Curatorview [Alfredo Cramerotti]

Manifesta 8, the European Biennial of Contemporary Art

Posted in nEws and rEleases by Curatorview on September 20, 2010
September 3, 2010
Manifesta 8, the European Biennial of Contemporary Art, will take place in the Region of Murcia (Spain) in dialogue with northern Africa, from October 9, 2010 until January 9, 2011.

Preview days: October 7 and 8
Official opening day: October 9
Symposium: October 10

www.manifesta8.es
www.manifesta.org

In the framework of Manifesta 8, a trio of independent projects is being initiated by the three curatorial collectives responsible for the artistic content of Manifesta 8, in order to further investigate the potential for establishing a closer dialogue with northern Africa.

Alexandria Contemporary Art Forum (Egypt) has already initiated a series of discussions aiming to research the potential for the creation of a new pan-African roaming biennial, tranzit.org (Austria, Czech Republic, Hungary and Slovakia) will develop an in-depth publication to examine the various links, narratives and discrepancies between Post-colonial and Post-communist communities, while Chamber of Public Secrets (Scandinavian Countries, Italy, Lebanon and U.K.) will set up a collaboration with the popular Arab language talk-show Heewar Maftouh (Open Dialogue), broadcast on the Al Jazeera network.

Bringing you the answers before we know the question: four positions regarding the idea of a pan-African roaming biennial
Symposium, October 10, 2010, Murcia (Spain)
Confirmed speakers : N’gone Fall, Senam Okudzeto, Thembinkosi Goniwe and Christine Eyene.
The Incubator for a Pan-African Roaming Biennial is a year-long task-force consisting of Gabi Ngcobo from the Center for Historical Reenactments (CHR) in Johannesburg, Mia Jankowicz from the Contemporary Image Collective (CIC) in Cairo, Jimmy Ogonga from the Center for Contemporary Art of East Africa (CCAEA) in Nairobi and Khadija El Bennaoui from Art Moves Africa (AMA). The Incubator has been set-up in response to a proposal by Bassam El Baroni and Jeremy Beaudry of Alexandria Contemporary Art Forum (ACAF), as an extension to the political issues raised by OVERSCORE, their curatorial contribution to Manifesta 8, and the intellectual territory it covers.

The project aims to facilitate the articulation of critical positions regarding the notion of a pan-African, roaming art biennial. The Incubator will avoid assumptions or simple assessments of what a biennial looks like, what is its context, what effect it has, and whether it can even be done. The Incubator will identify and bring together perspectives from curators, artists, cultural producers and active sponsors, whose current activities reveal the desire to find room for autonomy and progressive experimentation within their respective contexts. Articulating this research should bring together a set of historically and politically informed viewpoints, while paying attention to infrastructure and pragmatic issues. These will happen through several means: the symposium taking place during the opening of Manifesta 8; a website; a workshop which will take place in an African city in April 2011; the appointment of key voices as planners; the production of a publication in September 2011. The Incubator and its platforms should register these positions as an (uneven) landscape upon which others may imagine a new biennial, a roaming biennial, an alternative structure or a model responding to a different set of priorities entirely.
More information about the Incubator will soon be found on: www.panafricannial.org

Post-colonial / Post-communist Reader
Given the motto of Manifesta 8 in its dialogue with northern Africa, tranzit.org immediately recalled the Eastern European experience of the transformation of societies after the decline of socialism and the different projections which the idea of communism had created for so many movements of liberation and self-determination. This became the starting point for their contribution to Manifesta 8 – a point that was not a dialogue, but a conflict of transfers of imaginations. tranzit’s multi-venue exhibition will focus on the transfer between theory – as an imaginative and symbolic operation – and practice, in this case the making of an exhibition.

For their project, tranzit.org decided to establish a critical counter-check and revision of the so-called post-colonial, the de-colonised and the post-communist conditions of transformation. This will be the subject of a Reader published by the Manifesta Foundation in collaboration with tranzit.org and Erste Stiftung after the closure of Manifesta 8. The aim of the book is to facilitate the transfer of critique, research and thinking between specific notions and concepts of post-colonial thought, and to provide post-communist and transformational inquiries. One of the major challenges of the publication is to establish an exchange of some of those imaginary utopias, disappeared since the end of the Cold War.

¿The Rest is History?
Flashback on contemporary history

Chamber of Public Secrets’ (Alfredo Cramerotti and Khaled Ramadan) choice to work intensely with the media, as both a constructive and divisive agent, addresses the concept that reality is not a fact to be understood, but rather an effect to be produced. In keeping with this engagement, CPS is collaborating with Ghassan Ben Jeddou, a prominent journalist and host of the talk show Hiwar Maftouh (Open Dialogue), regularly broadcast on the Arabic Al Jazeera network.

