alcramer [Alfredo Cramerotti]

MOSTYN new exhibition season: Tarek Lakhrissi and Mobile Feminist Library

Posted in nEws and rEleases by alcramer on July 1, 2021

Tarek Lakhrissi: My Immortal

3 July – 19 September 2021

MOSTYN is thrilled to present the first UK institutional solo exhibition by Tarek Lakhrissi. This new commission consists of existing and new work, and comprises film, sculpture, text and performance – creating a multi-dimensional installation across the gallery spaces. Rooted in poetry, Lakhrissi’s practice seeks to challenge contemporary constructs of language and narratives around minoritised communities.  The exhibition takes the poem ‘Paradise Lost’, by 17th-century English poet John Milton, as a starting point to reflect upon the notion of ‘community’. In light of the disintegration of social cohesion brought on by current crises, from the Covid-19 pandemic to the growth of far-right populism, this new body of work reflects on what constitutes a community, particularly a queer community. It considers the notion of community as a complex entity: one that offers both the possibilities of love, empowerment and protection but also nightmares, traumas and fears. Milton’s ‘Paradise Lost’ is the anchor around which such tensions are played out – the possibility of a community that offers paradisiacal solace and yet, through its fragilities, can be easily lost. The central installation becomes a battleground, a metaphor for notions of defence and of self-defence to help queer communities of colour fight back against today’s societal violence and, in so doing, becomes a symbol of love and transformative narratives. So in the midst of despair, I have come to believe that love – the feeling of love, the politics of love, the ethics and ideology and embodiment of love – is the only good option in this time of the apocalypse.  Kai Cheng Thom – I Hope We Choose Love: A Trans Girl’s Notes from the End of the World  

About the artist

Tarek Lakhrissi (b. 1992, Châtellerault) is a visual artist and a poet based between Paris and Brussels. He currently teaches on the CCC Research Master Program in the Visual Arts Department at HEAD (Geneva School of Art and Design). Lakhrissi has exhibited internationally at galleries and institutions including: Museum of Contemporary Art,Biennale of Sydney (2020); Wiels, Bruxelles (2020); Palais de Tokyo, Paris (2020); Palazzo Re Rebaudengo/Sandretto, Guarene/Torino (2020); Quadriennale di Roma, Palazzo delle Esposizioni, Rome (2020); High Art, Paris (2020); Hayward Gallery, London (2019); Auto Italia South East, London (2019); Grand Palais, FIAC, Paris (2019); Fondation Lafayette Anticipations, Paris (2019); L’Espace Arlaud, Lausanne (2019; Zabriskie, Geneva (2019); Fondation Gulbenkian, Paris (2018); CRAC Alsace, Altkirch, France (2019); Kim?, Riga (2018); Artexte, Montreal (2017); Gaité Lyrique, Paris (2017); SMC/CAC, Vilnius (2017). He is nominated for the 22nd Fondation Pernod Ricard Prize (2020-2021).

Supported by: Fluxus Art Projects.

The Mobile Feminist Library: In Words, In Action, In Connection

3 July – 19 September 2021

In Words, In Action, In Connection is a display of publications and printed materials that explores historical and contemporary intersectional feminist activism in Wales. Brought together by artists Minna Haukka and Kristin Luke, whose collaborative practice stems from their ongoing project, the Mobile Feminist Library, a travelling collection of printed materials that responds to its locality, this display takes the form of an experimental reading room. Haukka and Luke have collaborated with artists, activists, collectives and publishers to develop a collection which is relevant to Wales and contains both historical and contemporary publications and printed materials sourced from Wales-based archives as well as the London-based Feminist Library. In Words, In Action, In Connection considers different activist movements at the intersection of class, disability, ecology, gender, language, neurodivergence, race and sexuality, taking these as inherent considerations of any feminism. The materials are locally relevant to Wales, whilst acknowledging that these movements extend beyond geographical borders. The display examines ways in which publishing and printed materials intersect with and strengthen activist movements, and uses counter-patriarchal methods of archiving and knowledge sharing. The space acts not only as a library, but as a place for gathering and communal learning.  Collaborators include: Beau Beakhouse and Sadia Pineda Hameed, Butetown History and Arts Centre, Casey Duijndam and Robyn Dewhurst, Elwy Working Woods, the Feminist Library, Rebecca Jagoe, mwnwgl, Patriarchaeth.Movements and historical figures include: Black Lives Matter, Emma Goldman, Greenham Common Women’s Peace Camp, The Commune Movement, Monica Sjöö, women’s publishing collectives and cooperatives.

