alcramer [Alfredo Cramerotti]

Press Coverage for Shezad Dawood’s Leviathan

Posted in nEws and rEleases, Uncategorized by alcramer on December 2, 2017

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Shezad Dawood – Leviathan – Fabbrica Fortuny

Link: http://www.rivistasegno.eu/events/shezad-dawood/

 

Un’ antiguida tra illusioni e leviatani

2017-05-09-PHOTO-Press 2

Il trailer di Leviathan, il nuovo film d’artista di Shezad Dawood

Link: http://www.artribune.com/television/2017/05/video-leviathan-nuovo-film-shezad-dawood/#

 

“Leviathan”, e resilienza. Ecco il progetto di Shezad Dawood, a cura di Alfredo Cramerotti, al Villino Canonica
di Irene Guida

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Link: http://www.exibart.com/notizia.aspIDNotizia=53708&IDCategoria=59

Little Atoms (UK)
Passing but very positive mention, describing the show as “not to be missed”!

Link: http://littleatoms.com/art-design/private-politics-2017-venice-biennale

Un Ospite di Venezia (IT)
Nice local coverage of the film programme in collaboration with MUBI

Link: https://www.a-n.co.uk/news/venice-2017-26-recommended-pavilions-shows-individual-works

 

Agenda Venezia (IT)
Leviathan featured in their agenda

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Link: http://www.agendavenezia.org/it/evento-38029.htm

 

Exibart (IT), Matteo Bergamini, 11.12.2016

IL FUTURO DELLA VIDEOARTE? TRA HBO E NETFLIX. E INTANTO L’ARTISTA INGLESE SHEZAD DAWOOD ANNUNCIA IL SUO FILM IN DIECI PARTI, APPUNTO

Link: http://www.exibart.com/notizia.asp?IDNotizia=51713&IDCategoria=204

 

ARTINFO (US), Nicholas Forrest, 12.12.2016

Shezad Dawood to Launch ‘Leviathan’ Film Cycle in Venice

Link: http://ende.blouinartinfo.com/news/story/1784337/shezad-dawood-to-launch-leviathan-film-cycle-in-venice

 

ArtTribune (IT), Santa Nastro, 24.01.2017

Leviathan, parte da Venezia con una serie tv il progetto dell’artista Shezad Dawood

Link: http://www.artribune.com/arti-visive/arte-contemporanea/2017/01/leviathan-venezia-serie-tv-shezad-dawood

 

Aesthetica (UK), no byline/15.02.2017

Dystopian Communities

 

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Link: http://www.asff.co.uk/dystopian-communities/

 

Flash Art (IT), Sara De Chiara, 25.04.2017

Flash Art 50

Link: http://www.flashartonline.it/2017/04/gli-eventi-collaterali/

 

The Guardian (UK), Hettie Judah, 7 May 2017.

I’ve created a monster! Shezad Dawood on his oceanic epic Leviathan

 

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Link: https://www.theguardian.com/artanddesign/2017/may/07/shezad-dawood-leviathan-venice-climate-change-migrants

 

Il Manifesto (IT), Arianna di Genova, 9.05.2017.

Leviathan featured amongst top picks of the “alternative” guide to the Biennale. Includes Leviathan film still as central image.

 

Mr Porter/The Knowledge, Hettie Judah, 11.05.2017.
Shezad Dawood featured amongst Mr. Porter’s selection of industry heavyweights to look out for at the Venice Biennale

WHO TO SPOT AT THE VENICE BIENNALE

Link: https://www.mrporter.com/journal/the-knowledge/who-to-spot-at-the-venice-biennale/2132

 

ATP Diary (IT), Marco Arrigoni, 13.05.2017:
In-depth interview with Shezad and Alfredo on the origins of Leviathan and the issues it tackles.

Shezad Dawood | Palazzina Canonica e Fabbrica Fortuny, Venezia

Link: http://atpdiary.com/shezad-dawood-venice/

 

Artribune (IT), Ludovico Pratesi, 14.05.2017:

Biennale di Venezia. L’editoriale di Ludovico Pratesi

 

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Link: http://www.artribune.com/arti-visive/arte-contemporanea/2017/05/biennale-venezia-editoriale-ludovico-pratesi/

 

Al Jazeera (ME), Charlie Angela, 15.05.2017:
Interview with Shezad and filming in the library of the Canonica as part of broadcast feature on the Venice Biennale.

