Curatorview [Alfredo Cramerotti]

53rd annual congress of the International Association of Curators of Contemporary Art (IKT) to take place in Qatar and the UAE from April 8–14, 2025

Posted in nEws and rEleases by Curatorview on April 6, 2025

Doha, Qatar – April 7, 2025  – The Media Majlis Museum at Northwestern University in Qatar and NYU Abu Dhabi are set to host the 53rd annual congress of the International Association of Curators of Contemporary Art (IKT) from April 8–14, 2025, marking the event’s first-ever edition in the Gulf region. The congress will bring together curators, museum directors, and leading figures in contemporary art for a dynamic exchange of ideas on curation, digital innovation, and artistic practice.

The weeklong program will begin in Doha at Northwestern Qatar (April 8–10) before moving to Abu Dhabi (April 11–12), Dubai (April 13), and Sharjah (April 14). Participants will engage in a curated series of exhibitions, symposiums, discussions, and guided tours, offering a rare opportunity for collaboration and cross-cultural dialogue among the region’s foremost art institutions and professionals. 

“We are excited to bring the IKT Congress to the Gulf for the first time and to co-host part of this important gathering on campus,” said Marwan M. Kraidy, dean and CEO of Northwestern Qatar. “Collaboration is at the heart of what we do, and this partnership creates new opportunities for curators, scholars, and artists to exchange ideas and engage with our community. It’s an opportunity to facilitate local and global conversations in contemporary art and curation, and we look forward to the meaningful discussions it will spark.”

The Doha program will feature a symposium titled “Disrupture: Perspectives from the Arabian Peninsula,” examining how curators, artists, and institutions in the Gulf contribute to contemporary discourse. Dean Kraidy will deliver the opening remarks, followed by a keynote address, “Beyond Center and Periphery,” by artist Oraib Toukan, and two panel discussions, each offering diverse perspectives on contemporary curation. 

The first panel, “Museums in the Making,” chaired by Zeina Arida, director of Mathaf: Arab Museum of Modern Art, will explore the development of museum spaces and their impact on artistic and cultural engagement. Panelists Sheikha Alanood Al ThaniLina RamadanMeriam Berrada, and Caroline Hancock will share insights on institutional growth and innovation. 

The second panel, Unlearning and Relearning, led by Alfredo Cramerotti, director of The Media Majlis Museum and IKT president, will examine shifting approaches to curation. Featuring speakers Tirdad ZolghadrNadine KhalilEffat FadagHoliday Powers, and Miguel Blanco-Carrasco, the discussion will explore new curatorial methodologies and the changing relationship between museums, artists, and audiences.

Cramerotti underscored the significance of the event, saying, “Art, curating knowledge, and interdisciplinarity are at the core of the Media Majlis Museum. It’s an honor to explore these topics in the Gulf context with esteemed guests and international curators.” He added, “The IKT Congress 2025 offers a valuable platform for gaining new perspectives and addressing critical issues central to our museum’s work and exhibitions. This event presents a significant opportunity for growth, and we’re proud to be part of it, hosted in Doha at Northwestern University in Qatar in partnership with Qatar Museums, as well as in the UAE, hosted by NYU Abu Dhabi alongside key cultural institutions across three major cities.”

Moving to Abu Dhabi, the symposium will continue with a keynote address titled “Museum Booms and Micro-ecologies,” presented by Mana Ataya, museums advisor to the Sharjah Museums Authority. The symposium will feature a segment of rapid-fire case studies featuring well-renowned personalities, including Salwa Mikdadi; founder of Al Mawrid; Bana Kattan, curator at Guggenheim Abu Dhabi; Stephanie Rosenthal, director at Guggenheim Abu Dhabi Project; Vilma Jurkute, executive director of Alserkal Initiatives; and Pradeep Sharma, director of arts, culture and heritage at Salama bint Hamdan Al Nahyan Foundation. 

Maya Allison, executive director of The Art Gallery and Chief Curator at NYU Abu Dhabi, endorses the concept of IKT expanding into the MENA region and shares, “Contemporary art curators play a key role in identifying and shaping conversations that define our cultural landscapes. By hosting part of the IKT Congress 2025 in Abu Dhabi, we are continuing and expanding the region’s dialogue with global discourses, and investigating the ways in which art is contextualized, exhibited, and understood. The Gulf has long been a place of artistic experimentation, and this gathering is a valuable opportunity to reflect on the unique forces that shape contemporary art here, both within and beyond institutional spaces.”

The Media Majlis Museum reflects Northwestern Qatar’s commitment to holistic education by advancing cultural exchange through exhibitions that blend scholarship, art, and media. Through its partnership with the IKT Congress, it advances the university’s academic mission by connecting contemporary art with local and global communities, amplifying the museum’s impact, and promoting engagement and critical discussions on pressing global and regional issues.

