alcramer [Alfredo Cramerotti]

Matteo Fato (SOMERSAULT) | curated by Alfredo Cramerotti | Opening: 22.07.2017 h.18.30 | Galleria Michela Rizzo

Posted in nEws and rEleases, Uncategorized by alcramer on July 20, 2017

Matteo Fato
(SOMERSAULT) 

Curated by Alfredo Cramerotti 

Galleria Michela Rizzo | Venice, Italy 

Opening: 22.07.2017, h.18.30

 23.07 – 09.09.2017 

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In the past our technologically conceived artifacts structured living patterns. We are now in transition from an object-oriented to a systems-oriented culture. Here change emanates, not from things, but from the way things are done.

(Jack Burnham, System Esthetics, 1968)

 

Burnham, an art critic and curator, wrote the passage above for an essay in Artforum magazine back in 1968; processes of change take time indeed. In the case of visual culture, and the physical environment underpinning it, the system is both the space (for work) and the material (of the work); concerning with method and form together. 

A “visual system” sits at the crossroad between image, thought, word and time; it exemplifies the mutability (and complexity) of life. A visual medium then brings about not only the message, but the psychic state that enable us to understand that message: “A mental structure, a way of thinking and feeling that expresses itself in everything we say, write, build and develop, from architecture and advertising to film and fine art.”

The presumed coherence of visual practice is constantly called into question by coupling with other system of visual fabrication, communication or representation (text, painting, impression, graphic design, photography, light projection, object construction and oral commentary). It is an environment made of relation-building amongst sign and signal, people and objects. Our visual actions extract meaning upon which build further relations and effects, either autonomously or through conscious arrangements. In Burnham’s words, “Where the object almost always has a fixed shape and boundaries, the consistency of a system may be altered in time and space, its behavior determined both by external conditions and its mechanisms of control.”

We live now according to a system of visual editing; we became a wider, complex “system” in which users double as creators.

On systems, Alfredo Cramerotti

Open Call: HYPERIMAGING! IMAGES IN AND OUT OUR SCREENS

Posted in nEws and rEleases by alcramer on July 15, 2017

“Gjon Mili” 2017

Curated by Alfredo Cramerotti

Assistant curator: Atdhe Mulla

Artistic Liaison: Alexis Brocchi

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Rationale

We refer to images, or the act of creating images, to act socially, politically and even privately. As a consequence of the digital age of photography, the way we are involved in image making is continuous:we can confer it a specific professional or artistic function, or embed it in they way we shape our existence.

When digital images are imposing themselves as a visual translation of the self, the understanding of photography is striving to go away from standard representational practices. Images compose a visual timeline, comparable to a textual linear narrative, where the grammar is made of our shopping lists, chats, social media’s comments or work emails.

Although these images are not coherent when considered together and are produced for different reasons, they become knowledge ‘chunks’ that visually translate different contexts into what we wish others to think of us. They can therefore be understood as a pictorial alphabet, where the possibilities of communicating are infinite and universal, freed from constraints related to textual translation. The result is a flow of visual forms and meanings that are interchangeable, independently from the situations in which they were generated and consumed.

The 2017 “Gjon Mili” Biennial & Award wants to query this hypothesis; focusing on image-making in the digital era, it wants to test if ‘visual authorship’ today is still associated with holding a specific position through the idea of representation, or rather is about delving into an ever-changing process that never produces a ‘finished’ work to display.

Beyond a classic photographic exhibition, the 2017 “Gjon Mili” Biennial & Award will therefore exhibit an expanded narrative of photography through photo-objects, installations, projections, visual data streams and ‘moving wallpapers’ that will put the curatorial rationale to test, and will engage the audience on a path to discovery, self-reflection and open enquiry about the status of visual culture in the beginning of the 21st century. –Alfredo Cramerotti

Access the full GJON MILI Open Call description here

Application documents:

  • Image and /or concept that reflect the curatorial concept
  • Application form ( available at the NGK or by emailin grequest at info@galeriakombetare.com), portfolio and biography.
  • . The most successful work will receive “Gjon Mili “award in value of 1000 euros.

Note:

  • Finished works are not accepted for the application;
  • The works submitted must not be exhibited in the past in NGK;
  • Applications to be addressed in aclosed envelope to:

“Galeria Kombëtare e Kosovës, Rr. Agim Ramadani 360, 10000, Prishtina, Republic of Kosovo”  received before end of working hours on  20.07.2017

  • For more information contact Lirije Buliqi at +38138 225 627

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NEW SEASON at MOSTYN

Posted in nEws and rEleases, Uncategorized by alcramer on July 4, 2017

MOSTYN Open 20


We are pleased to invite you and your guests to the opening of MOSTYN Open 20.

The winner of the £10,000 prize will be announced.

