ECOARTPROJECT.ORG – PURE WATER VISION: the Exhibition
ECOARTPROJECT.ORG
Saturday 12 March 2011
(English)
PURE WATER VISION: the Exhibition
Exibit of the Acea EcoArt Prize curated by: Laura Cherubini, Eugenio Viola, Alfredo Cramerotti
Auditorium Conciliazione di Roma – Sala del Coro
Via della Conciliazione, 4 – 00193 Roma
Preview and press conference: Monday, 21st March 2011, 12pm
Exhibition Opening: Monday, 21st March 2011, from 6.30pm to 11.00pm
Free entrance: until Tuesday, 5th April 2011
Opening hours: Sun/Thu: 12pm – 8pm, Fri/Sat: 12pm – 10pm (exception: Sat 26th closing at 8pm)
FEATURING THE 10 FINALISTS OF THE ACEA ECOART PRIZE 2010
Antonio De Pascale, Michele Guido, Stephen Mallon, Dacia Manto, Isola e Norzi, Valerio Rocco Orlando, Luciano Romano, George Sachinis (ohipezoume performing arts company), Stefano Scheda, ZimmerFrei.
EcoArt Project info@ecoartproject.org – Ufficio stampa: press@fortunatoproductions.com
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(Italian)
PURE WATER VISION: the Exhibition
Mostra del Premio Acea EcoArt a cura di: Laura Cherubini, Eugenio Viola, Alfredo Cramerotti
Auditorium Conciliazione di Roma – Sala del Coro
Via della Conciliazione, 4 – 00193 Roma
Preview e conferenza per la stampa: lunedi 21 marzo 2011, ore 12.00
Inaugurazione: lunedi 21 marzo 2011, ore 18.30 – 23.00
Mostra aperta ad ingresso libero fino a martedi 5 aprile 2011
Orari: Dom/Gio 12.00 – 20.00, Ven/Sab: 12.00 – 22.00
(eccezione sabato 26 chiusura anticipata alle ore 20.00)
ESPONGONO I DIECI FINALISTI DEL PREMIO ACEA ECOART 2010
Antonio De Pascale, Michele Guido, Stephen Mallon, Dacia Manto, Isola e Norzi, Valerio Rocco Orlando, Luciano Romano, George Sachinis (ohipezoume performing arts company), Stefano Scheda, ZimmerFrei.
CPS 54th Venice Biennale Project – Beirut Talk Trailer
‘The ownership and the status of Lebanese history’ is a performative theoretical research project consisting of three public performances – In Beirut, Messina and Venice
The research performances will form the theoretical base for the 52 min investigative video documentary about the research process and restitution attempt of artworks and artifacts whose stay in Lebanon draws a blank in their provenance description. Artworks such as Guercino’s ‘Samson Captured by the Philistines’, presently part of the New York Metropolitan Museum of Art’s collection, for instance.




















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