Beau W Beakhouse and Sadia Pineda Hameed (LUMIN) Beau W Beakhouse is an artist, filmmaker and curator based in Cardiff. His artistic practice often returns to themes of language, land, the post-colonial, alternate histories and dreams via intersections and convergences. He has upcoming residencies with Tangent Projects and Jerwood UNITe (g39) and a forthcoming solo exhibition with Arcade/Campfa.  Sadia Pineda Hameed is an artist based in Cardiff, Wales. She works in film, installation, text and performance to explore collective and inherited trauma; in particular, the latent ways we speak about this through dreaming, telepathic communion and secrets as an anti-colonial strategy inherent to us. She has shown work with The Bluecoat, MOSTYN, HOAX, Peak and others. They also run the small press, radio show and curatorial project LUMIN.

Butetown History and Arts Centre The Heritage and Cultural Exchange (HCE) is a community based organisation which aims to chronicle the cultural diversity of south Cardiff, a legacy of the city’s industrial and maritime past, when it was a global hub of the coal trade, attracting workers from around the world to its docklands. The collection of photographs, archives, and oral histories, originally compiled by the Butetown History and Arts Centre (BHAC), is being catalogued, digitised, and made more widely available by a team of volunteers, helped along with grant funding. BHAC was founded in the late 1980s, based in Cardiff Docklands, and worked to record the history of the local community. It was led by Glen Jordan, an American academic who moved to Wales to complete the theses of his mentor Sinclair Drake. Butetown History & Arts Centre survived until 2016 when its assets passed to HCE. 

Casey Duijndam and Robyn Dewhurst  contributed to organising and documenting the Black Lives Matter protests across North Wales in 2020. Casey Duijndam is an activist who is half Ugandan, half Dutch and 22 years old. In 2020, during the pandemic, she made history by joining forces with a group of strong women to set up three of the Black Lives Matter protests in North Wales, an experience that was both heartbreaking and empowering. After years of gathering strength, the BLM protests were a pivotal moment in her political life, creating a catalyst for her to start speaking publicly and organising people to stand together and fight against racism in the UK and across the world. Since then she has given numerous interviews about how we can educate ourselves and the people around us, has been the subject of secondary school student essays, and has extended an invitation to North Wales Police to engage in dialogue about their future role in protests.  Robyn Dewhurst is a British artist currently based in North Wales. She works with digital photography and exhibition curation to highlight lesser represented subcultures and socio-cultural groups. Her bold and abrasive images focus on people, practices and events that exist beyond the mainstream. She has collaborated in the past with local LGBTQ+ communities to curate the exhibition ‘QUEER IDENTITY’ in the Leeds Corn Exchange – an event showcasing the personal experiences of LGBTQ+ youths through illustration, film, photography, fine art and performance. She also photographs DIY Drag and Burlesque performers, leading her to larger projects, for example working with the Henry Moore Institute for ‘Age of THE : Athenian’. She graduated from BA (Hons) Photography at Leeds Arts University in 2020.

The Commune Movement Wales, particularly Mid Wales, was a major destination in the 60s-80s for people choosing to leave urban centres and establish intentional communities as part of the Commune Movement. These communes engendered a crossover between different forms of activism, including the women’s liberation movement, environmentalism, anarchism, anti-racism and nuclear disarmament . The movement can be traced through varied forms of publications and printed ephemera, from advertisements in Spare Rib for women’s cooperatives, to flyers hand-printed on gestetner duplicators, circulated amongst communes, then used for fuel in wood burning stoves, to manuals on self-sustainability such as The Whole Earth Catalog, a tome printed in California which was widely used on Welsh communes.

