open 21: call for submissions
Deadline: March 18, 2019

Since its inception in 1989, the MOSTYN Open has nurtured and presented the talent of established and emergent contemporary artists internationally.

The exhibition of selected works takes place at MOSTYN, with a cash prize of GBP 10,000 awarded to a single artist or collective. In addition, the ‘Audience Award’ grants a cash prize of GBP 1,000 to those who receive the most votes from visitors during the exhibition.

New, for MOSTYN Open 21, the Exhibition Award will award an exhibition at MOSTYN to the artist/collective that the selectors feel would most benefit at this point in their career.

The confirmed selectors for MOSTYN Open 21 are: Jennifer Higgie, Editorial Director, Frieze, London; Katerina Gregos, Independent Curator, Brussels; Hannah Conroy, Co-Director and Curator, Kunstraum, London; Alfredo Cramerotti, Director, MOSTYN. And of course, the visiting public for the “Audience Award.”

www.mostyn.org/open21

MOSTYN Spring Exhibition Season

Posted in nEws and rEleases, Uncategorized by alcramer on March 17, 2019

 

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Derek Boshier, Guadalupe Mountains, 2017. © the artist. Courtesy of Gazelli Art House.

Derek BoshierIt’s Only When the Tide Goes Out… 
Selected works and ephemera 1976-2018
S Mark GubbThe Last Judgement
March 16–June 30, 2019

Artists Talking: March 16, 2:30–3:30pm, Derek Boshier & S Mark Gubb will be in conversation with Chris Fite-Wassilak
Exhibition preview: March 16, 4–6pm

MOSTYN
12 Vaughan Street
Llandudno LL30 1AB
United Kingdom

www.mostyn.org
Instagram / Twitter

MOSTYN, Wales UK is pleased to present two new exhibitions “In Conversation” by Los Angeles based Derek Boshier and Cardiff based S Mark Gubb.

The gallery’s ongoing “In Conversation” series brings together two solo exhibitions and presents the dialogue, collaboration or similarity in exploring themes that can occur between artists. This iteration, which stems from a chance introduction through a mutual friend between Derek Boshier and S Mark Gubb, takes the series a step further with Gubb co-curating the exhibition by Boshier in collaboration with MOSTYN Director, Alfredo Cramerotti.

Derek Boshier, who first came to prominence as part of the British Pop Art movement in the early 1960s, is also known for his work with cultural icons such as The Clash and David Bowie.

The exhibition includes a range of drawings, paintings, prints and videos, along with lesser-known photographic and sculptural works, and ephemera from the artist’s personal collection. Through this broad collection of works and artefacts, the exhibition reveals how Boshier’s creativity steps beyond the studio or gallery space. Containing works from the last four decades of the artist’s career, presented here is a never before seen portrait of an artist whose own work he has described as “art that’s political, not political art.”

The exhibition also includes works and archive photographs made in the 1970s when Boshier lived in the Welsh village of Llangadfan.

Taking Michelangelo’s Sistine Chapel painting of the same name as a starting point and reference,The Last Judgement by S Mark Gubb includes a range of new and existing sculptural works exhibited as an installation.

The exhibition builds on Gubb’s long-standing use of popular culture and history in his work, along with his interest in historical paranoias, created by things such as The Cold War, and in our ability as individuals to influence the world around us, for better or for worse. As part of his research for The Last Judgement, Gubb revisited classic works from art history such as Goya’s “Black Paintings,” key works by Hieronymous Bosch and works by the acclaimed Welsh artist, Edgar Herbert Thomas, the latter a great-great uncle by marriage.

To accompany the season a combined catalogue, funded by the University of Worcester, will be produced containing a new essay by Jonathan Griffin.

