TVE Metropolis – Manifesta 8: Thierry Geoffroy / Colonel
Special Metropolis TV format from TVE Spain about Manifesta 8 / CPS Chamber of Public Secrets / Thierry Geoffroy a.k.a. Colonel
” Empezamos la emisión con un fragmento del video de entrevistas de THIERRY GEOFFROY/COLONEL (Francia), en el que bajo un formato de reportaje televisivo, el personaje del inspector Colombo investiga si realmente existe diálogo entre Europa y el Norte de África, haciendo suyo el tema fundamental de la bienal: averiguar el estado de las relaciones entre ambas culturas. “
TVE Metropolis – Manifesta 8
Special Metropolis TV format from TVE Spain about Manifesta 8 / CPS Chamber of Public Secrets
Manifesta 8, the European Biennial of Contemporary Art
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| Manifesta 8, the European Biennial of Contemporary Art, will take place in the Region of Murcia (Spain) in dialogue with northern Africa, from October 9, 2010 until January 9, 2011.
Preview days: October 7 and 8 |
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| In the framework of Manifesta 8, a trio of independent projects is being initiated by the three curatorial collectives responsible for the artistic content of Manifesta 8, in order to further investigate the potential for establishing a closer dialogue with northern Africa.
Alexandria Contemporary Art Forum (Egypt) has already initiated a series of discussions aiming to research the potential for the creation of a new pan-African roaming biennial, tranzit.org (Austria, Czech Republic, Hungary and Slovakia) will develop an in-depth publication to examine the various links, narratives and discrepancies between Post-colonial and Post-communist communities, while Chamber of Public Secrets (Scandinavian Countries, Italy, Lebanon and U.K.) will set up a collaboration with the popular Arab language talk-show Heewar Maftouh (Open Dialogue), broadcast on the Al Jazeera network. Bringing you the answers before we know the question: four positions regarding the idea of a pan-African roaming biennial The project aims to facilitate the articulation of critical positions regarding the notion of a pan-African, roaming art biennial. The Incubator will avoid assumptions or simple assessments of what a biennial looks like, what is its context, what effect it has, and whether it can even be done. The Incubator will identify and bring together perspectives from curators, artists, cultural producers and active sponsors, whose current activities reveal the desire to find room for autonomy and progressive experimentation within their respective contexts. Articulating this research should bring together a set of historically and politically informed viewpoints, while paying attention to infrastructure and pragmatic issues. These will happen through several means: the symposium taking place during the opening of Manifesta 8; a website; a workshop which will take place in an African city in April 2011; the appointment of key voices as planners; the production of a publication in September 2011. The Incubator and its platforms should register these positions as an (uneven) landscape upon which others may imagine a new biennial, a roaming biennial, an alternative structure or a model responding to a different set of priorities entirely. Post-colonial / Post-communist Reader For their project, tranzit.org decided to establish a critical counter-check and revision of the so-called post-colonial, the de-colonised and the post-communist conditions of transformation. This will be the subject of a Reader published by the Manifesta Foundation in collaboration with tranzit.org and Erste Stiftung after the closure of Manifesta 8. The aim of the book is to facilitate the transfer of critique, research and thinking between specific notions and concepts of post-colonial thought, and to provide post-communist and transformational inquiries. One of the major challenges of the publication is to establish an exchange of some of those imaginary utopias, disappeared since the end of the Cold War. ¿The Rest is History? Chamber of Public Secrets’ (Alfredo Cramerotti and Khaled Ramadan) choice to work intensely with the media, as both a constructive and divisive agent, addresses the concept that reality is not a fact to be understood, but rather an effect to be produced. In keeping with this engagement, CPS is collaborating with Ghassan Ben Jeddou, a prominent journalist and host of the talk show Hiwar Maftouh (Open Dialogue), regularly broadcast on the Arabic Al Jazeera network. Over the past 10 years, through its perceptive programming, this international news network has taken an intensive role in recording and re-writing Arab history. Accordingly, during Manifesta 8, Ben Jeddou will produce two broadcasts focusing on some of those narratives shared between Spain, northern Africa and the Arab world. These will address the complex nature of this transnational dialogue which, despite giving birth to a project of great potential for multiple perspectives, also reveals itself as negotiating history in parallel terms of honour and denial. For more information: |
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Manifesta Coffee Break 2009
Manifesta Coffee Break is a recurring public meeting, serving as an active tool to discuss the concept of Manifesta within a larger critical context. The fifth Coffee Break takes place on 12 and 13 December 2009 in Murcia, Spain, in preparation for Manifesta 8, and in direct relation to the context of the European Biennial of Contemporary Art, which will take place in 2010. Titled Towards Manifesta 8, this Manifesta Coffee Break brings together both local and international artists, curators, theorists, writers and other art professionals to reflect on Manifesta’s logic in direct relation to Murcia-Cartagena and its links with northern Africa. It is open for all who are interested, and consists of sessions by the three curatorial teams of Manifesta 8 together with invited speakers and guests.

Chamber of Public Secrets (CPS)
“Unfaithful Relations: Art, Engagement and Audience within the Biennial Model”
December 12, 10.00-13.30
with contributions by: Sara Black, Alfredo Cramerotti, Christine Eyene, Rian Lozano, Fay Nicolson and Khaled Ramadan
Through presentations and work groups at the Manifesta Coffee Break, CPS will start a dialogue about the role and involvement of the audience in the region of Murcia: visitors, artists, students and media presence. How can the local art scene, cultural producers and activists make a sustainable use of a biennial, in terms of time, space and continuity? What possibilities are there for audience development? And how to avoid or respond to the common skepticism of the local (art) scene towards a biennial which can be viewed as welcome/unwelcome or invited/invasive? The presentations by Sara Black (Great Britain) and Christine Eyene (France/Cameroon) do not attempt to answer these questions, but discuss potential approaches towards audience inclusion.
Alexandria Contemporary Arts Forum (ACAF)
“The Aesthetic Compass: Human Geography and its Reverberations in Art”
December 12, 16.00-19.30
with contributions by: Jeremy Beaudry, Sherif El Azma, Bassam El Baroni, Nida Ghouse and Yaiza Hernández Velázquez
tranzit.org
“Post-Communist as well as Post-Colonial”
December 13, 10.00-13.30
with contributions by: Zbyněk Baladrán, Erick Beltrán, Vít Havránek, Dóra Hegyi, Richard Kostelanetz, Boris
Ondreička and Georg Schöllhammer
For a video excerpt of MCB:













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