alcramer [Alfredo Cramerotti]

MOSTYN x DRAF (David Roberts Art Foundation): Upcoming Exhibitions

Posted in nEws and rEleases, Uncategorized by alcramer on July 11, 2018

She sees the shadows
July 14–November 4, 2018

In Addition
Editions by artists
March 3, 2018–February 27, 2021

Louisa Gagliardi / Josephine Meckseper
Opening November 16, 2018

MOSTYN
12 Vaughan Street
Llandudno LL30 1AB
United Kingdom

www.mostyn.org
www.davidrobertsartfoundation.com

MOSTYN, Wales UK is pleased to present a group exhibition of works by over 40 contemporary artists from the David Roberts Collection, marking the first off-site collaboration by David Roberts Art Foundation (DRAF).

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Magali Reus, Parking (Legs At Eye Level), 2014. Courtesy the Artist and David Roberts Collection. Photo: Plastiques.

She sees the shadows

Works by: Caroline Achaintre, Horst Ademeit, Fiona Banner, Sara Barker, Phyllida Barlow, Neil Beloufa, David Birkin, Karla Black, Carol Bove, Martin Boyce, Lea Cetera, Susan Collis, Thomas Demand, Jason Dodge, Boyle Family, Theaster Gates, Isa Genzken, Rodney Graham, Harry Gruyaert, Jeppe Hein, Marine Hugonnier, Pierre Huyghe, Matthew Day Jackson, Tatsuya Kimata, Rachel Kneebone, Elad Lassry, Bob Law, Nina Beier & Marie Lund, Kris Martin, Marlie Mul, Nika Neelova, Man Ray, Magali Reus, Pietro Roccasalva, Analia Saban, Erin Shirreff, Monika Sosnowska, Oscar Tuazon, Gavin Turk, Franz West, Douglas White

Curated by Adam Carr (MOSTYN) and Olivia Leahy (DRAF)
Gallery 3, 4 & 5

“She sees the shadows… she even counts the tree-trunks along a promenade by the shadows, but sees nothing of the shape of things.”(1)

In 1886, a 22-year-old woman in Lyon saw the world around her for the first time. Objects instantly recognisable by touch were hard to distinguish with her new sight, and shadows appeared more concrete than solid forms. Her doctors described the sudden strangeness of familiar environments, and her singular experience of the world as a newly-sighted person.

In his 1932 book Space and Sight, Marius Von Senden collated the patient’s experiences alongside testimonies of similar cases dating from 1020 to the present. These captivating accounts, which later inspired writers including Maggie Nelson and Annie Dillard, express how something familiar can show a previously unacknowledged beauty when seen in a new way.

She sees the shadows is a group exhibition of works from the David Roberts Collection that resonate with the ideas found in Space and Sight. Each artist has re-conceived day-to-day objects and materials in unexpected ways—a bench, plug socket, grate, section of railing or broom—inviting viewers to see alternative qualities and narratives therein.

Each of the works in a collection, like the testimonies compiled by Von Senden, speak of personal experiences and moments. She sees the shadows is accompanied by a new publication with responses to the project from writers Orit Gat, Claire Potter and Sally O’Reilly and artists David Birkin, Jason Dodge, Marine Hugonnier, Marlie Mul, Magali Reus and Douglas White.

(1) M. Von Senden (trans. P. Heath), Space and Sight: the perception of space and shape in the congenitally blind before and after operation, 1932, Methuen & Co. Ltd.: London, 1960.

 

In Addition

Participating artists from July 2018:
Nina Beier, Sol Calero, Gabriele de Santis, Alek O., Jonathan Monk, Simon Dybbroe Møller and Marinella Senatore
Gallery 2

Each participating artist has produced work using paper and has been asked to reconsider the traditional model of producing an edition, where each version of a work is identical. Although appearing formally similar, each In Addition piece will offer deviations and nuances that set apart each edition as a unique work, thereby playing with ideas of the original, the copy and work made in series.

In Addition is permanently installed as an exhibition in MOSTYN’s Gallery 2, and will change shape over time as editions are purchased and as further artists participate in the future. MOSTYN is a charity registered in the UK and proceeds from the sales of the editions will be invested back into the gallery’s exhibition and engagement programme.