Derek Boshier’s exhibition is thanks to generous support of Colwinston Charitable Trust and the assistance of Gazelli Art House, London. S Mark Gubb’s exhibition is supported by the Arts Council of Wales

www.mostyn.org/future-exhibitions

Alfredo Cramerotti: In and around and about contemporary art

Posted in nEws and rEleases, Uncategorized by alcramer on February 12, 2019
Monday 11 February 2019
15:00 – 16:00

Alfredo Cramerotti: In and around and about contemporary art

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Nick Whitehead Theatre
Wrexham

Alfredo Cramerotti, MOSTYN Director, will talk about his career as a Curator, the current programme, including the Open 21 exhibition, and future plans for Wales’ foremost contemporary art gallery.

Alfredo Cramerotti is a cultural entrepreneur, writer, curator and broadcaster. Alfredo is the Director of MOSTYN Wales; Head Curator of APT Global–Artist Pension Trust; and Associate Curator of CCANW (Centre for Contemporary Art and the Natural World).

See more information and the programme’s full timetable here. 

 

MOSTYN Open 21 | Call for Submissions

Posted in nEws and rEleases, Uncategorized by alcramer on February 5, 2019

MOSTYN open call

Deadline |  4 March 2019

MOSTYN, Wales UK is delighted to announce the call for submissions for the 21st anniversary edition of the MOSTYN Open contemporary art exhibition, to be shown from July 2019.

£10,000 Prize
Audience Award: £1,000                                                                                                                The NEW ‘Exhibition Award’ will award an exhibition at MOSTYN to the artist/collective that the selectors feel would most benefit at this point in their career.

Confirmed selectors for MOSTYN Open 21:

Jennifer Higgie, Editorial Director, Frieze, London
Katerina Gregos, Independent Curator, Brussels
Hannah Conroy, Co-Director and Curator, Kunstraum, London                                   Alfredo Cramerotti, Director, MOSTYN
And, of course, the visiting public for the ‘Audience Award’.

For more details regarding key dates and submission process, please visit: https://www.mostyn.org/open21

AN INVISIBLE ENERGY DIVES AND PHENOMENA OF CONTEMPORARY ART

Posted in nEws and rEleases, Uncategorized by alcramer on January 29, 2019

PHANTOMOLOGY – THE PHENOMENOLOGICAL ENVIRONMENT | AN INVISIBLE ENERGY DIVES AND PHENOMENA OF CONTEMPORARY ART

Friday 1st February 2019
CUBO, Bologna, Italy

Force Field

FORCE FIELD,  2016. | performance in collaboration with Paul Prudence. Image courtesy of Phantomology;  project curated by Marco Mancuso, Daniela Tozzi and Ilaria Bignotti
for the spaces of CUBO in Bologna.

Panel Discussion
Moderated by: Marco Mancuso and Ilaria Bignotti
With: Ugo La Pietra, Ariane Koek, Alfredo Cramerotti

“Fantomologia” is a term coined by Polish science fiction writer and philosopher Stanislaw Lem, in his essay “Summa Technologiae” of 1964. The theme dealt with is the role of man in relation to a vast and stratified universe, existing beyond of its physical and sensory limitations, differently intelligent and as such capable of creating or breaking down barriers of understanding and dialogue between different elements.

The curatorial project proposed by Marco Mancuso, Daniela Tozzi and Ilaria Bignotti for the spaces of CUBO Unipol, analyzes the concept of environment in a wide and complete way: the technological environment (the installation The Nemesis Machine of the media artist Room) and its comparison with the historical works (Immersioni – Caschi Sonori, Commutatore) by the artist Ugo La Pietra, the sub-atomic environment (the Force Field performance by the duo of science artist Evelina Domnitch and Dmitry Gelfand), the architectural environment (the panel moderated by Daniela Tozzi with Bertram Niessen, Paolo Rigamonti and Salvatore Di Dio) and finally the phenomenological environment (the panel moderated by Marco Mancuso and Ilaria Bignotti with Ugo La Pietra, Ariane Koek and Alfredo Cramerotti)

The phenomenological environment is therefore addressed through the panel entitled “An invisible energy. Immersions and phenomena of contemporary art “, structured in turn as an ecosystem in which to share ideas and topics, a context that brings together artists and curators who for years have been exploring these issues in terms of production, research and market potential.

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