The museum extends a sincere appreciation to its partners for their support of the IKT Congress 2025, including Qatar Museums’ Fire Station Gallery, Museum of Islamic Art, National Museum of Qatar, and Mathaf Arab Museum of Modern Art, as well as Alserkal Avenue, BLR World and Barker Langham, Italian Cultural Institute Abu Dhabi, Sharjah Art Foundation, Warehouse 421, Barjeel Art Foundation, Abu Dhabi Cultural Foundation, Louvre Abu Dhabi, Guggenheim Abu Dhabi, Jameel Art Centre and Jameel Arts, Ishara Art Foundation & Prabhakar Collection, Maraya Art Center, and MIZA.

Talk + Walk-through with Alfredo Cramerotti: Diane Dal-pra’s “Dissolutions” and Oren Pinhassi’s “False Alarm”

Posted in nEws and rEleases by Curatorview on July 27, 2023
Courtesy Mostyn Gallery

FREE CURATOR TALK: 
Diane Dal-pra: Dissolutions
Oren Pinhassi: False Alarm
With Alfredo Cramerotti
Friday 28th July 

14.30-15.30

Join Mostyn’s Director, and exhibition curator Alfredo Cramerotti, for this free tour of Dissolutions and False Alarm at Mostyn on July 28.

Find out more about the work of French artist Diane Dal-pra, an ascending art star of contemporary painting in Dissolutions, and the sculptural fragile hybrids in Oren Pinhassi’s exploration of mourning rituals in False Alarm.

Keynote speech “Oneironaut” by Auronda Scalera + Alfredo Cramerotti @ Videocittà 2023 Festival of Vision and Digital Culture

Posted in nEws and rEleases by Curatorview on July 20, 2023

Keynote speech “Oneironaut” by @aurondascalera + @curatorview about metaverse and AI and how this is changing the curator’s practice, 15 July 2023

Presented for @videocitta 2023, 6th festival of vision and digital culture in Rome.

Sharing the stage with amazing artists and speakers such as @silasveta @piovepunto @invernomuto_hq @theblazeprod @nicolasballario @janisrafa @dixon_ and many others over 3-day immersion in art & new technologies.

Thanks to the amazing team #videocittà @dobrogram #antonelladilullo #guidopietroairoldi @nnrflw @ra_dimartino @damianaleoni #marianafortigomes

Alfredo Cramerotti speaking at the Inaugural Evidence Session of the UK Government All-Party Parliamentary Group on metaverse, web3, arts & culture at the House of Lords

Posted in nEws and rEleases by Curatorview on April 3, 2023

Today we’re making history indeed as they say!

Honoured to be a witness expert called in for the inaugural Evidence Session of the UK Government All-Party Parliamentary Group on metaverse, web3, arts & culture at the House of Lords.

An incredibly focused session, with key questions asked to the experts invited. A thought-provoking meeting, which will help the UK Government’s direction on arts & advanced technologies. Respect to #baronessuddin and #afaghmulazadeh for conceiving this initiative.

As curators working at the crossroad of contemporary and digital arts – contributing to merging the two – we indicated the main opportunities that lie ahead for the sector:

1) Fostering inclusion, diversity, equity, and access to the art. Not only for the audiences but also for the practitioners who can now create, distribute and sell their works directly to collectors and institution worldwide. And that is important for sustaining creative careers no matter background of geography.

2) Opportunity for cultural organisations to engage with new generations of audiences through broadening their remit – offering a wide range of cultural projects both irl and online in order to nurture the future patrons of the arts.
To achieve this, museums and galleries of the future must build in-house expertise and capacity and this calls for partnership with tech enterprises. Culture organisations and tech businesses must come together.

3) The environmental sostenibility of this merging between contemporary art and digital art allows producers, artists, institutions, the art market itself and its audiences to interact with each other for a fraction of the carbon footprint of the same exchanges irl. Engaging in a meaningful way and enjoying the experience of art is now more sustainable in terms of climate justice.

Digital art is not a replacement of irl experience but it’s a meaningful expansion of it. As curators, we are here to make this possible and to help artists, art institutions and creative businesses to achieve this.

Call it the arts & advanced technologies manifesto if you like.

Multiplicity-XXNFT and IAM–Infinity Art Museum: NFTs, Crypto Art & the Metaverse | Talk by Alfredo Cramerotti + Auronda Scalera @ RENDR Creativity & Technology Festival

Posted in nEws and rEleases by Curatorview on February 23, 2023

Alfredo Cramerotti (@curatorview) + Auronda Scalera (@auronda), co-Directors of @infinityartmuseum speak at RENDR 2023, on curating exhibitions and working with contemporary artists bridging the ‘legacy art world’ of cultural institutions and #metaverse #web3 #NFTs #cryptoarts as well as the world of Art & Advanced Technologies (AxAT) in general.