 

Louisa Gagliardi / Josephine Meckseper

Gallery 3, 4 & 5

Opening November 16, 2018, solo exhibitions by Josephine Meckseper and Louisa Gagliardi, curated by Alfredo Cramerotti (Director, MOSTYN) and Adam Carr (Visual Arts Programme Curator, MOSTYN), which are the first for both artists in a UK public institution.

Shezad Dawood & Mike Perry // In Conversation at MOSTYN

Posted in nEws and rEleases, Uncategorized by alcramer on June 25, 2018

Saturday 23 June, 2018

MOSTYN

12 Vaughan St | Llandudno | LL30 1AB | UK

11am Exhibition Tour | 2:30pm Conversation with Artists

The two artists, currently showing at MOSTYN, each address contemporary issues around environmental sustainability and the impact of human activity on our natural world.

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Sean Scully: Standing on the Edge of the World @ Hong Kong Arts Centre

Posted in nEws and rEleases by alcramer on March 26, 2018

Curated by Alfredo Cramerotti

28 March 2018 —  29 April 2018

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Born in Dublin, Ireland, in 1945, Sean Scully spent most of his childhood and adolescence in south London, where, before he was even ten years old, he knew he would devote his life to making art. Shortly after leaving school in the mid 1960s, he enrolled at Croydon College of Art, and it was here that he first encountered Abstract Expressionism and Op Art. Influenced by figures on both sides of the Atlantic, including Mark Rothko and Bridget Riley, Scully abandoned his early figurative work, and during his studies at Newcastle University in the late 1960s and early 1970s, began formulating his own abstract language, based on the grid. It was not until he moved to the United States in the mid 1970s, however, where he encountered minimalism, that he first broke free from the grid, and from what he has described as ‘the binding, horizontal and vertical’. It was at this time that he produced his first works that were composed entirely of horizontal bands and lines. Writing from Zurich in March 2006 about this significant epiphany in his nascent oeuvre, Scully reflects: ‘It’s habitual to think of abstraction as abstract. But it’s not, it’s a self-portrait. A portrait of personal conditions, one could say. I left London, and its stability, for New York, and its instability. Correspondingly, I dropped the vertical out of the paintings, along with my own “personal” architecture, so that I could travel along my own horizon’.

Now dividing his time between New York, Germany and Spain, Scully’s journey with the languages of abstraction has evolved into a veritable odyssey, the horizontals and horizons perhaps pursued most clearly today in Scully’s ongoing series ‘Landline’, which brings ideas of abstraction into dialogue with the landscape. Alongside several notable examples from this series, the exhibition also includes works from another major series, ‘Wall of Light’, which began in 1998 and brought together horizontal and vertical bars in part inspired by several trips by the artist to Mexico since the early 1980s, and the remarkable qualities of light he observed falling on ancient stone walls there. ‘Walls, especially old ones, are custodians of memory, witnesses to the passages of human beings, surfaces that bear the traces of history’, he has said.

With an emphasis on new and recent works, including some exhibited for the first time, the exhibition ‘Sean Scully: Standing on the Edge of the World’ features a number of pieces from the past thirty years, selected and arranged by curator Alfredo Cramerotti. The works range from large-scale paintings to small works on paper, accompanied by a number of photographic prints, which, as Cramerotti explores in his illuminating essay for this catalogue, reveal not only some of the complex dynamics at work in Scully’s practice as regards relationships of colour and form, but also encourage viewers to consider the notion of ‘edges’, and in particular the connections between edges in his paintings and those in architecture and in nature. With both the built environment and the natural world, through his paintings, drawings, photographs and sculptural works, Scully invites us to stand on the edges and to look back in through the prism of abstraction.

More information available here.

Programme information provided by: Hong Kong Arts Centre, Timothy Taylor, London and New York, and Ben Brown Fine Arts, London and Hong Kong

IDEAL-TYPES

Posted in nEws and rEleases by alcramer on January 24, 2018

An exhibition at HE.RO [Maurits Hertzberger and Gabriel Rolt], Amsterdam, the Netherlands


Exhibition Dates: 27 January 2017 – 31 March 2018

Formulated by Alfredo Cramerotti, with additional input by Elsa Barbieri on behalf of Art Contemporary, Partnership.

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Exhibition Launch Evening: Saturday 27 January 2018 from 17.00 hrs

With performances by:

Tomoko Mukaiyama

Gernot Wieland

 

See full exhibition details here.

