Curatorview [Alfredo Cramerotti]

53rd annual congress of the International Association of Curators of Contemporary Art (IKT) to take place in Qatar and the UAE from April 8–14, 2025

Posted in nEws and rEleases by Curatorview on April 6, 2025

Doha, Qatar – April 7, 2025  – The Media Majlis Museum at Northwestern University in Qatar and NYU Abu Dhabi are set to host the 53rd annual congress of the International Association of Curators of Contemporary Art (IKT) from April 8–14, 2025, marking the event’s first-ever edition in the Gulf region. The congress will bring together curators, museum directors, and leading figures in contemporary art for a dynamic exchange of ideas on curation, digital innovation, and artistic practice.

The weeklong program will begin in Doha at Northwestern Qatar (April 8–10) before moving to Abu Dhabi (April 11–12), Dubai (April 13), and Sharjah (April 14). Participants will engage in a curated series of exhibitions, symposiums, discussions, and guided tours, offering a rare opportunity for collaboration and cross-cultural dialogue among the region’s foremost art institutions and professionals. 

“We are excited to bring the IKT Congress to the Gulf for the first time and to co-host part of this important gathering on campus,” said Marwan M. Kraidy, dean and CEO of Northwestern Qatar. “Collaboration is at the heart of what we do, and this partnership creates new opportunities for curators, scholars, and artists to exchange ideas and engage with our community. It’s an opportunity to facilitate local and global conversations in contemporary art and curation, and we look forward to the meaningful discussions it will spark.”

The Doha program will feature a symposium titled “Disrupture: Perspectives from the Arabian Peninsula,” examining how curators, artists, and institutions in the Gulf contribute to contemporary discourse. Dean Kraidy will deliver the opening remarks, followed by a keynote address, “Beyond Center and Periphery,” by artist Oraib Toukan, and two panel discussions, each offering diverse perspectives on contemporary curation. 

The first panel, “Museums in the Making,” chaired by Zeina Arida, director of Mathaf: Arab Museum of Modern Art, will explore the development of museum spaces and their impact on artistic and cultural engagement. Panelists Sheikha Alanood Al ThaniLina RamadanMeriam Berrada, and Caroline Hancock will share insights on institutional growth and innovation. 

The second panel, Unlearning and Relearning, led by Alfredo Cramerotti, director of The Media Majlis Museum and IKT president, will examine shifting approaches to curation. Featuring speakers Tirdad ZolghadrNadine KhalilEffat FadagHoliday Powers, and Miguel Blanco-Carrasco, the discussion will explore new curatorial methodologies and the changing relationship between museums, artists, and audiences.

Cramerotti underscored the significance of the event, saying, “Art, curating knowledge, and interdisciplinarity are at the core of the Media Majlis Museum. It’s an honor to explore these topics in the Gulf context with esteemed guests and international curators.” He added, “The IKT Congress 2025 offers a valuable platform for gaining new perspectives and addressing critical issues central to our museum’s work and exhibitions. This event presents a significant opportunity for growth, and we’re proud to be part of it, hosted in Doha at Northwestern University in Qatar in partnership with Qatar Museums, as well as in the UAE, hosted by NYU Abu Dhabi alongside key cultural institutions across three major cities.”

Moving to Abu Dhabi, the symposium will continue with a keynote address titled “Museum Booms and Micro-ecologies,” presented by Mana Ataya, museums advisor to the Sharjah Museums Authority. The symposium will feature a segment of rapid-fire case studies featuring well-renowned personalities, including Salwa Mikdadi; founder of Al Mawrid; Bana Kattan, curator at Guggenheim Abu Dhabi; Stephanie Rosenthal, director at Guggenheim Abu Dhabi Project; Vilma Jurkute, executive director of Alserkal Initiatives; and Pradeep Sharma, director of arts, culture and heritage at Salama bint Hamdan Al Nahyan Foundation. 

Maya Allison, executive director of The Art Gallery and Chief Curator at NYU Abu Dhabi, endorses the concept of IKT expanding into the MENA region and shares, “Contemporary art curators play a key role in identifying and shaping conversations that define our cultural landscapes. By hosting part of the IKT Congress 2025 in Abu Dhabi, we are continuing and expanding the region’s dialogue with global discourses, and investigating the ways in which art is contextualized, exhibited, and understood. The Gulf has long been a place of artistic experimentation, and this gathering is a valuable opportunity to reflect on the unique forces that shape contemporary art here, both within and beyond institutional spaces.”

The Media Majlis Museum reflects Northwestern Qatar’s commitment to holistic education by advancing cultural exchange through exhibitions that blend scholarship, art, and media. Through its partnership with the IKT Congress, it advances the university’s academic mission by connecting contemporary art with local and global communities, amplifying the museum’s impact, and promoting engagement and critical discussions on pressing global and regional issues.