Emma Goldman (1869-1940) was an anarchist feminist activist. Deported from the US to the Soviet Union in 1919, in the 1920s she sought refuge in Ammanford, a coal mining community in South Wales, which was her base for lecturing on socialism, communism, and feminism across the South Wales valleys. She also had ties to the ‘White House’, a centre in Ammanford for collective radical political study and a meeting place for young socialists. Her publications and writing centred around anarchist philosophy and women’s rights, particularly suffrage, free love, birth control, homosexuality, and marriage. She founded the radical monthly journal Mother Earth and her role in the history of feminism is encapsulated in a collection of her works titled Anarchy and the Sex Question. Feminist Library The Feminist Library, open since 1975, is a large archive collection of feminist literature, particularly Women’s Liberation Movement materials dating from the late 1960s to the 1990s. They support research, activist and community projects in this field. The Library is also an autonomous feminist community space. The Library is trans-inclusive, welcomes visitors of any gender, does not require registration or membership, and provides an intersectional, non-sectarian space for the exploration of feminism.

Greenham Common Greenham Common Women’s Peace Camp lasted from 1981-2000. It began when Women for Life on Earth, a Welsh campaigning group, decided to march from Cardiff to RAF Greenham Common, and set up a camp protesting the British government’s decision to store nuclear weapons on the airforce station. Women stayed at the camp for nearly 20 years, staging blockades, actions, and interventions to protest the nuclear threat overshadowing their lives. 

Minna Haukka is a Finnish artist, based in London since 1999. She works with mixed media, installation, sculpture, textiles, video and drawing. Her practice is socially engaged with an interest in deconstructing and repurposing the everyday. She was artist in residence at the Feminist Library in London from 2018–2020, where she has been volunteering since 2015. She is currently lead co-ordinator of the Library’s Curatorial Group. Since 2018, she has collaborated with Kristin Luke on the Mobile Feminist Library project – a white van converted into a library which was part of the Still I Rise exhibition series at De La Warr Pavilion, Bexhill on Sea and Arnolfini, Bristol in 2019. Minna Haukka has been exhibiting nationally and internationally since 1993 and she has co-curated projects in London at the Showroom, Space Station 65 and The Feminist Library, and at HilbertRaum Gallery in Berlin.

Rebecca Jagoe is an Irish artist based in Wales, whose practice encompasses performance, sculpture, textiles, writing, and drawing. Their work is a material memoir which examines how their own experiences of illness and gender, have been informed by specific Western cultural narratives. In particular, their work explores how within European culture, the Feminine is constructed at the meeting point of medical rhetoric and the aesthetics of mainstream fashion. In 2020, their work has been shown online by Wysing (Cambridge, UK) and La Casa Encendida (Madrid, Spain), and they performed at CCA Goldsmiths (London, UK) before lockdown. They have recently shown work at Jupiter Woods (London, 2019)), South London Gallery (2019), and the Whitechapel Gallery (London, 2018). Their writing has been published by Hotel magazine (forthcoming), the Happy Hypocrite (Issue 11, The Silver Bandage), and Frieze magazine, among others. In 2021 they will produce an online broadcast performance with Site Gallery.

Kristin Luke (born in 1984 in Los Angeles, California, USA and based in Penmachno, Snowdonia, Wales) is an artist who works across film, sculpture and live events. From 2019–2020, Luke was the artist-in-residence for The Wall Is _____, a collaborative project with a North Wales housing estate, addressing regeneration and community self-perception and supported by the Paul Hamlyn Foundation. She has been collaborating with Minna Haukka since 2018 on the Mobile Feminist Library. From 2017–18 she was an editorial group member and contributor to Schooling & Culture, a journal on radical education produced in collaboration with MayDay Rooms and The Showroom Gallery. In 2018, she co-programmed a workshop series and built an installation for D.O.P.E., a youth-led alternative education space, supported by the Showroom Gallery and Westminster Council’s Create Fund. In 2018–19 she was a Creative Practitioner for the Lead Creative Schools programme in Wales. In 2015–16 she was an Open School East Associate. She is a member of the artist group MoreUtopia! Her work and projects have been exhibited at galleries including South London Gallery; Arnolfini, Bristol; Somerset House; Enclave; AND/OR; Bas Fischer Invitational, Miami; Jerwood Arts; and The Agency. 

