alcramer [Alfredo Cramerotti]

HYPERIMAGING!—Gjon Mili 2017: Award Exhibition/ 15 Edition

Posted in nEws and rEleases, Uncategorized by alcramer on October 12, 2017

HYPERIMAGING!

Gjon Mili 2017: Award Exhibition/ 15 Edition

The opening ceremony will take place on Friday, October 13, 2017 at 20:00th at The National Gallery of Kosovo

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Open Call: HYPERIMAGING! IMAGES IN AND OUT OUR SCREENS

Posted in nEws and rEleases by alcramer on July 15, 2017

“Gjon Mili” 2017

Curated by Alfredo Cramerotti

Assistant curator: Atdhe Mulla

Artistic Liaison: Alexis Brocchi

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Rationale

We refer to images, or the act of creating images, to act socially, politically and even privately. As a consequence of the digital age of photography, the way we are involved in image making is continuous:we can confer it a specific professional or artistic function, or embed it in they way we shape our existence.

When digital images are imposing themselves as a visual translation of the self, the understanding of photography is striving to go away from standard representational practices. Images compose a visual timeline, comparable to a textual linear narrative, where the grammar is made of our shopping lists, chats, social media’s comments or work emails.

Although these images are not coherent when considered together and are produced for different reasons, they become knowledge ‘chunks’ that visually translate different contexts into what we wish others to think of us. They can therefore be understood as a pictorial alphabet, where the possibilities of communicating are infinite and universal, freed from constraints related to textual translation. The result is a flow of visual forms and meanings that are interchangeable, independently from the situations in which they were generated and consumed.

The 2017 “Gjon Mili” Biennial & Award wants to query this hypothesis; focusing on image-making in the digital era, it wants to test if ‘visual authorship’ today is still associated with holding a specific position through the idea of representation, or rather is about delving into an ever-changing process that never produces a ‘finished’ work to display.

Beyond a classic photographic exhibition, the 2017 “Gjon Mili” Biennial & Award will therefore exhibit an expanded narrative of photography through photo-objects, installations, projections, visual data streams and ‘moving wallpapers’ that will put the curatorial rationale to test, and will engage the audience on a path to discovery, self-reflection and open enquiry about the status of visual culture in the beginning of the 21st century. –Alfredo Cramerotti

Access the full GJON MILI Open Call description here

Application documents:

  • Image and /or concept that reflect the curatorial concept
  • Application form ( available at the NGK or by emailin grequest at info@galeriakombetare.com), portfolio and biography.
  • . The most successful work will receive “Gjon Mili “award in value of 1000 euros.

Note:

  • Finished works are not accepted for the application;
  • The works submitted must not be exhibited in the past in NGK;
  • Applications to be addressed in aclosed envelope to:

“Galeria Kombëtare e Kosovës, Rr. Agim Ramadani 360, 10000, Prishtina, Republic of Kosovo”  received before end of working hours on  20.07.2017

  • For more information contact Lirije Buliqi at +38138 225 627

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‘697 MADRI’ by Stefano Cagol presents a lecture by Alfredo Cramerotti

Posted in nEws and rEleases by alcramer on July 29, 2016

In the frame of the solo project ‘697 MADRI’ by Stefano Cagol, Alfredo Cramerotti holds the lecture ‘The expanded image. The mutation of the role of contemporary photography’

‘The expanded image. The mutation of the role of contemporary photography’

Lecture: August 6, 2016, 18.00 hrs

http://www.697madri.eu

 

THE PROJECT
697 MADRI (697 mothers) refers to the 697 young soldiers died in the First World War in this border area of Trentino South Tyrol and buried by the Austro-Hungarian Monumental Military Cemetery in Bondo.

On July 2nd, 2016 the artist Stefano Cagol called all the women to come to the small village of Bondo (700 inhabitants) in the middle of the Alps and the Dolomites for a participatory performance. Hundreds of women came from all the region and outside and walked and staid on the monumental granite stairs recalling the personal and family suffering beyond flags, troops and belongings. They became part of a new monument to life and this action has been fixed by video and photographic images by the artist.

Now the artworks are on view till September 17th, 2016 by the Antica Chiesa di San Barnaba – Ancient Church of Saint Barnaba in Bondo, together with an installation (aluminum and sound) that recall, with sharp edges, the extreme conditions of the soldiers waging war on the top of these mountains that actually appear as a natural paradise.

 

THE LECTURE
In this border region, in a small village in the middle of the Alps, in a symbolic place recalling the continue conflicts and the human consequences of wars, it is extremely relevant the presence of Alfredo Cramerotti for a lecture about the role of images nowadays. Lecture: August 6, 2016, 18.00 hrs

Alfredo Cramerotti is the Director of MOSTYN, the main art center in Wales; he was born in Trentino and this is the first time he comes back for an art event. Cramerotti and Stefano Cagol had the chance to collaborate for the Maldives National Pavilion at 55th Venice Biennale: Cagol as participating artist and Alfredo Cramerotti as part of the curatorial collective CPS-Chamber of Public Secrets.

The lecture ‘The expanded image. The mutation of the role of contemporary photography’ by Alfredo Cramerotti is realized with the participation of Franco Marzatico, Superintendent for Cultural Heritage of the Autonomous Province of Trento.

 

THE PROMOTING INSTITUTION
The project and the collateral program are promoted by the Scuola Musicale Giudicarie: www.scuolamusicalegiudicarie.it
With the support of the municipality of Sella Giudicarie, BIM Valle del Chiese, BIM Sarca-Mincio-Garda, with the participation of Associazione Nazionale Alpini and Osterreichisches Schwarzes Kreuz.
The iconographic and historical research is curated by Giulia Robol.

#697madri

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