FRIDAY 7 JULY 2017 – 6:30pm onwards

Everyone is welcome.

 

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EXHIBITION DATES

08/07/2017 – 05/11/2017

Selected artists:

Sarah Bernhardt, David Berweger, Rudi Bogaerts, John Bourne, Manuel Caldeira, Alex Edwards, Matteo Fato, Joe Fletcher Orr, David Garner, Mitchell Kehe, Eli Keszler, Ilona Kiss, Jadranka Kosorcic, Catherine Large, Alyona Larionova, Sophie Lee, Gal Leshem, Jessica Lloyd-Jones, Oliver McConnie, Laura Malacart, Tom Milnes, Yelena Popova, Louise Short, Andrew Stooke, Tom Verity, Gernot Wieland, Driant Zeneli.

Selectors


Lydia Yee (Prif Guradur, Oriel Whitechapel, Llundain / Chief Curator, Whitechapel Gallery)

Chus Martínez (Curadur a Phennaeth Sefydliad Celf, FHNW, Academi Celf a Dylunio, Basel / Curator and Head of the Institute of Art, FHNW Academy of Arts and Design, Basel)

Alfredo Cramerotti (Cyfarwyddwr / Director, MOSTYN)

Adam Carr (Curadur y Rhaglen Celf Weledol / Visual Arts Programme Curator, MOSTYN).

 

A further prize of £1,000 – the Audience Award – is determined by the artist receiving the most votes from the visiting public during the exhibition’s run. So, come along and vote for your favourite work.

More Information Here

 Gallery 6


Sarah Ross-Thompson

The Quiet Landscape

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More Information Here

Coming Soon


 

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www.llawn.org

 

From our partners


NOVA

Biennial arts prize for Welsh visual artists 35 and under. 

FREE entry before 21st July 2017

Prizes and bursaries to win.

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www.nova.cymru

Friday | 12 May No Way Out. Notes on the Philosophical Implications of the Concept of Anthropocene with Franco “Bifo” Berardi in conversation with Sandro Carniel (CNR – ISMAR)

Posted in nEws and rEleases, Uncategorized by alcramer on May 11, 2017

Friday | 12 May 2017

5pm

No Way Out. Notes on the Philosophical Implications of the Concept of Anthropocene with Franco “Bifo” Berardi in conversation with Sandro Carniel (CNR – ISMAR). Introduced and moderated by Alfredo Cramerotti.

Palazzina Canonica
Riva dei Sette Martiri, 1364
Vaporetto Giardini

See full schedule below

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Friday | 12 May My Art Guides Venice Meeting Point “An Ocean Archive” Symposium

Posted in nEws and rEleases, Uncategorized by alcramer on May 11, 2017

Friday | 12 May 2017

3pm

My Art Guides Venice Meeting Point “An Ocean Archive” Symposium 

NAVY OFFICER’S CLUB
ARSENALE, VENICE

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Thursday | 11 May Lost Identities Cristina Cattaneo (Labanof) with Prefetto Vittorio Piscitelli (Commissario Straordinario per le Persone Scomparse)

Posted in nEws and rEleases, Uncategorized by alcramer on May 10, 2017

Thursday | 11 May 2017

3:30pm

Lost Identities Cristina Cattaneo (Labanof) with Prefetto Vittorio Piscitelli (Commissario Straordinario per le Persone Scomparse). Introduced and moderated by Alfredo Cramerotti
Palazzina Canonica
Riva dei Sette Martiri, 1364
Vaporetto Giardini

See full schedule below

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Thursday | 11 May Leviathan: A Beginning. Shezad Dawood in conversation with Alfredo Cramerotti

Posted in nEws and rEleases, Uncategorized by alcramer on May 10, 2017

Thursday | 11 May 2017

2pm

Leviathan: A Beginning. Shezad Dawood in conversation with Alfredo Cramerotti

Palazzina Canonica
Riva dei Sette Martiri, 1364
Vaporetto Giardini

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Shezad Dawood, Leviathan Cycle (production stills), 2017. HD video. Courtesy of the artist and UBIK Productions.

Mladen Bizumic Kodak Employed 140,000 People. Instagram 13.

Posted in nEws and rEleases by alcramer on May 7, 2017

22 October – 5 February 2017

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Part of MOSTYN’s ongoing ‘Conversation Series’ the exhibition centres on the company Kodak, a primary point of exposure in Bizumic’s work, and pictures the transition from film-based photography to digital imaging.

Through photography and sculpture the work traces a timeline of Kodak’s development, from its founding in 1880 to its subsequent demise in 2012 when the company filed for bankruptcy. The history of photography and of technology’s progression and obsolescence, alongside a chronological parallel of corporate hubris, is captured by Bizumic. These issues act as a lens through which to consider much larger concepts – how the capturing of images, and the technology that enables this, influences not only aesthetic, social and economic relations, but also the resulting effects when they are replaced and taken out of the picture.

