alcramer [Alfredo Cramerotti]

New publications from MOSTYN: Richard Wathen and Nick Hornby

Posted in nEws and rEleases by alcramer on May 5, 2021

New Eyes very Time

Rooted in the historical canon of painting, Richard Wathen’s (b. London, 1971; lives and works in Suffolk, United Kingdom) work focuses largely on portraiture, portraying figures in states of hesitation and contemplation: listening at walls, pretending to sleep, moon bathing, or engaging in other apparent states of uncertainty. Wathen’s works depict the tumultuous and complex array of negative human emotions, from anxiety and sorrow to despair, brought on by the socioeconomic pressures of contemporary living. The intensity created through the use of small details is powerful and emotional as an expressive gesture. His works subvert the genre of figurative painting through a bold play between representation and abstraction, between the solid density of the matte surface and the fragility of the figures represented.

The catalogue presents a selection of the large- and medium-format works that can be read as an investigation of the human condition in an age when an image is considered a stand-in for a sentient being. With essays by Alfredo Cramerotti, Juan Bolivar and Rebecca Geldard.

Link here

Zygotes and Confessions

A a new publication devoted to the work of London-based artist Nick Hornby, and has been produced to accompany his first solo exhibition in a public gallery. The exhibition, which shares its title with the publication, is presented at MOSTYN, Wales, UK, from November 2020 to April 2021.

Hornby is known for his monumental site-specific works that combine digital software with traditional materials such as bronze, steel, granite and marble. In this publication he presents a substantial new body of smaller, more intimate work comprising three discrete yet interrelated series of works inspired by the history of sculptural busts, modernist abstractions and mantelpiece ceramic dogs. United by glossy photographic surfaces created by means of an industrial process in which his marble and resin composite sculptures are dipped into liquid photographs, these new works explore themes of portraiture, the body, identity, sexuality and intimacy in the digital era. A number of the works have been made in collaboration with fashion photographer Louie Banks.

Along with a foreword by Helen Boyd, Head of Marketing and Publisher Relations at the Casemate Group, the publication features a text by MOSTYN director Alfredo Cramerotti and an essay by London-based publisher, editor and writer Matt Price. Price writes: ‘With one eye on the sculpture of the past and the other on that of tomorrow, technology is at the heart of London-based Nick Hornby’s practice and is central to the production of his often imposing, mind-bending and futuristic-looking sculptures. Using materials such as bronze and marble, his work points back towards the Renaissance or the nineteenth century, yet his use of resin and digital technology positions him very much in the present, exploring languages both figurative and abstract, often simultaneously.’

The texts are presented in both English and Welsh. Newly commissioned studio photography of the works by Ben Westoby, along with installation views of the exhibition commissioned by MOSTYN from Mark Blower, illustrate the publication, which has been designed by Joe Gilmore / Qubik. The publication is co-published by MOSTYN, Llandudno, and Anomie Publishing, London, and distributed internationally by Casemate Art, a division of the Casemate Group.

Link here

New book by Alfredo Cramerotti: Curating the Image – Notebook for a Visual Journey [Distanz Verlag, Dec 2020]

Posted in nEws and rEleases, shortEssays/cortiSaggi [English/Italian] by alcramer on December 29, 2020

From the publishers’ webpage:

“Unconscious Informing” – For over twenty years, the curator Alfredo Cramerotti (b. Trento, Italy, 1967; lives and works in Llandudno, Wales) has built an extensive collection of visual materials divided into multiple categories. Newspaper clippings, postcards, drawings, flyers, articles, advertisements, other media materials: Cramerotti finds something of interest wherever he looks. He clusters and collages his finds along five independent thematic foci: design approach, alpine culture, leadership, houseplants, and the gaze. Cramerotti’s interest in creating a system of order and reference takes inspiration from the work of Aby Warburg. He uses his collection of imagery to study formal principles of commercial visual culture, adding ironic observations and drawing connections to media trends. With an essay by the curator.

Curating the Image. Notebook for a Visual Journey (download short extract)

Supported by The Ampersand Foundation, L’Artisan Parfumeur , Maria and Theodore Fatsis, Penhaligon’s, Adam Prideaux and Carolin Scharpff-Striebich. Designed by Laura Catania. Published by Distanz Verlag, Berlin.

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