alcramer [Alfredo Cramerotti]


Posted in nEws and rEleases by alcramer on August 3, 2015

The International Online Magazine of Art and Art Books

Argula Rublack

15 April 2015

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Crane TV

by Tom Jenkins

05 December 2014

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Full video interview (3.30 min) at

The Creators Project

by Kevin Holmes

17 November 2014

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The Guardian Guide

by Skye Sherwin

01 November 2014

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Private View of De/coding the Apocalypse

Posted in nEws and rEleases by alcramer on November 3, 2014

De/coding the Apocalypse

A new exhibition by the visual artist Michael Takeo Magruder exploring contemporary creative visions inspired by and based on the Book of Revelation

Thursday 6 November 2014, 18.30 – 20.00
Followed by an Artist’s Talk, 20.15 – 21.00


Exhibition: Inigo Rooms, Somerset House East Wing, Strand, WC2R 2LS
Talk: Edmond J. Safra Lecture Theatre, Strand Campus, King’s College London, Strand, WC2R 2LS (free)

Please RSVP by Monday 27 October to stating whether you would also like a free ticket to the Artist’s Talk at 20.15.

De/coding the Apocalypse is a new exhibition by the visual artist Michael Takeo Magruder. It explores contemporary creative visions inspired by and based on the last book of the Bible – the Book of Revelation – investigating our enduring fascination with the Book, updating and interrogating both its positive and negative aspects.

The word ‘apocalypse’ originally indicated an ‘unveiling’, and the Book not only documents the destruction of the current world, but also maps out the creation of a new, better one. Using the latest in technology, from 3D printing to virtual reality, the show brings various elements to life in ways that are as playful as they are challenging.

The exhibition is an interdisciplinary collaboration supported by the Cultural Institute that blends arts practice and academic research and follows a one-year artist residency by Michael Takeo Magruder in the Department of Theology & Religious Studies with Lead Academic Professor Ben Quash at King’s College London and Curator Alfredo Cramerotti (MOSTYN). By aligning contemporary art and theological study, the collaboration aims to create new ways of looking at an ancient text and make it relevant for modern audiences. The exhibition is an opportunity for the public to think differently about theology and to gain unique behind the scenes access to the work of leading King’s academics.

Find out more at

The exhibition is open to the public from 7 November until 19 December, Tuesday – Sunday, 12.00 – 18.00. Admission is free.

Presented by the Cultural Institute at King’s College London in partnership with contemporary art centre MOSTYN and the Department of Theology & Religious Studies at King’s. 3D printer and materials generously supplied by PrintME 3D.
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On Expansion: Photography’s Status in a Digital World

Posted in nEws and rEleases by alcramer on March 17, 2014

On Expansion: Photography’s Status in a Digital World

News Story and Vimeo Links

On Expansion was a roundtable discussion that recently took place at King’s College London on 21 January 2014. It was a closed-door workshop led by curator Alfredo Cramerotti (Director, MOSTYN) in partnership with artist/researcher Michael Takeo Magruder (Department of Digital Humanities, King’s College London) that attempted to unpack certain aspects of the status of photography in an increasingly digital world. It is part of the AGM conversation series and was recorded as part of Alfredo Cramerotti’s ongoing research in this area.

On Expansion 3

The event focused on two lines of enquiry, namely: What is photography’s ontological status in the world today when thought in relationship to the omnipresence of the digital image and video? and How does this (digital) photographic moment in the history of image-making change the methodology of artistic and curatorial inquiries, their value, and their justification?

On Expansion 1

Discussion topics included:

  • considering how the visual translations of ideas through various networked social systems have a major impact on our artistic and curatorial practices; examining how – now – images are made, distributed, recycled or found; and how curators are curating contemporary artists using new technology to reflect upon its meaning today.
  • exploring how the artistic and curatorial act of making, manipulating, distributing and ‘digesting’ pictures is hybridized by devices like mobile phones, tablets and computers but, also, virtual reality glasses and game consoles.
  • discussing the work of some artists and theorists in relation to these networked systems.

With an invited group of specialists and practitioners from diverse backgrounds, On Expansion looked at the ways in which conceptions about photography, art, digital practices and curating are in flux, and how these shifts – particularly in the artistic production and curatorial presentation of photography – can engender new ways of thinking about archives, collections, exhibitions and display.

On Expansion 2

Discussants included: Anna Bentkowska-Kafel (King’s College London), Gair Dunlop (University of Dundee), Marialaura Ghedini (University of Sunderland), Andrew Prescott (King’s College London), Anna Reading (King’s College London) and Gillian Youngs (University of Brighton).


Alfredo Cramerotti
Writer and Curator
Director, MOSTYN; Head Curator, APT Artist Pension Trust; Editor in Chief, Critical Photography series, Intellect Books; Research Scholar, eCPR European Centre for Photography Research, University of South Wales +

Michael Takeo Magruder
Artist and Researcher
Department of Digital Humanities, King’s College London +


AGM Culture

On Expansion video documentation
(part 1)
(part 2)
(part 3)
(part 4)
(part 5)

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