From recent hybrid IRL/online exhibitions such as Mavericks: Warriors, Fighters and Badass Goddesses of the Verse and Metamorphosis to the curatorial & publishing platform Multiplicity-XXNFT and the blockchain-based IAM-Infinity Art Museum, they will tackle the future of art, film, gaming and media on February 23, 6:20pm in Belfast, NI, among 30+ creatives from Netflix, Pixar, Walt Disney Studios, George Lucas Film, and Epic Games.

Other speakers include Mike Reiss (creator of @thesimpsons), @erik.kessels (whom I fondly remember working with on a past edition of @formatfestival), Muki Kulhan (top 20 women in metaverse), Charmaine Chan (of the very @lucasfilm), Dorothy Di Stefano (founder of @moltenimmersiveart & curator of @noorriyadhfestival), @helenstills (yes indeed of #gamesofthrones) and other amazing minds.

IAM–Infinity Art Museum @infinityartmuseum is the first ever-evolving art museum in the Metaverse. It promotes art by connecting artists, curators, and collectors in a creative and immersive way.

NFT Artwork credits: Katie McIntyre
@katie.mcintyre 🙏🙏

Mavericks Release x Decentral Art Pavilion SuperRare Spaces, exhibition curated by XXNFT, Auronda Scalera & Alfredo Cramerotti, November 1-5, 2022

Posted in nEws and rEleases by Curatorview on November 1, 2022

Announcing the launch of the Decentral Art Pavilion SuperRare Spaces

Decentral Art Pavilion’s inaugural exhibition “Mavericks: Warriors, Fighters and Badass Goddesses of the Verse” curated by XX NFT, featuring 10 super female artists: Genesis Kai, Ellen Sheidlin, Serwah Attafuah, Ninocence, Katie McIntyre, Cymoonv, Yulia Shur, Marie Serruya, Masha Rudenko, Saira Jamieson

Curators: XX NFT, Auronda Scalera & Alfredo Cramerotti

Release Date: November 1st, 2022, 6pm UK time (UTC +1:00) to November 5th, 2022

Marketplace: https://superrare.com/spaces/decentralartpavilion

Ten women, ten warriors, ten goddesses who don’t need the male gaze anymore.

“The male gaze” was a term first coined in 1975 by feminist film critic, Laura Mulvey, to describe a masculine point of view across movies and literature in which women are presented as the objects of male pleasure. Mulvey states that the female characters in question have no direct influence on the plot, and merely serve as a support or a sexual object for the male.

A question that quickly – and often – comes up in our mind is:

How do women and female-identifying artists represent themselves according to their own vision?

In the past, women (in the large sense of the term) were represented such as muses or object/subject of desire, but the NFT movement provides a new vision of themselves, a real vision. No longer musesor subjects to scrutiny, they are warriors, fighters, present-day goddesses that deal constantly with their minds and bodies and choices and with people that want to decide about their rights for all these.

Carolee Schneemann, a radical feminist artist that changed the history of body art, said “I AM BEING MY BODY”.  And being your body is a hard path in life, in particular if you are a woman. As curators, we realised that through the NFT movement they feel finally free to be like they want, without men (or male-identifying gatekeepers) suggesting or even imposing another vision for their identity.

Disney princesses, Lara Crofts, and Victoria’s Secrets models are definitely passé in this Century, and for good reasons: because to be a shero today you have heart, wisdom, sharpness and grace; and less muscles. Finally.

Artist in conversation: Sïan Rees Astley @ MOSTYN

Posted in nEws and rEleases by Curatorview on March 3, 2020

MOSTYN: Exhibition Programme 2020

Posted in nEws and rEleases by Curatorview on March 3, 2020

Exhibition Programme 2020

MOSTYN
12 Vaughan Street
Llandudno LL30 1AB
United Kingdom

T +44 1492 879201
post@mostyn.org

www.mostyn.org


MOSTYN, Wales UK is thrilled to announce its programme of exhibitions for 2020 which includes solo presentations by artists Kiki Kogelnik, Athena Papadopoulos, Hannah Quinlan and Rosie Hastings, Nick Hornby, Richard Wathen, and Jacqueline de Jong.

March 14–July 5, 2020
Kiki Kogelnik: Riot of Objects
Riot of Objects is the first institutional presentation in the UK to focus on Kiki Kogelnik’s ceramic works. Considered one of the key figures of the post-war avant-garde, Kogelnik’s multidisciplinary oeuvre spans five decades. Her multi-faceted artistic style evolved from painterly abstraction to Pop Art and the representation of the (female) body. This exhibition demonstrates Kogelnik’s boundless capacity for invention and restless commitment to making. Kiki Kogelnik was born in 1935 in Bleiburg, Austria. She lived and worked in New York and Vienna. She died in 1997 in Vienna, Austria. Curated by Chris Sharp in partnership with the Kiki Kogelnik Foundation.