The museum extends a sincere appreciation to its partners for their support of the IKT Congress 2025, including Qatar Museums’ Fire Station Gallery, Museum of Islamic Art, National Museum of Qatar, and Mathaf Arab Museum of Modern Art, as well as Alserkal Avenue, BLR World and Barker Langham, Italian Cultural Institute Abu Dhabi, Sharjah Art Foundation, Warehouse 421, Barjeel Art Foundation, Abu Dhabi Cultural Foundation, Louvre Abu Dhabi, Guggenheim Abu Dhabi, Jameel Art Centre and Jameel Arts, Ishara Art Foundation & Prabhakar Collection, Maraya Art Center, and MIZA.

Ding Yi: Prediction and Retrospection @ Château La Coste, curated by Alfredo Cramerotti

Posted in nEws and rEleases, shortEssays/cortiSaggi [English/Italian] by Curatorview on June 30, 2024

Opening 3 July 2025, Château La Coste, Provence, France

“This exhibition unveils Ding Yi’s mastery in navigating the intersections of tradition and innovation; my aim as curator is to invite every viewer to absorb and immerse oneself into the convergence of form and concept. In Ding Yi’s solo presentation at Chateau Lacoste, expect nothing short of a transcendent journey through the labyrinth of visual language, where every brushstroke resonates with the echoes of cultural memory and contemporary resonance.”

Alfredo Cramerotti, Curator

Keynote speech “Oneironaut” by Auronda Scalera + Alfredo Cramerotti @ Videocittà 2023 Festival of Vision and Digital Culture

Posted in nEws and rEleases by Curatorview on July 20, 2023

Keynote speech “Oneironaut” by @aurondascalera + @curatorview about metaverse and AI and how this is changing the curator’s practice, 15 July 2023

Presented for @videocitta 2023, 6th festival of vision and digital culture in Rome.

Sharing the stage with amazing artists and speakers such as @silasveta @piovepunto @invernomuto_hq @theblazeprod @nicolasballario @janisrafa @dixon_ and many others over 3-day immersion in art & new technologies.

Thanks to the amazing team #videocittà @dobrogram #antonelladilullo #guidopietroairoldi @nnrflw @ra_dimartino @damianaleoni #marianafortigomes

Conference “Transitions: from Contemporary to Digital, and Back Again” by Alfredo Cramerotti and Auronda Scalera at the National Museum of Art Timisoara for the Official Opening of Art Encounters Biennial 2023

Posted in nEws and rEleases by Curatorview on May 13, 2023

Talk on the Art Stage at #NFTNYC2023 in New York City about “Commissioning and Collecting Contemporary Art NFTs”

Posted in nEws and rEleases by Curatorview on April 12, 2023

Speaking and moderating as @curatorview and @mostyngallery on Weds 12th April, 4.30pm with Auronda Scalera @aurondascalera and Peter Hamilton @PeterHamilton on the Art Stage at #NFTNYC2023 about “Commissioning and Collecting Contemporary Art NFTs”

Taking as case studies IAM Infinity Art Museum (blockchain-based) and Seattle NFT Museum (venue-based), I will discuss the approach to the respective projects and how artists relevance in the cultural space at large is imprinted via these new ways of commissioning and collecting art for future generations.

Topics touched upon during the talk include the making of the Seattle NFT Museum & IAM Infinity Art Museum, recent standout artist projects, curating from different perspectives, commissioning projects in the NFT space, and questions about the art market: how should curators, gallerists, and marketplaces tackle some of the challenges in the digital space such as technical, trust, inequality and other issues?

Alfredo Cramerotti speaking at the Inaugural Evidence Session of the UK Government All-Party Parliamentary Group on metaverse, web3, arts & culture at the House of Lords

Posted in nEws and rEleases by Curatorview on April 3, 2023

Today we’re making history indeed as they say!

Honoured to be a witness expert called in for the inaugural Evidence Session of the UK Government All-Party Parliamentary Group on metaverse, web3, arts & culture at the House of Lords.

An incredibly focused session, with key questions asked to the experts invited. A thought-provoking meeting, which will help the UK Government’s direction on arts & advanced technologies. Respect to #baronessuddin and #afaghmulazadeh for conceiving this initiative.

As curators working at the crossroad of contemporary and digital arts – contributing to merging the two – we indicated the main opportunities that lie ahead for the sector:

1) Fostering inclusion, diversity, equity, and access to the art. Not only for the audiences but also for the practitioners who can now create, distribute and sell their works directly to collectors and institution worldwide. And that is important for sustaining creative careers no matter background of geography.

2) Opportunity for cultural organisations to engage with new generations of audiences through broadening their remit – offering a wide range of cultural projects both irl and online in order to nurture the future patrons of the arts.
To achieve this, museums and galleries of the future must build in-house expertise and capacity and this calls for partnership with tech enterprises. Culture organisations and tech businesses must come together.