mwnwgl Mae mwnwgl yn gasgleb cyhoeddi a churadu sy’n cynhyrchu sgwennu/celf newydd mewn ieithoedd Cymrae/ig. Cafodd ei rifyn print cyntaf, Anghyfiaith, ei gomisiynu gan oriel g39 a’i ryddhau yng ngwanwyn 2021 gyda gwaith newydd gan Umulkhayr Mohamed, Catrin Menai, Bob Gelsthorpe, Radha Patel, Joanna Wright a Sarah Roberts ar themau o (gam)gyfieithu, tafodau estron a chyfathrebu rhwng a thu hwnt i iaith, ynghyd â gwaith gan Esyllt Lewis, Elin Meredydd a Dylan Huw, sy’n llywio’r prosiect. //  mwnwgl is a publishing and curatorial collective committed to producing and circulating new art/writing in and around Welsh languages. Its first print issue, Anghyfiaith, was commissioned by g39 and released in Spring 2021, featuring new work by Umulkhayr Mohamed, Catrin Menai, Bob Gelsthorpe, Radha Patel, Joanna Wright and Sarah Roberts on themes of (mis)translation, alien tongues and language’s in-betweens, as well as by founding members Esyllt Lewis, Elin Meredydd and Dylan Huw. 

Patriarchaeth is a small independent feminist collective, run by student artists, activists and writers from Wales. Their work focuses on ensuring that the world of Welsh language literature and publishing is limitless, and that there are spaces upheld for new voices and challenging conversations. This is a radical and collaborative publication, taking on the form of a series of bilingual zines each with its own theme. Practising collective creativity as a mode to re-examine their relationship as young people to print, publishing and the arts is at the heart of the project. Patriarchaeth is interested in exploring themes of gender, sexuality and language from a feminist perspective. The group aims to discuss the role of the Welsh language within meaningful and current political discourse. Their feminist work is in solidarity with and committed to intersectionality, trans-inclusivity, abolitionism and anti-racism through prioritising mutual care and solidarity. Dedicated to liberatory pedagogy, Patriarchaeth’s ethos consists of community, justice and joy. 

Monica Sjöö was a visionary artist, eco feminist, writer, grass roots activist and an early pioneer of the Goddess movement. She was a tireless researcher of ancient matriarchal cultures, passionate about recovering what she saw as the suppressed history of women. In addition to her drawings, paintings, and prints, Sjöö was the author and illustrator of three books, a contributor to numerous journals and magazines and was also a prolific letter writer and networker. Images of her work have featured on various book covers, used to illustrate posters and audio tape covers and been included in diaries, magazines, journals and articles all over the world.

With support from Arts Council of Wales National Lottery Fund & Artist Stabilisation Fund, and the Kone Foundation.

New exhibitions and forthcoming events at MOSTYN from November 2020

Posted in nEws and rEleases by alcramer on November 9, 2020

A new exhibition season at MOSTYN.  Exhibition Dates:
14 November 2020 – 18 April 2021

HANNAH QUINLAN AND ROSIE HASTINGS
In My Room / Yn Fy ‘Stafell

Hannah Quinlan & Rosie Hastings, Republic, 2020. Fresco. Court. the artists & Arcadia Missa. 

Commissioned by Focal Point Gallery, In My Room is presented in partnership with MOSTYN and Humber Street Gallery, Hull.

Hannah Quinlan and Rosie Hastings’ first solo institutional exhibition In My Room brings together film, fresco painting and works on paper. As a new body of work, In My Room develops the artists’ inquiry into the politics, histories and aesthetics of queer spaces and culture. This inquiry builds on their travels across the UK whilst making ‘UK Gay Bar Directory (UKGBD)’ 2016, a moving image archive of gay bars, responding to the systematic closure of LGBTQ+ dedicated social spaces. To Quinlan and Hastings, it became apparent through this research that the gay scene caters predominantly to white gay men. This prompted them to consider how this scene strengthens the historic male access to capital and power within the urban landscape.

Rosanna Mclaughlin as been commissioned by Focal Point Gallery to write an accompanying essay, ‘Now You See Me’. Please see her essay in here. Curator: Juliette Desorgues, Curator of Visual Arts, MOSTYN.

NICK HORNBY
Zygotes and Confessions / Sygotau a Chyfaddefiadau 

Nick Hornby, Joe (Resting Leaf), 2020. Resin, ink, lacquer. Courtesy the artist.

Supported by The Moondance Foundation.