 

HE.RO

BEITELKADE 4, 1021 KG AMSTERDAM

THE NETHERLANDS

OFFICE@HERO-GALLERY.COM

WWW.HERO-GALLERY.COM

 

Noah’s Ark – The Eight Great Moral Imperatives

Posted in nEws and rEleases by alcramer on November 29, 2017

Noah’s Ark – The Eight Great Moral Imperatives
MFA student Nathalie Gabrielsson presents a cultural format incorporating exhibition, theatre play and conversations.
30 November – 3 December 2017

Teater Tribunalen
Hornsgatan 92, Stockholm
Sweden

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The event strives to unravel the relationship between entrepreneurship and alternative forms of governance, social change, environmental and economic sustainability. A forum where to ask questions about how cultural and social models are affected by ideological matrixes of thinking.

The event is produced and organized by the Kybernein Institute (KI), a research think-tank established by Nathalie Gabrielsson to address the overlaps of policy making with cultural production at the intersection between art, business, and economics.

Read more about the exhibition here.

A new Season of Exhibitions at MOSTYN

Posted in nEws and rEleases by alcramer on November 16, 2017

A New Season of Exhibitions at MOSTYN
FRIDAY 17 NOVEMBER 2017 – 6.30pm onwards

EVGENY ANTUFIEV

Organic resistance: body and knife, crossing the border

18 November 2017 – 18 February 2018

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The first UK solo exhibition by Russian born Antufiev, presents artefacts, ideas and stories collected from, or imagined by, local and mythological cultures from different parts of the world.

The exhibition is organised in partnership with Collezione Maramotti in Reggio Emilia (Italy), where the artist had a major survey of his work in 2013 – the first one in Italy. The Maramotti Collection has continued to follow the research of the artist by acquiring new works over the last few years, and this exhibition will be the first time the works will be shown outside Europe.

This exhibition has been curated by Alfredo Cramerotti, Director, MOSTYN, and will be presented alongside Miles of Creativity, an exhibition curated by Adam Carr, Visual Arts Programme Curator, MOSTYN.
See full exhibition description here.

 

MILES OF CREATIVITY 
18 November 2017 – 18 February 2018

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Featuring creatives:
Beacon Garage, Trish Bermingham, Lin Cummins, Wendy Dawson, Tim Dickinson, Glyn Ellis, Nick Elphick, Julia S. Greaves, Lizzie Hughes, Mark Hughes, Anna Jones, Richard Cynan Jones, Patrick Joseph, Judith Bond Cakes, Barry Morris, North Wales Vapour, Pea J. Restall, Miguel Roque, Mike Ryder, Alana Tyson, Alan Whitfield, Wild Horse Brewery, Emrys Williams, Gwyn Williams, Susan Williams, Sandra Wynne 

Miles of Creativity is a group exhibition that explores the creative act and its relationship to the town of Llandudno, and brings together work by artists and by creative people working in trades not traditionally shown in an art gallery.

This exhibition has been curated by Adam Carr, Visual Arts Programme Curator, MOSTYN.

See full exhibition description here.

 

Gallery 6
John Hedley
Natural Forms 
24 October – 28 January 2018
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Our series of solo exhibitions celebrating contemporary printmaking continues in Gallery 6 with Anglesey based John Hedley.

All prints are for sale framed or unframed, and the Collectorplan scheme allows you to buy unique pieces of contemporary art and craft over a period of 12 months interest free.

 

This exhibition has been curated by Barry Morris, Retail Manager, MOSTYN.

See full exhibition description here.

 

Press Coverage for WAGSTAFF’S | 18 February – 25 June 2017

Posted in nEws and rEleases by alcramer on October 3, 2017

 

WAGSTAFF’S

18 February – 25 June 2017
Historical presentations relating to Wagstaff’s store and the town of Llandudno

 

Art Monthly

Downloadable PDF: ArtMonthly

 

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Sunday Telegraph

Downloadable PDF: Sunday Telegraph April 2017

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Thoughts of Chairman Mwyn

Downloadable PDF: Thoughts of Chairman Mwyn

Link: http://rhysmwyn.blogspot.co.uk

 

Mladen Bizumic Kodak Employed 140,000 People. Instagram 13.

Posted in nEws and rEleases by alcramer on May 7, 2017

22 October – 5 February 2017

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Part of MOSTYN’s ongoing ‘Conversation Series’ the exhibition centres on the company Kodak, a primary point of exposure in Bizumic’s work, and pictures the transition from film-based photography to digital imaging.