Athena Papadopoulos: Cain and Abel Can’t and Able
This exhibition presents a new body of work by artist Athena Papadopoulos. Using her ever-expanding vocabulary of materials and ancient narratives, which she combines with unlikely elements, this new series of works includes sound, sculpture and painting, and explores human dichotomies, questioning the complicated duality of reason and emotion. Athena Papadopoulos was born in 1988 in Toronto, CA. She lives and works in London. Curated by Alfredo Cramerotti, Director, MOSTYN.

July 18–November 1, 2020
Hannah Quinlan and Rosie Hastings: In My Room
Hannah Quinlan and Rosie Hastings’ first solo institutional exhibition develops the artists’ enquiry into the politics, histories and aesthetics of queer spaces and culture. This newly conceived body of work includes a fresco painting, wall rubbings and a film, and highlights the impact of gentrification upon the city and its gay communities, whilst also exploring the relationship between masculinity, capitalism and power within the urban landscape. Hannah Quinlan and Rosie Hastings were both born in 1991 in Newcastle and London. They live and work in London. Curated by Juliette Desorgues, Curator of Visual Arts, MOSTYN. Commissioned by Focal Point Gallery, In My Room is presented in partnership with MOSTYN and Humber Street Gallery, Hull.

Nick Hornby
This exhibition includes new photo-sculptural works by Nick Hornby, MOSTYN Open 21 “Audience Award” winner, and continues his enquiry into hybridity. Mining the collective index of cultural history, Hornby uses technology not only as a way of invoking potential new worlds but as a way of investigating alternative ways of seeing history. Nick Hornby was born in London in 1980. He lives and works in London and New York. Curated by Alfredo Cramerotti, Director, MOSTYN.

Richard Wathen
MOSTYN Open 21 “Exhibition Award” winner, Richard Wathen‘s solo exhibition comprises a new series of paintings. Rooted in the historical canon of painting, his work focuses largely on portraiture, depicting figures in states of hesitation and contemplation. Through the use of subtle details, his paintings retain a sense of ambiguity by refusing to be fixed in time and place. Richard Wathen was born in London in 1971. He lives and works in Suffolk, UK. Curated by Alfredo Cramerotti, Director, MOSTYN.

November 14, 2020–February 28, 2021
Jacqueline de Jong
Jacqueline de Jong is considered one of the crucial artistic figures of the post-war avant-garde. This exhibition is the first institutional solo presentation of her work in the UK. Throughout her career spanning half a century, de Jong has developed a unique painterly practice. Expressive in style, her work exhibits uninhibited eroticism, violence and humour. In parallel to her work as a painter, she was editor of The Situationist Times (1962-1967) and a member of the Situationist International during her early years in Paris in the 1960s. Jacqueline de Jong was born in 1939 in Hengelo, The Netherlands. She lives and works in Amsterdam, The Netherlands. Curated by Juliette Desorgues (Curator of Visual Arts, MOSTYN) and organised in collaboration with WIELS where the exhibition will be presented by Xander Karskens (Director, De Ateliers) and Devrim Bayar (Curator, WIELS) (June 12-August 16, 2020).

WHAT I SEE: new figurative art in Italy | Museum of Modern and Contemporary Art of Trento & Rovereto / Galleria Civica Trento

Posted in nEws and rEleases by Curatorview on March 3, 2020

 

WHAT I SEE
new figurative art in Italy

Galleria Civica, Trento 15.02 — 24.05.2020
Museum of Modern and Contemporary Art of Trento & Rovereto / Galleria Civica Trento

http://www.mart.trento.it/ciochevedo-en


Curated by Alfredo Cramerotti and Margherita de Pilati

Fourteen Italian artists – young or mid-career – are the protagonists of What I see: an exhibition that presents some of the most important experiences in new figurative painting. Comprehensive technical experience has allowed the artists showing their works to create realistic or hyper-realistic paintings, recovering the style approaches of the best-known classical tradition. Therefore, subtexts and symbolism, allusion and metaphor are all allowed, while at the same time, there is no shortage of fun, irreverence or social commentary. People and everyday objects populate these paintings, immersed in surreal, sensual and fairytale-like atmospheres that both surprise viewers and invite them to get lost in the details.

Exhibiting Artists
Giulia Andreani
Elisa Anfuso
Annalisa Avancini
Romina Bassu
Thomas Braida
Manuele Cerutti
Vania Comoretti
Patrizio Di Massimo
Fulvio Di Piazza
Andrea Fontanari
Giulio Frigo
Oscar Giaconia
Iva Lulashi
Margherita Manzelli

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Press Coverage: IDEAL TYPES [Chapter 2] at Marignana Arte

Posted in nEws and rEleases by Curatorview on February 13, 2020