Hornby brings high-tech processes to figuration, pulling historical, material forms into the era of screen culture. His works defy conventional distinctions of form and media and  exhibit instead what Hornby terms ‘meta-cubism.’ In this pluralistic approach to perception neither image nor form takes centre stage. The sculptures are produced using digital and industrial processes, but retain the artist’s touch through their final process whereby a liquified image is applied to each work. Gender and sexual identity are explored by the artist in this new series for the first time. Whilst Hornby’s work has previously resisted autobiographical connotations here he explores a sense of personal intimacy or ‘confessions.’

Curator: Alfredo Cramerotti, Director, MOSTYN. A monograph on Nick Hornby, edited by Matt Price, will be published by Anomie in 2021. An exhibition catalogue of Zygotes and Confessions is available for sale at MOSTYN shop from December 2020.

RICHARD WATHEN
New Eyes Every Time / Llygaid Newydd Bob Tro

Richard Wathen, Sleeping after P.G., 2019. Oil on linen over aluminium. Courtesy the artist.

Rooted in the historical canon of painting, Wathen’s work focuses largely on portraiture, depicting figures in states of hesitation and contemplation: listening at walls, pretending to sleep, moon bathing, or engaging in other apparent states of uncertainty. Wathen’s works depict the tumultuous and complex array of human emotions, from anxiety and sorrow to despair, brought on by the socio-economic pressures of contemporary living. The intensity created through the use of small details is powerful and emotional as an expressive gesture. His works subvert the genre of figurative painting through a bold play between figuration and abstraction, between the solid density of the matt surface and the fragility of the figures represented.

Curator:  Alfredo Cramerotti, Director, MOSTYN. An exhibition catalogue of New Eyes Every Time is available for sale from MOSTYN shop from February 2021. 

DIGITAL PROGRAMME Autumn 2020:

QUEER IS NOT A LABEL
23 November – 28 November 2020

QUEER IS NOT A LABEL, is a series of six online performances to be published here on MOSTYN’s website, and on our Instagram channel at 6pm (GMT) daily from 23rd to 28th November 2020.  

graphic image for QUEER IS NOT A LABEL

www.mostyn.org/event/queer-not-label

Supported by Fluxus Art Projects.

QUEER IS NOT A LABEL is a series of events at the crossroads between art, music and performance, initiated and founded in Paris in 2019 by Kévin Blinderman (artist, curator) and Paul-Alexandre Islas (artist, sex worker, DJ), that supports and celebrates radical gender-questioning artists. For this collaboration with MOSTYN, the series includes online performances by Noemi, DJ Fingerblast, Nuh Peace, Bunny Intonamorous, Neurokill, and TRISTAN.

LUMIN RADIO: LOCAL 37
7, 14, 21 December 2020

MOSTYN presents Local 37, a three-part radio series developed in collaboration with LUMIN, an artist-run radio and publisher led by Sadia Pineda Hameed and Beau W Beakhouse.

LUMIN image

www.mostyn.org/event/lumin-radio-local-37

This project was made possible through funding from the Arts Council of Wales’s National Lottery Fund.

The radio series will be broadcast weekly on 7th, 14th and 21st December 2020 at 6pm GMT and will be hosted here on MOSTYN’s website. A full line-up of contributors will be announced shortly.

Local 37 is a fictional underground radio station transmitting dialogue and strategies for the artist as worker. Inspired by the Filipino Labour Union founded in the US in 1933, later called ‘Local 37’, and Carlos Bulosan’s short text ‘The Writer as Worker’, this radio series inhabits the intersections of creation, transmission, and anti-colonial and working-class collectivisation. Local 37 is a manifesto for the artist, building ‘a world of mutual cooperation, mutual protection, mutual love.’

MOSTYN new exhibition season opening: Camille Blatrix + Women’s Art Society II + Thomas Goddard

Posted in nEws and rEleases by alcramer on July 17, 2015

MOSTYN | Cymru | Wales
12 Vaughan Street
Llandudno LL30 1AB
Wales, UK

MOSTYN, Wales’ foremost contemporary visual arts centre, is delighted to announce a new season of exhibitions.