Through photography and sculpture the work traces a timeline of Kodak’s development, from its founding in 1880 to its subsequent demise in 2012 when the company filed for bankruptcy. The history of photography and of technology’s progression and obsolescence, alongside a chronological parallel of corporate hubris, is captured by Bizumic. These issues act as a lens through which to consider much larger concepts – how the capturing of images, and the technology that enables this, influences not only aesthetic, social and economic relations, but also the resulting effects when they are replaced and taken out of the picture.

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Mladen Bizumic, 2016 installation at MOSTYN. Photo: Dewi Lloyd

Alfredo Cramerotti – Director, MOSTYN and Adam Carr – Visual Arts Programme Curator, MOSTYN talk about the latest in the ‘Conversation Series*’ of exhibitions, showing from 22nd October 2016 until 5th February 2017

 

Daily Post: End of an era for Llandudno post office

Posted in nEws and rEleases by alcramer on May 7, 2017

http://www.dailypost.co.uk/news/north-wales-news/end-era-llandudno-post-office-12240188

As postal services move to a new venue in the town, former workers share fond memories of the Vaughan Street site

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The mail being wheeled along the road outside Bunneys Corner in Mostyn Street Llandudno

For more than a hundred years the grand post office on Vaughan Street served the people of Llandudno.

Its closure just weeks ago marked the end of an era for the seaside town – now customers will have to use the service in WHSmith on Mostyn Street.

The old post office was opened in 1902 next to MOSTYN art gallery.

Following its demise the gallery has put on an exhibition about the postal service, with workers sharing their stories alongside work by contemporary artists.

Ken Jones, one of the last telegram boys in the town took part in the We’ve Got Mail III exhibition.

He became a postman just as the seven-week strike began in 1971 – part of his job was to help clear the huge backlog of mail when the protest was over.

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Items on show in Mostyn from the old post office

Ken told the Daily Post: “I’d left school when I was 15 and followed my dad John Henry Jones into the Royal Mail.

“He also started as a telegram boy in Llandudno, and when he was older he was transferred to Llangollen.

“He used to tell us stories about how he was given a dozen eggs and cups of tea on his rounds.”

Ken clearly enjoyed working for Royal Mail for 42 years.

When a telegram arrived from the Queen for a 100th birthday, postmen had to phone Buckingham Palace to confirm it had been delivered to the recipient.

“I had a telegram for an address in Craigside, Llandudno, which was strange as I knew the house was empty,” remembers Ken.

Ken knocked at the door and an old lady answered.

“She told me that she’d asked her residential home to let her wake up in her own bed for her 100 birthday.” said Ken.

Another memorable day for Ken was when he was driving around Penrhynside a little too fast.

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Gwyn Hughes (pictured) learnt to ride a bicycle on the one used by his uncle Thomas Ieuan Hughes when he was a telegram boy. Gwyn remembers riding on the red bike through the cornfields near Llanrhos

“The thing with Penrhynside is that it’s a small village with many chapels and a couple of pubs.

“Whenever one of the chapels went on one of their annual day trips to Blackpool or somewhere those that went wrote postcards to the rest of the village so I was stuck delivering all these postcards even though they’d only been to Southport for the day.

“One Saturday I was in the Royal Mail van and was speeding a little too fast around the narrow lanes of Penrhynside as I wanted to get home to play football.

“I lost control and ended up putting the van on top of somebody’s roof.

“The owner was in the bath at the time and had a bit of a shock.”

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Post office whist drive and dance at the St Georges Hotel in 1937

Ken said he enjoyed the camaraderie of working for the service.

He said: “One of the funniest days was when we had a damaged packet that turned out to be full of live locusts, they were destined for an owner of a snake.

“And even though all the locusts had gone, I still had to deliver the package.

“When the person asked what had happened to them, I told him he was very welcome to come down to the sorting office and catch them, as they were hanging off the ceiling lights and jumping all over the place.”

Coverage of We’ve Got Mail III Exhibition in Print:

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Acts of Appearance – Photographic Exhibition launch and talk at MutalArt / APT HQ, London, UK

Posted in nEws and rEleases, Uncategorized by alcramer on April 25, 2017
  • Wednesday 26 April 2017, 6pm

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