Curatorview [Alfredo Cramerotti]

Keynote speech “Oneironaut” by Auronda Scalera + Alfredo Cramerotti @ Videocittà 2023 Festival of Vision and Digital Culture

Posted in nEws and rEleases by Curatorview on July 20, 2023

Keynote speech “Oneironaut” by @aurondascalera + @curatorview about metaverse and AI and how this is changing the curator’s practice, 15 July 2023

Presented for @videocitta 2023, 6th festival of vision and digital culture in Rome.

Sharing the stage with amazing artists and speakers such as @silasveta @piovepunto @invernomuto_hq @theblazeprod @nicolasballario @janisrafa @dixon_ and many others over 3-day immersion in art & new technologies.

Thanks to the amazing team #videocittà @dobrogram #antonelladilullo #guidopietroairoldi @nnrflw @ra_dimartino @damianaleoni #marianafortigomes

Curating & New Technologies: Alfredo Cramerotti’s talk for New Curators curatorial platform, hosted by A4 Arts Foundation, Cape Town, SA

Posted in nEws and rEleases by Curatorview on December 15, 2022

Thursday 15 December 2022, 1pm UK time

A new training course for aspiring curators from lower socio-economic backgrounds has been launched by three former Tate specialists. “So many people who would be interested in curating don’t even try to enter the profession because the courses are prohibitively expensive,” says Mark Godfrey, a former senior curator of international art at Tate Modern.

Godfrey will run the New Curators training programme in collaboration with two co-directors: Kerryn Greenberg, former head of international collection exhibitions at Tate, and Rudi Minto de Wijs, who worked in the institution’s marketing department and served as co-chair of its Black, Asian and Minority Ethnic (BAME) network.

Cramerotti’s talk will focus on how artists relate to technology:

How can artists and curators understand and mobilise changes in technology, from the internet and smart phone to AI, block-chain, NFTs etc?

What are the risks of replicating spectacle-culture and potentials of resisting it?

What do we make of the initial hype surrounding NFTs and subsequent fall?

What does this mean for the future?

What advice would we give emerging curators who are interested in learning about artists working with new technologies?