Curatorview [Alfredo Cramerotti]

Alfredo Cramerotti @ Wysing Retreat: Of Our Own Making

Posted in nEws and rEleases by Curatorview on May 23, 2014

Wysing Retreat: Of Our Own Making

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Alfredo Cramerotti – Curating oneself. An exploration on curating and ‘the curatorial’ beyond exhibition-making. 

Friday 23 May 2014

Wysing Arts Centre

Bourn, Cambridge, CB23 2TX, UK

In light of increasing connectivity and the pressure of a transforming environment, this retreat, entitled Of Our Own Making, will address the question ‘how do we want to live together?’ The retreat curators are MA students Jennifer KY Lam, Marenka Krasomil, Olivia Leahy, and Sophie Oxenbridge-Hastie.

Across five immersive days a programme of invited speakers and group activities will offer possible interpretations of this question, endeavouring to address its social, environmental and metaphysical implications.

Commencing the retreat, artist Cally Spooner will lead a workshop session and host presentations and discussions by participants on their work. On the following days, Anthony Davies and Jaya Klara Brekke of the MayDay Rooms, a safe house for vulnerable archives and historical material linked to social movements, experimental culture, and marginalised figures, will initiate discussion on current social movements and alternative communities in regards to collaborative ways of living.

Writer, curator, editor and artist Alfredo Cramerotti, director of MOSTYN art gallery, Co-Director, AGM Culture and collective Chamber of Public Secrets, will address the relations between society and the environment, situated within a concept of ecology influenced by the separation of nature and culture. His presentation and open-floor debate will focus on collective curating, Venice pavilions, digital culture, and curating our own future.

Finally, the retreat will examine visionary ideas for the future, with the theoretical and scientific research of English author, theoretician in the field of gerontology and co-founder of the SENS Research Foundation, Aubrey de Grey, on proposed techniques to stop aging. Contributing to this conversation, Richard Noble, lecturer in Fine Art at Goldsmiths College, philosopher and writer, primarily on the intersection of art and politics, will also lead a talk on the politics of utopia in artistic practice.

 

Selected participants for the retreat are: Love Enqvist, Rose Gibbs, Lina Hermsdorf, Gareth Lloyd, Vipash Purichanont, Amy Spencer and Anna Stephens.

 

Alfredo Cramerotti: Alternative Mapping @ CRITICAL WAYS OF SEEING 2014, Goldsmiths College, University of London

Posted in nEws and rEleases by Curatorview on May 21, 2014

CRITICAL WAYS OF SEEING 2014

Visualizing Knowledge and the Digital: Tool, Politics, or Art?

21-22 May 2014

Goldsmiths (University of London)

New Cross, London SE14 6NW

 24 map population-map

Hosted by the Global Media & Transnational Communications Program and Radical Media Forum, Department of Media & Communications

Hashtag: #criticaleyes

 With Philippe Rekacewicz (Le Monde diplomatique/Visions cartographiques), Giulio Frigieri (The Guardian), Alfredo Cramerotti (MOSTYN, Wales’ Contemporary Art Centre), Mushon Zer-Aviv and Galia Offri (Media Activists, Tel Aviv/New York), Stefano Cagol (Contemporary Artist, Italy), Davina Jackson (D-City Network, Australia), Sean Cubitt, Lorenzo Pizzani (Goldsmiths, UK), and Alex Gekker (Utrecht University, NL)

Organizers: Marianne Franklin, Elinor Carmi, and Paola Crespi

Venue: Richard Hoggart Building (RHB) and the New Academic Building (NAB), Goldsmiths

 

Thursday, 22 May

2-3.15pm: Alfredo Cramerotti

Alternative Mapping (RHB 137)

The session will explore our drive to ‘make sense’ of things we know and those we don’t. Starting from the very notion of curating as: organising / scouting / selecting / taking care of / making space for / creating links between, I have developed over the last couple of years a pinterest stream that attempts to ‘map the mapping’: http://www.pinterest.com/alcramer/alternative-mapping/. There are about 330 ‘alternative maps’ on this stream – from the downright bizarre obsession to the most thorough and scientific charting approach one can think of; from kitchen utensils to animal tracks. The session will open up a discussion about our drive to map, need to map, desire to map and, ultimately, what is mapping all about: has the map exceed (finally!) the territory? Has the mapping outgrown the mappable?

 

 

MOSTYN – some press clippings Dec 13-Apr 14: NINA BEIER, TOM WOOD, MERIÇ ALGÜN RINGBORG and RETURN JOURNEY group show

Posted in nEws and rEleases by Curatorview on May 11, 2014

Grazia

9 December 2013

NinaBeier_Grazia_9Dec2013

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Creative Review

by Antonia Wilson

15 January 2014

creative review

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BBC News In Pictures

by Phil Coomes

16 January 2014

BBC News - Photographer Tom Wood's landscapes

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We Heart

by Rob Wilkes

16 January 2014

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The Guardian Guide

by Robert Clark

18 January 2014

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The Leader

by Romilly Scragg

22 January 2014

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Outdoor Photography

1 February 2014

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The Independent Magazine

25 January 2014

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Art Papers

by Chris Fite-Wassilak

14 March 2014

Artpapers

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Art Review

by Oliver Basciano

1 April 2014

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The Book Is Out! PAVILION OF MALDIVES at the 55. International Art Exhibition – la Biennale di Venezia

Posted in nEws and rEleases by Curatorview on May 8, 2014

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THE BOOK IS OUT!

PAVILION OF MALDIVES
55. International Art Exhibition – la Biennale di Venezia

Portable Nation: Disappearance as Work in Progress – Approaches to Ecological Romanticism

COVER MALDIVE

The book ‘Portable Nation: Disappearance as Work in Progress – Approaches to Ecological Romanticism’ offers a range of geo-political positions and research-curatorial methodologies on climate change and their approaches to ecological romanticism.

It expands on several of the themes which emerged conceptually and artistically in the Maldives Pavilion exhibition and six-month-long public programme, and elaborates them in a philosophical, historical, scientific and poetic register within the specific materiality of a book, with its capacity to extend the time, space and context of the ideas beyond the Venice Biennale. It aims to engage a readership further-reaching than the project’s immediate public.

The publication is structured in three main sections: the artists and their projects presented in the Maldives Pavilion, the parallel projects over the six-month period, and the critical text section which includes interviews and thematic analysis. Featuring essays on the geopolitics of climate change and the idea of urgency, the book offers a comprehensive snapshot of the aesthetic, political and poetic dimensions of the situation in the island nation intertwined with a global vision of the climate emergency around the world.

Editors: Dorian Batycka, Camilla Boemio, Alfredo Cramerotti and Aida Eltoire for the 55th International Art Exhibition, la Biennale di Venezia – Maldives Pavilion

Publisher: Maretti Editore
Year: 2014
Pages: 176
Language: English

More about the book at Maretti Editore: http://www.marettieditore.com