Venice Biennale: Refugee crisis takes centre stage

Link: http://www.aljazeera.com/video/news/2017/05/venice-biennale-refugee-crisis-takes-centre-stage-170515031632071.html

 

ArtAsiaPacific (MENASA), HG Masters, 15.05.2017

57TH VENICE BIENNALE, PART 4: COLLATERAL EXHIBITIONS

Link: http://artasiapacific.com/Blog/57thVeniceBiennaleDay4

 

South China Morning Post (CN), Enid Tsui, 15.05.2017

Venice Biennale 2017 round-up: political undertones everywhere, but it’s not all despair and anger

Link: http://www.scmp.com/culture/arts-entertainment/article/2094413/venice-biennale-2017-round-urgent-politic-undertones-flow

 

artnet news, Hettie Judah (US), 14.05.2017

The Turned-On Biennale: An Orgy of Liberal Sex and Liberal Guilt Greets Visitors in Venice

 

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Link: https://news.artnet.com/exhibitions/the-x-rated-biennale-venice-2017-960158

 

L’Uomo Vogue (IT), Elena Bordignon, May Issue.

 

DOMUS (IT), no byline, 16.05.2017

Shezad Dawood’s exhibition in Venice is a reflection on where we could be if a deeper understanding of trauma and climate erosion is not found. #BiennaleArte2017

 

Link: http://www.domusweb.it/content/domusweb/en/news/2017/05/16/leviathan_shezad_dawood.html

BBC Wales (UK), Evening News, 16.05.2017

Link: http://www.bbc.co.uk/programmes/b08ql51q

Sky Arte (IT), Giovanni Zaninotto, 22.05.2017

Vogue India (IN), Shahnaz Siganporia

 

Socialter (FR), Manon Grad Manoukianand

 

Crash (FR), Annabelle Leturq

 

DAWN (PK), Virginia Whiles

 

Mutual Art: APT Collection

Shezad Dawood | Leviathan, 7 May-24 September 2017 Palazzina Canonica, Venice, Italy

 

The Artnewspaper

Collaterals and extras: the Biennale’s other shows

 

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Downloadable PDF: TANMay2017

Shezad Dawood: Leviathan; 2017, courtesy of the artist and UBIK Productions

Episode 1.
Commissioned by: University of Salford Art Collection, Outset Contemporary Art Fund and Leviathan – Human and Marine Ecology, with support from The Contemporary Art Society.
Shezad Dawood: Leviathan; 2017, courtesy of the artist and UBIK Productions
Episode 2.
Commissioned by  Cream – University of Westminster and Leviathan – Human & Marine Ecology
Link:  https://vimeo.com/216299027

ATP diary – Interview

 

【娱乐】LEAP Forum Venice

Link: http://www.iqiyi.com/w_19ru524kct.html

 

Elephant |Shezad Dawood: Leviathan

 

The Absence of Path

Leviathan Episode 2 – Yasmine

Link: http://www.theabsenceofpaths.com/commission/leviathan-episode-2-yasmine

 

 

 

 

 

 

 

 

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Alfredo Cramerotti: Alternative Mapping @ CRITICAL WAYS OF SEEING 2014, Goldsmiths College, University of London

Posted in nEws and rEleases by alcramer on May 21, 2014

CRITICAL WAYS OF SEEING 2014

Visualizing Knowledge and the Digital: Tool, Politics, or Art?

21-22 May 2014

Goldsmiths (University of London)

New Cross, London SE14 6NW

 24 map population-map

Hosted by the Global Media & Transnational Communications Program and Radical Media Forum, Department of Media & Communications

Hashtag: #criticaleyes

 With Philippe Rekacewicz (Le Monde diplomatique/Visions cartographiques), Giulio Frigieri (The Guardian), Alfredo Cramerotti (MOSTYN, Wales’ Contemporary Art Centre), Mushon Zer-Aviv and Galia Offri (Media Activists, Tel Aviv/New York), Stefano Cagol (Contemporary Artist, Italy), Davina Jackson (D-City Network, Australia), Sean Cubitt, Lorenzo Pizzani (Goldsmiths, UK), and Alex Gekker (Utrecht University, NL)

Organizers: Marianne Franklin, Elinor Carmi, and Paola Crespi

Venue: Richard Hoggart Building (RHB) and the New Academic Building (NAB), Goldsmiths

 

Thursday, 22 May

2-3.15pm: Alfredo Cramerotti

Alternative Mapping (RHB 137)

The session will explore our drive to ‘make sense’ of things we know and those we don’t. Starting from the very notion of curating as: organising / scouting / selecting / taking care of / making space for / creating links between, I have developed over the last couple of years a pinterest stream that attempts to ‘map the mapping’: http://www.pinterest.com/alcramer/alternative-mapping/. There are about 330 ‘alternative maps’ on this stream – from the downright bizarre obsession to the most thorough and scientific charting approach one can think of; from kitchen utensils to animal tracks. The session will open up a discussion about our drive to map, need to map, desire to map and, ultimately, what is mapping all about: has the map exceed (finally!) the territory? Has the mapping outgrown the mappable?

 

 

Dear Portrait exhibition reviews on The Guardian & We Heart

Posted in nEws and rEleases by alcramer on September 13, 2013

The Guardian’s Adrian Searle gives his verdict on the best of the Venice Biennale

Posted in nEws and rEleases by alcramer on June 7, 2013

The Guardian

3 June 2013

by Adrian Searle

 

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