Hyperimage: Towards a Theory of Expanded Photography – paper presentation at UCL conference
Image courtesy: Jeff Guess
Photography in Academic Research international conference at UCL Heritage Studies, in collaboration with RAI (Royal Anthropological Institute) and Birkbeck, Department of Politics, London, UK, 8-9 Sept 2016
ALFREDO CRAMEROTTI (MOSTYN and eCPR European Centre for Photography Research, University of South Wales) presents a paper on Hyperimage: Towards a Theory of Expanded Photography
Friday 9 September 12:30, Room B10
We are all implicated in photography whether we like it or not. Whether we associate this visual language with a precise function or use it to shape ourselves as individuals and communities, we trade our existence in images. We refer to images and image-making in social, political and cultural act.
The established categories in which photography was once subdivided, practiced, understood and discussed have been reconfigured. It’s as though our society has freed image-making from previously articulated specific applications, blurring the boundaries between genres and functions, and rendering the photographic image as a free-floating subject on its own, detached from any relation specific to its origins; what we may term as “hyperimage’.
#photographypluscontext
#hyperimage
#expandedphotography
Nottingham Contemporary – The Geopolitical Turn: Art and the Contest of Globalisation / Evidence and imagination: the urgency of geopolitics and the necessity of geopoetics by Alfredo Cramerotti
Talk for The Geopolitical Turn: Art and the Contest of Globalisation Conference 08 May 2010 at Nottingham Contemporary, UK.
What are the reference points for contemporary art in a global economy that creates enormous wealth as well as widening inequality? The opening conference explores the many strategies artists use to reveal the processes and human consequences of the globalised market economy.
Over the past five years Alfredo Cramerotti has written about the aesthetic merger of contemporary art and the news media. By adopting the ubiquitous tropes of interviews, graphic mapping, and Magnum style photography an increasing number of artists have borrowed from these visual languages to present their work into a context closely aligned with investigative journalism. Drawing from his recent book Aesthetic Journalism: How to inform without informing (2009, Intellect) and select works from Uneven Geographies, Cramerotti will be speaking about the growing overlap between global news media and contemporary art.
By addressing this topic Cramerotti will seek to answer a number of questions including: Does such an integration of art and journalism emancipate art from a closed sphere of discourse allowing it a more social and political dimension? Does the use of an investigative methodology within contemporary art practice shift an understanding of truth and subjectivity? By borrowing from forms of news media, what new modes of exhibition practice are artists, curators, and writers enabling to develop cultural relationships between the global relevance to local issues?
Audio of talk available at: nottinghamcontemporary.org/sites/default/files/Alfredo_Cramerotti.mp3
Curatorview [Alfredo Cramerotti] 
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