alcramer [Alfredo Cramerotti]

Press Coverage for Shezad Dawood’s Leviathan

Posted in nEws and rEleases, Uncategorized by alcramer on December 2, 2017

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Shezad Dawood – Leviathan – Fabbrica Fortuny

Link: http://www.rivistasegno.eu/events/shezad-dawood/

 

Un’ antiguida tra illusioni e leviatani

2017-05-09-PHOTO-Press 2

Il trailer di Leviathan, il nuovo film d’artista di Shezad Dawood

Link: http://www.artribune.com/television/2017/05/video-leviathan-nuovo-film-shezad-dawood/#

 

“Leviathan”, e resilienza. Ecco il progetto di Shezad Dawood, a cura di Alfredo Cramerotti, al Villino Canonica
di Irene Guida

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Link: http://www.exibart.com/notizia.aspIDNotizia=53708&IDCategoria=59

Little Atoms (UK)
Passing but very positive mention, describing the show as “not to be missed”!

Link: http://littleatoms.com/art-design/private-politics-2017-venice-biennale

Un Ospite di Venezia (IT)
Nice local coverage of the film programme in collaboration with MUBI

Link: https://www.a-n.co.uk/news/venice-2017-26-recommended-pavilions-shows-individual-works

 

Agenda Venezia (IT)
Leviathan featured in their agenda

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Link: http://www.agendavenezia.org/it/evento-38029.htm

 

Exibart (IT), Matteo Bergamini, 11.12.2016

IL FUTURO DELLA VIDEOARTE? TRA HBO E NETFLIX. E INTANTO L’ARTISTA INGLESE SHEZAD DAWOOD ANNUNCIA IL SUO FILM IN DIECI PARTI, APPUNTO

Link: http://www.exibart.com/notizia.asp?IDNotizia=51713&IDCategoria=204

 

ARTINFO (US), Nicholas Forrest, 12.12.2016

Shezad Dawood to Launch ‘Leviathan’ Film Cycle in Venice

Link: http://ende.blouinartinfo.com/news/story/1784337/shezad-dawood-to-launch-leviathan-film-cycle-in-venice

 

ArtTribune (IT), Santa Nastro, 24.01.2017

Leviathan, parte da Venezia con una serie tv il progetto dell’artista Shezad Dawood

Link: http://www.artribune.com/arti-visive/arte-contemporanea/2017/01/leviathan-venezia-serie-tv-shezad-dawood

 

Aesthetica (UK), no byline/15.02.2017

Dystopian Communities

 

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Link: http://www.asff.co.uk/dystopian-communities/

 

Flash Art (IT), Sara De Chiara, 25.04.2017

Flash Art 50

Link: http://www.flashartonline.it/2017/04/gli-eventi-collaterali/

 

The Guardian (UK), Hettie Judah, 7 May 2017.

I’ve created a monster! Shezad Dawood on his oceanic epic Leviathan

 

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Link: https://www.theguardian.com/artanddesign/2017/may/07/shezad-dawood-leviathan-venice-climate-change-migrants

 

Il Manifesto (IT), Arianna di Genova, 9.05.2017.

Leviathan featured amongst top picks of the “alternative” guide to the Biennale. Includes Leviathan film still as central image.

 

Mr Porter/The Knowledge, Hettie Judah, 11.05.2017.
Shezad Dawood featured amongst Mr. Porter’s selection of industry heavyweights to look out for at the Venice Biennale

WHO TO SPOT AT THE VENICE BIENNALE

Link: https://www.mrporter.com/journal/the-knowledge/who-to-spot-at-the-venice-biennale/2132

 

ATP Diary (IT), Marco Arrigoni, 13.05.2017:
In-depth interview with Shezad and Alfredo on the origins of Leviathan and the issues it tackles.