3) The environmental sostenibility of this merging between contemporary art and digital art allows producers, artists, institutions, the art market itself and its audiences to interact with each other for a fraction of the carbon footprint of the same exchanges irl. Engaging in a meaningful way and enjoying the experience of art is now more sustainable in terms of climate justice.

Digital art is not a replacement of irl experience but it’s a meaningful expansion of it. As curators, we are here to make this possible and to help artists, art institutions and creative businesses to achieve this.

Call it the arts & advanced technologies manifesto if you like.

THE CONTEMPORARY IS DIGITAL ART, panel talk at Art In Space 360 Dubai

Posted in nEws and rEleases by Curatorview on February 24, 2023

Date: 26th February 2023, 4 PM – 4:45 PM

Moderator: Michaela Lallouz

Speakers:Auronda Scalera, Alfredo Cramerotti, Florencia SM Brück, Javier Krasuk

A fire-shooting conversation on the convergence of contemporary and digital art, based on 10 questions:

  1. What defines contemporary digital art, and how has it evolved over time?
  2. How does contemporary digital art challenge traditional notions of art and creativity, and what new opportunities does it present for artists?
  3. How has the rise of digital technology and social media impacted contemporary art, and how have artists adapted to these changes?
  4. What are some of the most significant contemporary digital art movements and styles, and what makes them unique?
  5. How can we better integrate contemporary digital art into mainstream art spaces, and what challenges do we face in doing so?
  6. How can we support emerging digital artists and provide them with the resources and opportunities they need to succeed?
  7. What role do institutions like museums and galleries play in promoting and showcasing contemporary digital art, and how can they better engage with audiences?
  8. How do contemporary digital artists navigate issues of copyright and intellectual property, and what challenges do they face in protecting their work?
  9. How does contemporary digital art reflect and comment on contemporary social and political issues, and what impact can it have on society?
  10. What do you see as the future of contemporary digital art, and how will it continue to evolve and shape the art world?

METAMORPHOSIS hybrid exhibition at Art In Space 360 Dubai & online – launch 24 February 2023

Posted in nEws and rEleases by Curatorview on February 24, 2023

A new digital arts curatorial project IRL & online in collaboration with @artinspace.art in Dubai

METAMORPHOSIS – an exhibition organised by Alfredo Cramerotti @curatorview + Auronda Scalera @auronda, part of the biggest digital art festival in UAE, featuring @viktoriamodesta x @sage_morei @katie.mcintyre @florenciabruck @g.enesiskai

Join us at the BoulevArt Festival in Downtown Dubai from 24-26 Feb 2023 for a fusion of art and technology.

150+ artists that represent the digital generation – the best NFT collectors and curators called to build an unbelievable rich and dynamic digital art festival – @artinspace.art @foundrydowntown @kalimat_artcorp join forces for a 3-day celebration of digital art and NFTs with over 30 galleries participating and 115 artists.

Multiplicity-XXNFT and IAM–Infinity Art Museum: NFTs, Crypto Art & the Metaverse | Talk by Alfredo Cramerotti + Auronda Scalera @ RENDR Creativity & Technology Festival

Posted in nEws and rEleases by Curatorview on February 23, 2023

Alfredo Cramerotti (@curatorview) + Auronda Scalera (@auronda), co-Directors of @infinityartmuseum speak at RENDR 2023, on curating exhibitions and working with contemporary artists bridging the ‘legacy art world’ of cultural institutions and #metaverse #web3 #NFTs #cryptoarts as well as the world of Art & Advanced Technologies (AxAT) in general.

From recent hybrid IRL/online exhibitions such as Mavericks: Warriors, Fighters and Badass Goddesses of the Verse and Metamorphosis to the curatorial & publishing platform Multiplicity-XXNFT and the blockchain-based IAM-Infinity Art Museum, they will tackle the future of art, film, gaming and media on February 23, 6:20pm in Belfast, NI, among 30+ creatives from Netflix, Pixar, Walt Disney Studios, George Lucas Film, and Epic Games.

Other speakers include Mike Reiss (creator of @thesimpsons), @erik.kessels (whom I fondly remember working with on a past edition of @formatfestival), Muki Kulhan (top 20 women in metaverse), Charmaine Chan (of the very @lucasfilm), Dorothy Di Stefano (founder of @moltenimmersiveart & curator of @noorriyadhfestival), @helenstills (yes indeed of #gamesofthrones) and other amazing minds.

IAM–Infinity Art Museum @infinityartmuseum is the first ever-evolving art museum in the Metaverse. It promotes art by connecting artists, curators, and collectors in a creative and immersive way.

NFT Artwork credits: Katie McIntyre
@katie.mcintyre 🙏🙏