Curatorview [Alfredo Cramerotti]

“Conflict Reporting” on Third Text, Volume 35, Issue 2 (2021)

Posted in nEws and rEleases, shortEssays/cortiSaggi [English/Italian] by Curatorview on March 26, 2021
Third Text, Volume 35, Issue 2 (2021)

Conflict Reporting

Aestheticising Objectivity

By Alfredo Cramerotti & Lauren Mele

Pages 248-262 | Published online: 29 Jan 2021 | Published in print: February 2021


In 2001, artists Broomberg and Chanarin documented a day in the Iraq war. The result was a visual yet non-descript narrative, achieved with light and presence; a physical documentation of their journey titled The Day Nobody Died. In 1968 photojournalist Eddie Adams captured Saigon Execution in Vietnam, also a war-time image but with the lens of reportage. The former is a rendition of their experience, not bound by the constraints and facets of aestheticising fact. The latter was presented as news and was the receiver of outrage and scrutiny as such. This article explores how representations of humanitarian crises and wartime are complicit in their perpetuation, and how art demonstrates an attempt at representing such events as futile. We seek to establish a link between what is viewed and what is reported; what is seen and what remains outside the picture; an attempt to unravel what the difference is between viewing and witnessing.

Abstract available at



Alternativa 2012 – Alfredo Cramerotti’s inaugural lecture

Posted in nEws and rEleases by Curatorview on May 20, 2012

Alternativa 2012:

Alfredo Cramerotti Tagging and Other Amenities of Contemporary Life

25th of May (Friday)
5 PM Conference Room / Wyspa Institute of Art / Gdansk / Poland

Alfredo Cramerotti’s inaugural lecture will introduce a series of ’tags’, each discussed on its own terms, all taking onboard the idea of how-to use various ’systems’ that govern/influence/complement/sustain our lives i.e. journalism, books, clothing, leisure, cooking and so on. Please don’t assume this would be an exhaustive list of words, as it is not. It will, however, include the following tags, among others: Footnotes, Midpoint, Leisure, Suspension, Reception, Curiosity, Knitting, Skyscraper, Access, Gap, Perspective, Hole, Dependency, Translation

Come along and discover by yourself how all these may come together and make (some) sense.

Direct link here

Blowup: Every Artist, A Journalist

Posted in nEws and rEleases by Curatorview on July 29, 2011

Blowup, 25 August 2011

Institute for the Unstable MediaV2_

Rotterdam, NL

This edition of Blowup will examine the tension between documentary methods and artistic expression, and address where notions of truth and beauty fit in this mix.

Lino Hellings (NL), Alfredo Cramerotti (UK), Gair Dunlop (UK)

Documentary images are a common method to measure and reflect on the monumental scale of change occurring in contemporary society. These images are also highly aestheticised, making beauty even of images of the most desolate slum or industrialised landscape. As a crossover point between art and journalism, the documentary image also allows us to question the veracity of world events from multiple viewpoints, often offering multiple uncomfortable realities instead of a single, easily-digestible worldview. In an era of a massive data onslaught that individuals struggle to cope with, the documentary image continues to offer us a human face on information, sometimes elegantly summarising a complex situation. But what balance needs to be struck between honest portrayals of reality and artistic license?

Institute for the Unstable Media V2_ is an interdisciplinary center for art and media technology in Rotterdam (the Netherlands). V2_’s activities include organizing presentationsexhibitions and workshopsresearch and development of artworks in its own media lab, distributing artworks through its Agency, publishing in the field of art and media technology, and developing an online archive.

Out of the Ghetto?

Posted in shortEssays/cortiSaggi [English/Italian] by Curatorview on January 4, 2011

WikiLeaks’ capacity to inflict damage depends on its relations with the establishment media: “There’s a lesson here for the multitudes: get out of the ghetto and connect with the Oedipal other”, write Lovink and Riemens.

You can find the complete article on Eurozine Newsletter – I pasted here a short version:


Geert Lovink, Patrice Riemens

Twelve theses on WikiLeaks

Vindictive, politicized, conspiratorial, reckless: one need not agree with WikiLeaks’ modus operandi to acknowledge its service to democracy. Geert Lovink and Patrice Riemens see in WikiLeaks indications of a new culture of exposure beyond the traditional politics of openness and transparency.

Thesis 0

“What do I think of WikiLeaks? I think it would be a good idea!” (after Mahatma Gandhi’s famous quip on “Western Civilization”)

Thesis 1

Changing media — Media in change

[…]   WikiLeaks becomes symbolic for a transformation in the “information society” at large, holding up a mirror of things to come. So while one can look at WikiLeaks as a (political) project and criticize it for its modus operandi, it can also be seen as the “pilot” phase in an evolution towards a far more generalized culture of anarchic exposure, beyond the traditional politics of openness and transparency.