Shezad Dawood | Palazzina Canonica e Fabbrica Fortuny, Venezia

Link: http://atpdiary.com/shezad-dawood-venice/

 

Artribune (IT), Ludovico Pratesi, 14.05.2017:

Biennale di Venezia. L’editoriale di Ludovico Pratesi

 

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Link: http://www.artribune.com/arti-visive/arte-contemporanea/2017/05/biennale-venezia-editoriale-ludovico-pratesi/

 

Al Jazeera (ME), Charlie Angela, 15.05.2017:
Interview with Shezad and filming in the library of the Canonica as part of broadcast feature on the Venice Biennale.

Venice Biennale: Refugee crisis takes centre stage

Link: http://www.aljazeera.com/video/news/2017/05/venice-biennale-refugee-crisis-takes-centre-stage-170515031632071.html

 

ArtAsiaPacific (MENASA), HG Masters, 15.05.2017

57TH VENICE BIENNALE, PART 4: COLLATERAL EXHIBITIONS

Link: http://artasiapacific.com/Blog/57thVeniceBiennaleDay4

 

South China Morning Post (CN), Enid Tsui, 15.05.2017

Venice Biennale 2017 round-up: political undertones everywhere, but it’s not all despair and anger

Link: http://www.scmp.com/culture/arts-entertainment/article/2094413/venice-biennale-2017-round-urgent-politic-undertones-flow

 

artnet news, Hettie Judah (US), 14.05.2017

The Turned-On Biennale: An Orgy of Liberal Sex and Liberal Guilt Greets Visitors in Venice

 

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Link: https://news.artnet.com/exhibitions/the-x-rated-biennale-venice-2017-960158

 

L’Uomo Vogue (IT), Elena Bordignon, May Issue.

 

DOMUS (IT), no byline, 16.05.2017

Shezad Dawood’s exhibition in Venice is a reflection on where we could be if a deeper understanding of trauma and climate erosion is not found. #BiennaleArte2017

 

Link: http://www.domusweb.it/content/domusweb/en/news/2017/05/16/leviathan_shezad_dawood.html

BBC Wales (UK), Evening News, 16.05.2017

Link: http://www.bbc.co.uk/programmes/b08ql51q

Sky Arte (IT), Giovanni Zaninotto, 22.05.2017

Vogue India (IN), Shahnaz Siganporia

 

Socialter (FR), Manon Grad Manoukianand

 

Crash (FR), Annabelle Leturq

 

DAWN (PK), Virginia Whiles

 

Mutual Art: APT Collection

Shezad Dawood | Leviathan, 7 May-24 September 2017 Palazzina Canonica, Venice, Italy

 

The Artnewspaper

Collaterals and extras: the Biennale’s other shows

 

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Downloadable PDF: TANMay2017

Shezad Dawood: Leviathan; 2017, courtesy of the artist and UBIK Productions

Episode 1.
Commissioned by: University of Salford Art Collection, Outset Contemporary Art Fund and Leviathan – Human and Marine Ecology, with support from The Contemporary Art Society.
Shezad Dawood: Leviathan; 2017, courtesy of the artist and UBIK Productions
Episode 2.
Commissioned by  Cream – University of Westminster and Leviathan – Human & Marine Ecology
Link:  https://vimeo.com/216299027

ATP diary – Interview

 

【娱乐】LEAP Forum Venice

Link: http://www.iqiyi.com/w_19ru524kct.html

 

Elephant |Shezad Dawood: Leviathan

 

The Absence of Path

Leviathan Episode 2 – Yasmine

Link: http://www.theabsenceofpaths.com/commission/leviathan-episode-2-yasmine

Socialter

Plongée dans le Monde Catacysmique de Shezad Dawood

Face à la mer

Read full article here 

 

Vogue India | July 2017 Issue

Great lengths

Read full article here 

 

 

 

 

 

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Lecture by Alfredo Cramerotti: Hyperimaging

Posted in nEws and rEleases, Uncategorized by alcramer on November 29, 2017

December 1, 2017, at 10:00 AM – 12:00 PM

Konstfack
LM Ericssons väg 14
Box 3601, 126 27 Stockholm
Sweden

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As curator, I am exploring how digitalization has made photography heterogeneous, multiple and interrelated to other media; from print to online streaming and processing via software that translates audio and sonic impulse into images. Photography is now an environment of relation-building, identity-shaping: a ‘territory’ not merely digital, and not exclusively online.