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Mladen Bizumic, 2016 installation at MOSTYN. Photo: Dewi Lloyd

Alfredo Cramerotti – Director, MOSTYN and Adam Carr – Visual Arts Programme Curator, MOSTYN talk about the latest in the ‘Conversation Series*’ of exhibitions, showing from 22nd October 2016 until 5th February 2017

 

Shezad Dawood | Leviathan

Posted in nEws and rEleases, Uncategorized by alcramer on May 1, 2017

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Shezad Dawood, Leviathan Cycle (production stills), 2017. HD video. Courtesy of the artist and UBIK Productions.

May 7–September 24, 2017

Shezad Dawood
Leviathan
An episodic narrative

Palazzina Canonica
Riva dei Sette Martiri 1364A, Castello
30122 Venice
Italy
Hours: Tuesday–Sunday 10am–6pm

Fortuny Factory
Giudecca 805
30133 Venice
Italy
Hours: Monday–Friday 10am-1pm, 2pm-6pm

An exhibition of a new and ambitious body of work by artist Shezad Dawood will open in May 2017 to coincide with the 57th Venice Biennale. The show will mark the launch of Leviathan, a ten-part film cycle conceived and directed by the artist that will unfold over the next three years. Leviathan is also being released as a series of written fictions. Episode 1 is available to read at www.leviathan-cycle.com.

The first two episodes of the film will be presented alongside a new series of textile and sculptural works in the newly-restored Palazzina Canonica, the former headquarters of the Institute of Marine Sciences in Venice, which is opening to the public for the first time since the 1970’s. The two-part exhibition will also feature a site-specific intervention in the Fortuny Factory in the island of Giudecca.

Curated by Alfredo Cramerotti, Leviathan is being presented by the Fondazione Querini Stampalia in collaboration with the Institute of Marine Sciences (CNR-ISMAR) and Fortuny in Venice. Following the launch in May, the project will embark on a three-year UK and international tour, culminating in a final presentation of all ten episodes in 2020.

Leviathan is set in an imaginary future whose inhabitants are the survivors of a cataclysmic solar event. Each episode is told from the point of view of a different character and follows them as they drift across Europe, Asia and North Africa, encountering a series of idiosyncratic communities. Filming locations include the Institute of Marine Sciences’ oceanographic platform in the Adriatic Sea, the Natural History Museum in London and an abandoned island in the Venetian lagoon.

In dialogue with a wide range of marine biologists, oceanographers, political scientists, neurologists and trauma specialists, Dawood has been exploring some key fault lines of the present and their possible interconnections. Taking a global and collective approach, Leviathan is a reflection on where we could be if a deeper understanding of trauma and climate erosion is not found, looking at what is not only a humanitarian crisis, but a wider crisis within our biosphere.

The new series of textile paintings has been developed in dialogue with the renowned textile manufacturer Fortuny, and will incorporate several of their hand-made fabrics. Dawood has furthermore been working closely with the Labanof in Milan, an institute that conducts research on personal effects lost by migrants during sea crossings to Lampedusa, in order to help families identify missing relatives. A series of artefacts and objects from the Labanof archive will provide the visual references for the new textile works.

The paintings will be installed in the library of the Palazzina Canonica, as well as in the showroom of the Fortuny factory in the Giudecca, established in 1919 and still operational today. In addition, a large-scale outdoor neon work titled Island Pattern, developed especially for the Fortuny Factory, will be unveiled within the garden façade of the building.

The exhibition in Venice will be accompanied by a lively public programme that will bring together specialists involved in the project for a series of informal discussions akin to the philosophical “agora” in Ancient Greece. These discussions will also be available in digital form through the project’s web platform, creating an archive aimed at scientists, researchers, students and the general public. In addition, a special film programme curated by Shezad Dawood in collaboration with streaming platform MUBI will run throughout the duration of the exhibition, with free film screenings taking place at the Palazzina Canonica.

The third film episode will be released in September 2017 and incorporated into the exhibition. Subsequent episodes will be co-commissioned and presented in partnership with a series of international venues, culminating in the presentation of all ten episodes in 2020.

The project is being developed with the support of Timothy Taylor, Outset Contemporary Art Fund, Galerie Gabriel Rolt, CREAM – University of Westminster, University of Salford Art Collection with support from The Contemporary Art Society and a circle of private patrons.

Acts of Appearance – Photographic Exhibition launch and talk at MutalArt / APT HQ, London, UK

Posted in nEws and rEleases, Uncategorized by alcramer on April 25, 2017
  • Wednesday 26 April 2017, 6pm

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