Thesis 2

[…]   WikiLeaks manages to capture that attention by way of spectacular information hacks, where other parties, especially civil society groups and human rights organizations, are desperately struggling to get their message across. While the latter tend to play by the rules and seek legitimacy from dominant institutions, WikiLeaks’ strategy is populist insofar that it taps into public disaffection with mainstream politics. Political legitimacy, for WikiLeaks, is no longer something graciously bestowed by the powers that be. WikiLeaks bypasses this Old World structure of power and instead goes to the source of political legitimacy in today’s info-society: the rapturous banality of the spectacle. WikiLeaks brilliantly puts to use the “escape velocity” of IT, using IT to leave IT behind and rudely irrupt the realm of real-world politics.

Thesis 3

[…]   WikiLeaks in its present manifestation remains a typically “western” product and cannot claim to be a truly universal or global undertaking.

Thesis 4

One of the main difficulties with explaining WikiLeaks arises from the fact that it is unclear (also to the WikiLeaks people themselves) whether it sees itself and operates as a content provider or as a simple conduit for leaked data (the impression is that it sees itself as either/or, depending on context and circumstances).  […]

Thesis 5

[…]   The shift from information to infotainment has been embraced by journalists themselves, making it difficult to publish complex stories. WikiLeaks enters this state of affairs as an outsider, enveloped by the steamy ambiance of “citizen journalism”, DIY news reporting in the blogosphere and even faster social media like Twitter. What WikiLeaks anticipates, but so far has been unable to organize, is the “crowd sourcing” of the interpretation of its leaked documents. That work, oddly, is left to the few remaining staff journalists of selected “quality” news media. Later, academics pick up the scraps and spin the stories behind the closed gates of publishing stables. But where is networked critical commentariat? Certainly, we are all busy with our minor critiques; but it remains the case that WikiLeaks generates its capacity to inspire irritation at the big end of town precisely because of the transversal and symbiotic relation it holds with establishment media institutions. There’s a lesson here for the multitudes – get out of the ghetto and connect with the Oedipal other. Therein lies the conflictual terrain of the political.

Thesis 6

[…]   Sovereign hacker Julian Assange is the identifying figurehead of WikiLeaks, the organization’s notoriety and reputation merging with Assange’s own. What WikiLeaks does and stands for becomes difficult to distinguish from Assange’s rather agitated private life and his somewhat unpolished political opinions.

Thesis 7

[…]   Computer scientists and programmers have shaped the information revolution and the culture of openness; but at the same time they have also developed encryption (“crypto”), closing access to data for the non-initiated. What some see as “citizen journalism” others call “info war”.

Thesis 8

[…]   WikiLeaks operates with ridiculously small staff – probably no more than a dozen of people form the core of its operation. While the extent and savviness of WikiLeaks’ tech support is proved by its very existence, WikiLeaks’ claim to several hundreds of volunteer analysts and experts is unverifiable and, to be frank, barely credible. This is clearly WikiLeaks Achilles’ heel, not only from a risk and/or sustainability standpoint, but politically as well – which is what matters to us here.

Thesis 9

[…]   Is WikiLeaks a virtual project? After all, it does exist as a (hosted) website with a domain name, which is the bottom line. But does it have a goal beyond the personal ambition of its founder(s)? Is WikiLeaks reproducible? Will we see the rise of national or local chapters that keep the name? What rules of the game will they observe? Should we rather see it as a concept that travels from context to context and that, like a meme, transforms itself in time and space?

Thesis 10

[…]   The term “organized network” has been coined as a possible term for these formats. Another term has been “tactical media”. Still others have used the generic term “internet activism”. Perhaps WikiLeaks has other ideas about the direction it wants to take. But where? It is up to WikiLeaks to decide for itself. Up to now, however, we have seen very little by way of an answer, leaving others to raise questions, for example about the legality of WikiLeaks’ financial arrangements (Wall Street Journal).

Thesis 11

[…]   So before we call for one, ten, many WikiLeaks, let’s be clear that those involved run risks. Whistleblower protection is paramount. Another issue is the protection of people mentioned in the leaks. The Afghan Warlogs showed that leaks can also cause “collateral damage”. Editing (and eliding) is crucial. Not only OPSEC, also OPETHICS. If publishing is not carried out in a way that is absolutely secure for all concerned, there is a definite risk that the “revolution in journalism” – and politics – unleashed by WikiLeaks will be stopped in its tracks.

Thesis 12

[…]   Despite all its drawbacks, and against all odds, WikiLeaks has rendered a sterling service to the cause of transparency, democracy and openness. As the French would say, if something like it did not exist, it would have to be invented. The quantitative – and what looks soon to become the qualitative – turn of information overload is a fact of contemporary life. The glut of disclosable information can only be expected to continue grow – and exponentially so. To organize and interpret this Himalaya of data is a collective challenge that is clearly out there, whether we give it the name “WikiLeaks” or not.

This is [the shortened version of] an extended version of an article first published on the nettime mailing list and elsewhere in August 2010

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