The key shift I am exploring in my body of curatorial research is how an image now is ‘performing’ as well as ‘representing.’ Building upon the work of theorists and image makers such as Vilém Flusser, Marshall McLuhan, Franco Vaccari, Hito Steyerl and Lauren Cornell, I combine a series of curated visual outputs including online platforms (www.expandedphoto.com), lectures (like this one), and exhibitions involving contemporary digital practitioners (e.g. Erica Scourti, Oskar Schmidt, Christopher Meerdo, Clare Strand, Margo Wolowiecz, Thomson & Craighead, Thomas Galler, Eva & Franco Mattes, and others).

More Information here.

Noah’s Ark – The Eight Great Moral Imperatives

Posted in nEws and rEleases by alcramer on November 29, 2017

Noah’s Ark – The Eight Great Moral Imperatives
MFA student Nathalie Gabrielsson presents a cultural format incorporating exhibition, theatre play and conversations.
30 November – 3 December 2017

Teater Tribunalen
Hornsgatan 92, Stockholm
Sweden

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The event strives to unravel the relationship between entrepreneurship and alternative forms of governance, social change, environmental and economic sustainability. A forum where to ask questions about how cultural and social models are affected by ideological matrixes of thinking.

The event is produced and organized by the Kybernein Institute (KI), a research think-tank established by Nathalie Gabrielsson to address the overlaps of policy making with cultural production at the intersection between art, business, and economics.

Read more about the exhibition here.

A new Season of Exhibitions at MOSTYN

Posted in nEws and rEleases by alcramer on November 16, 2017

A New Season of Exhibitions at MOSTYN
FRIDAY 17 NOVEMBER 2017 – 6.30pm onwards

EVGENY ANTUFIEV

Organic resistance: body and knife, crossing the border

18 November 2017 – 18 February 2018

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The first UK solo exhibition by Russian born Antufiev, presents artefacts, ideas and stories collected from, or imagined by, local and mythological cultures from different parts of the world.

The exhibition is organised in partnership with Collezione Maramotti in Reggio Emilia (Italy), where the artist had a major survey of his work in 2013 – the first one in Italy. The Maramotti Collection has continued to follow the research of the artist by acquiring new works over the last few years, and this exhibition will be the first time the works will be shown outside Europe.

This exhibition has been curated by Alfredo Cramerotti, Director, MOSTYN, and will be presented alongside Miles of Creativity, an exhibition curated by Adam Carr, Visual Arts Programme Curator, MOSTYN.
See full exhibition description here.

 

MILES OF CREATIVITY 
18 November 2017 – 18 February 2018

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Featuring creatives:
Beacon Garage, Trish Bermingham, Lin Cummins, Wendy Dawson, Tim Dickinson, Glyn Ellis, Nick Elphick, Julia S. Greaves, Lizzie Hughes, Mark Hughes, Anna Jones, Richard Cynan Jones, Patrick Joseph, Judith Bond Cakes, Barry Morris, North Wales Vapour, Pea J. Restall, Miguel Roque, Mike Ryder, Alana Tyson, Alan Whitfield, Wild Horse Brewery, Emrys Williams, Gwyn Williams, Susan Williams, Sandra Wynne 

Miles of Creativity is a group exhibition that explores the creative act and its relationship to the town of Llandudno, and brings together work by artists and by creative people working in trades not traditionally shown in an art gallery.

This exhibition has been curated by Adam Carr, Visual Arts Programme Curator, MOSTYN.

See full exhibition description here.