Opening event: Friday 17 July, 6:30pm

 

Camille Blatrix: No School

1

18 July–1 November 2015

Camille Blatrix
No School
With Dorothée Loriquet & François Blatrix
Hosted in a show by Camille Blatrix 
Scenography by Camille Blin
Galleries 4 & 5

In 2014, Blatrix was awarded the prestigious Prix d’entreprise Ricard, which annually gives a monetary prize to an emerging French artist whose work has been exhibited at the Foundation’s space in Paris. For the 16th edition of the award, the Foundation wished to honour the artist with a solo show outside France. The exhibition in MOSTYN, a UK premiere, presents entirely new work by the artist and responds to his visit to the town of Llandudno in 2014. For the show, Blatrix has invited his parents Dorothée Loriquet (a ceramicist) and François Blatrix (formerly an artist) to present their own work alongside his own, hosted within a scenography developed by Camille Blin. The exhibition discusses the role of biography, influence, upbringing and artistic career, setting the tone for MOSTYN’s ongoing Conversation Series, a sequence of shows that brings together exhibitions in conversation.

The exhibition is curated by Alfredo Cramerotti (MOSTYN Director) and produced by MOSTYN, Wales UK and Fondation d’entreprise Ricard, Paris with further support by Fluxus Art Projects. An illustrated, limited edition artist book will accompany the exhibition, featuring essays by Camille Blatrix and Alfredo Cramerotti. Contact shop@mostyn.org to order.

#NoSchool
Download the press release

Women’s Art Society II
18 July–1 November 2015

Elfen_WAS_II_Presentation_2015_01_0

Women’s Art Society II
Galleries 2 & 3
Participating artists: Cornelia Baltes, Sol Calero, Ditte Gantriis, Lydia Gifford, May Hands, Jamian Juliano-Villani, Ella Kruglyanskaya, Shani Rhys James, Caragh Thuring & a historical presentation of artefacts and images.

Women’s Art Society II is the fifth in a series of exhibitions reflecting on the rich heritage and history of the gallery building. The show is a sequel to the first Women’s Art Society exhibition in 2013, which took as its starting point the gallery’s founding in 1901 as the first art space in the world built specifically to house the work of female artists, in this case the work of the Gwynedd Ladies’ Art Society. Women’s Art Society II continues the spirit of the original Ladies’ Art Society, inviting nine internationally active female artists to introduce work in the gallery space over 100 years on. In part, a survey of the discipline of painting today, the works display a range of approaches, styles and conceptual concerns, and point to painting’s continued relevance. The work of contemporary artists will be shown alongside a historical element, which examines the local art scene leading up to the formation of both the Royal Cambrian Academy and the Gwynedd Ladies’ Art Society (GLAS).

This exhibition is curated by Adam Carr (MOSTYN Visual Arts Programme Curator) and produced by MOSTYN, Wales UK. An illustrated publication will accompany the exhibition featuring a curatorial essay and texts on the participating artists by Adam Carr, a foreword-text by Alfredo Cramerotti (MOSTYN Director) and texts on the historical research process by Jane Matthews (MOSTYN Engagement Manager). Contact shop@mostyn.org to order.

#WomensArtSociety2
Download the press release

 

Thomas Goddard
Be More Brando
18 July–8 November 2015

brandosmall12AXIS

Thomas Goddard
Be More Brando
Gallery 6 Uprisings
Be More Brando is a new installation work by Thomas Goddard comprising a film, wall piece, sculpture, text and a limited edition print exploring the mythology surrounding American actor, Marlon Brando. In using his archive of compiled Brando impersonations to uncover the truth behind a global phenomenon, this work is part of the artist’s research into the nature of truth.

Thomas Goddard is based in Swansea and received the 2015 Creative Wales award, as well as the 2015 Artist in Residence at Standpoint Futures in London.

This exhibition is curated by Alfredo Cramerotti (MOSTYN Director) and produced by MOSTYN, Wales UK with the support by Esmée Fairbairn Foundation. A booklet accompanies the exhibition and features texts by Thomas Goddard and Alfredo Cramerotti. Contact: shop@mostyn.org to order.

#BeMoreBrando #Gallery6
Download the press release

 

Continuing
We’ve Got Mail II in Gallery1, until 1 November

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MOSTYN’s audience development programme, History Series 2014–17, is made possible through the generous support of the Arts Council of Wales Lottery Grant and Heritage Lottery Fund.

To be kept up to date with MOSTYN’s new programme, please subscribe to our mailing list by emailing lin@mostyn.org.

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