alcramer [Alfredo Cramerotti]

HYPERIMAGING! IMAGES IN AND OUT OUR SCREENS – Artists and opening ceremony announced

Posted in nEws and rEleases by alcramer on September 22, 2017

THE NATIONAL GALLERY OF KOSOVO HAS THE PLEASURE TO INVITE YOU TO ATTEND THE OPENING OF GJON MILI 2017 AWARD EXHIBITION/15TH EDITION

HYPERIMAGING! Images in and out of our screens

13.10. 2017-13.11. 2017

Curated by Alfredo Cramerotti

 

be yourself

The opening ceremony will take place on Friday October 13th, 2017 at 20:00H at the National Gallery of Kosovo, Pristina.

Participating artists:

Have it / Margo Wolowiec / Anne De Vries / Erica Scourti / Clare Strand / Jeff Guess / Eliza Hoxha / Alice Pedroletti / Christopher Meerdo / Oskar Schmidt / Brilant Pireva / Kushtrim Asllani / Jordan Tate / Dardan Zhegrova / Sadi Suhodolli (TADI) / Thomson&Craighead / Eva&Franco Mattes / Thomas Galler / Claudia Sola

Curated by Alfredo Cramerotti / Assistant curator: Atdhe Mulla / Artistic Liaison: Alexis Brocchi.

More info:

http://www.aicauk.org/2017/09/18/hyperimaging-images-in-and-out-our-screens/

Image: So Like You, 2013-15. Courtesy Erica Scourti

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Hyperimage: Towards a Theory of Expanded Photography – paper presentation at UCL conference

Posted in nEws and rEleases by alcramer on September 9, 2016

guess-2

Image courtesy: Jeff Guess

Photography in Academic Research international conference at UCL Heritage Studies, in collaboration with RAI (Royal Anthropological Institute) and Birkbeck, Department of Politics, London, UK, 8-9 Sept 2016

ALFREDO CRAMEROTTI (MOSTYN and eCPR European Centre for Photography Research, University of South Wales) presents a paper on Hyperimage: Towards a Theory of Expanded Photography

Friday 9 September 12:30, Room B10

We are all implicated in photography whether we like it or not. Whether we associate this visual language with a precise function or use it to shape ourselves as individuals and communities, we trade our existence in images. We refer to images and image-making in social, political and cultural act.

The established categories in which photography was once subdivided, practiced, understood and discussed have been reconfigured. It’s as though our society has freed image-making from previously articulated specific applications, blurring the boundaries between genres and functions, and rendering the photographic image as a free-floating subject on its own, detached from any relation specific to its origins; what we may term as “hyperimage’.

#photographypluscontext

#hyperimage

#expandedphotography

La verità dell’esperienza, corto saggio su Artribune e Digimag [Italian]

Posted in shortEssays/cortiSaggi [English/Italian] by alcramer on September 16, 2011

Artribune, martedì, 6 settembre 2011

Digimag, numero 66, luglio-agosto 2011


[image: Michael Wolf, ‘A Series of Unfortunate Events]
La verità dell’esperienza
Annotazioni sulla fotografia espansa. Ovvero, Alfredo Cramerotti riflette su come la fotografia non sia più né un genere né suddivisibile in generi. Ben di più: è un “alfabeto”, un “archivio”. Anzi, la vita stessa, oramai.

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