 

Gallery 6
John Hedley
Natural Forms 
24 October – 28 January 2018
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Our series of solo exhibitions celebrating contemporary printmaking continues in Gallery 6 with Anglesey based John Hedley.

All prints are for sale framed or unframed, and the Collectorplan scheme allows you to buy unique pieces of contemporary art and craft over a period of 12 months interest free.

 

This exhibition has been curated by Barry Morris, Retail Manager, MOSTYN.

See full exhibition description here.

 

HYPERIMAGING!—Gjon Mili 2017: Award Exhibition/ 15 Edition

Posted in nEws and rEleases, Uncategorized by alcramer on October 12, 2017

HYPERIMAGING!

Gjon Mili 2017: Award Exhibition/ 15 Edition

The opening ceremony will take place on Friday, October 13, 2017 at 20:00th at The National Gallery of Kosovo

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Press Coverage for MOSTYN Open 20

Posted in nEws and rEleases, Uncategorized by alcramer on October 3, 2017

MOSTYN Open 20

8 July – 5 November 2017
The selection of artists for MOSTYN Open 20 represents the continued rise of the gallery’s international profile with participants located in Belgium, Holland, Germany, Portugal, Italy, Switzerland, China, Australia, USA and UK.

 

Manuel Caldeira finalista em prémio de arte contemporânea galês MOSTYN Open 20

Downloadable PDF: Nacional – Manuel Caldeira finalista em prémio de arte contemporânea galês MOSTYN Open 20

Link: https://www.dn.pt/lusa/interior/manuel-caldeira-finalista-em-premio-de-arte-contemporanea-gales-mostyn-open-20-8485359.html

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Cheshire Life

Downloadable PDF: Cheshire Life April 2017

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Daily Post: Llandudno’s MOSTYN takes global stage as latest exhibit sees hundreds of international submissions

Downloadable PDF: Llandudno’s MOSTYN takes global stage as latest exhibit sees hundreds of international submissions – Daily Post

Link: http://www.dailypost.co.uk/whats-on/mostyn-llandudno-open-exhibition-entry-13296172

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Press Coverage for WAGSTAFF’S | 18 February – 25 June 2017

Posted in nEws and rEleases, Uncategorized by alcramer on October 3, 2017

 

WAGSTAFF’S

18 February – 25 June 2017
Historical presentations relating to Wagstaff’s store and the town of Llandudno

 

Art Monthly

Downloadable PDF: ArtMonthly

 

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Sunday Telegraph

Downloadable PDF: Sunday Telegraph April 2017

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Thoughts of Chairman Mwyn

Downloadable PDF: Thoughts of Chairman Mwyn

Link: http://rhysmwyn.blogspot.co.uk

 

Matteo Fato (SOMERSAULT) | curated by Alfredo Cramerotti | Opening: 22.07.2017 h.18.30 | Galleria Michela Rizzo

Posted in nEws and rEleases, Uncategorized by alcramer on July 20, 2017

Matteo Fato
(SOMERSAULT) 

Curated by Alfredo Cramerotti 

Galleria Michela Rizzo | Venice, Italy 

Opening: 22.07.2017, h.18.30

 23.07 – 09.09.2017 

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In the past our technologically conceived artifacts structured living patterns. We are now in transition from an object-oriented to a systems-oriented culture. Here change emanates, not from things, but from the way things are done.

(Jack Burnham, System Esthetics, 1968)

 

Burnham, an art critic and curator, wrote the passage above for an essay in Artforum magazine back in 1968; processes of change take time indeed. In the case of visual culture, and the physical environment underpinning it, the system is both the space (for work) and the material (of the work); concerning with method and form together. 

A “visual system” sits at the crossroad between image, thought, word and time; it exemplifies the mutability (and complexity) of life. A visual medium then brings about not only the message, but the psychic state that enable us to understand that message: “A mental structure, a way of thinking and feeling that expresses itself in everything we say, write, build and develop, from architecture and advertising to film and fine art.”

The presumed coherence of visual practice is constantly called into question by coupling with other system of visual fabrication, communication or representation (text, painting, impression, graphic design, photography, light projection, object construction and oral commentary). It is an environment made of relation-building amongst sign and signal, people and objects. Our visual actions extract meaning upon which build further relations and effects, either autonomously or through conscious arrangements. In Burnham’s words, “Where the object almost always has a fixed shape and boundaries, the consistency of a system may be altered in time and space, its behavior determined both by external conditions and its mechanisms of control.”

We live now according to a system of visual editing; we became a wider, complex “system” in which users double as creators.

On systems, Alfredo Cramerotti

Open Call: HYPERIMAGING! IMAGES IN AND OUT OUR SCREENS

Posted in nEws and rEleases by alcramer on July 15, 2017

“Gjon Mili” 2017

Curated by Alfredo Cramerotti

Assistant curator: Atdhe Mulla

Artistic Liaison: Alexis Brocchi

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Rationale

We refer to images, or the act of creating images, to act socially, politically and even privately. As a consequence of the digital age of photography, the way we are involved in image making is continuous:we can confer it a specific professional or artistic function, or embed it in they way we shape our existence.

When digital images are imposing themselves as a visual translation of the self, the understanding of photography is striving to go away from standard representational practices. Images compose a visual timeline, comparable to a textual linear narrative, where the grammar is made of our shopping lists, chats, social media’s comments or work emails.

Although these images are not coherent when considered together and are produced for different reasons, they become knowledge ‘chunks’ that visually translate different contexts into what we wish others to think of us. They can therefore be understood as a pictorial alphabet, where the possibilities of communicating are infinite and universal, freed from constraints related to textual translation. The result is a flow of visual forms and meanings that are interchangeable, independently from the situations in which they were generated and consumed.

The 2017 “Gjon Mili” Biennial & Award wants to query this hypothesis; focusing on image-making in the digital era, it wants to test if ‘visual authorship’ today is still associated with holding a specific position through the idea of representation, or rather is about delving into an ever-changing process that never produces a ‘finished’ work to display.

Beyond a classic photographic exhibition, the 2017 “Gjon Mili” Biennial & Award will therefore exhibit an expanded narrative of photography through photo-objects, installations, projections, visual data streams and ‘moving wallpapers’ that will put the curatorial rationale to test, and will engage the audience on a path to discovery, self-reflection and open enquiry about the status of visual culture in the beginning of the 21st century. –Alfredo Cramerotti

Access the full GJON MILI Open Call description here

Application documents:

  • Image and /or concept that reflect the curatorial concept
  • Application form ( available at the NGK or by emailin grequest at info@galeriakombetare.com), portfolio and biography.
  • . The most successful work will receive “Gjon Mili “award in value of 1000 euros.

Note:

  • Finished works are not accepted for the application;
  • The works submitted must not be exhibited in the past in NGK;
  • Applications to be addressed in aclosed envelope to:

“Galeria Kombëtare e Kosovës, Rr. Agim Ramadani 360, 10000, Prishtina, Republic of Kosovo”  received before end of working hours on  20.07.2017

  • For more information contact Lirije Buliqi at +38138 225 627

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Friday | 12 May No Way Out. Notes on the Philosophical Implications of the Concept of Anthropocene with Franco “Bifo” Berardi in conversation with Sandro Carniel (CNR – ISMAR)

Posted in nEws and rEleases, Uncategorized by alcramer on May 11, 2017

Friday | 12 May 2017

5pm

No Way Out. Notes on the Philosophical Implications of the Concept of Anthropocene with Franco “Bifo” Berardi in conversation with Sandro Carniel (CNR – ISMAR). Introduced and moderated by Alfredo Cramerotti.

Palazzina Canonica
Riva dei Sette Martiri, 1364
Vaporetto Giardini

See full schedule below

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