Over the past 10 years, through its perceptive programming, this international news network has taken an intensive role in recording and re-writing Arab history. Accordingly, during Manifesta 8, Ben Jeddou will produce two broadcasts focusing on some of those narratives shared between Spain, northern Africa and the Arab world. These will address the complex nature of this transnational dialogue which, despite giving birth to a project of great potential for multiple perspectives, also reveals itself as negotiating history in parallel terms of honour and denial.

For more information:
Website: www.manifesta8.es / www.manifesta8.es
Phone: +34 868 950 750
Email: contact@manifesta8.es / accreditation@manifesta8.es

Manifesta 8 – In Dialogue with Northern Africa VAGA Tour 6-8 October 2010

Posted in nEws and rEleases by Curatorview on September 20, 2010

VAGA Visual Arts and Galleries Association Newsletter

13 August 2010
Manifesta 8 takes place in the Spanish cities of Murcia and Cartagena. It is being curated by Alexandria Contemporary Arts Forum, Chamber of Public Secrets and Tranzit.org and explores the idea of Europe in the 21st century, focussing on the
boundaries of the continent and engaging with Europe’s present-day frontiers and its interrelation with the Maghreb region. The South of Spain, specifically Al-Andalus, has been a historical blend of Islamic, Judaic and Christian cultural influences co-existing together.
Wednesday 6th October 2010
MURCIA
6.00pm
Introductory Talk with Alfredo Cramerotti, Co-Curator of Manifesta 8, part of the
Chamber of Public Secrets curatorial collective and Curator at QUAD in Derby.
Media Lounge Espacio Molinos del Rio-Caballerizas C/Molinos 1

Pure Water Vision: Acea EcoArt Contest 2010

Posted in nEws and rEleases by Curatorview on September 20, 2010

Contest deadline postponed to October 31st and nominated new curatorial team (Laura Cherubini, Eugenio Viola and Alfredo Cramerotti).

12 August 2010

Pure Water Vision: Acea EcoArt Contest 2010 is the international contemporary art contest created by the EcoArt Project cultural platform and sponsored by Acea. The contest will award the Acea EcoArt Prize 2010, consisting in an acquisitive prize for the value of € 10.000,00 to the winner artwork that will become part of the Acea collection, it will also publish the “EcoArt Book Two” catalog (see EcoArt Book One already online) with 30 selected artworks and organize an exhibition in Rome for 10 finalists.

The theme of Pure Water Vision: Acea EcoArt Contest 2010 requests artists to express their creativity to represent the relationship between water, man and the environment with relation to sustainable development of the planet. This reflection can also be extended to water pollution, water as source of life, water as source of renuable energy, process of desertification and emergency situations. All of which themes which simultaneously grip the planet and ask a series of burning social, anthropological, political and cultural questions.

The objective is to highlight little known aspects of the water cycle, to stimulate, through the universal and metaphorical language of art, a series of reflections on what lies behind the apparent simplicity of pure water and what happens before and after the distribution of this precious resource that flows from taps in our homes and through waterworks, sewers and water treatment facilities.

The contest is curated by Laura Cherubini, art critic, curator and teacher of Contemporary Art at the Fine Art Academy of Brera, Milan; Eugenio Viola, art critic and curator of the Project Room of Museum MADRE (Contemporary Art Museum DonnaREgina) of Naples; Alfredo Cramerotti, curator QUAD Derby, co-curator of the biennal Manifesta 8 and art critic.

Submissions are now open until october 31st. To participate go to www.ecoartproject.org at the Pure Water Vision box.

Finally, we present you with a preview of GAD – Green Art Database the new project of the EcoArt Project platform made possibile thanks to the support of our Sponsors Acea Group and Kaspersky Lab. GAD is the online global archive of the works coming from international competitions organized by EcoArt Project and of those of noted artists who follow our initiative exhibiting in our virtual galleries.Sustainable development and respect for the planet are the themes to which all the works present on GAD refer. GAD will be used to create communication and cultural marketing projects, exhibitions, events and online promotion for artists.

www.ecoartproject.org

info@ecoartproject.org

Symposium: How to Inform without Informing, Collective Gallery, Edinburgh

Posted in nEws and rEleases, shortEssays/cortiSaggi [English/Italian] by Curatorview on September 19, 2010

Symposium at Collective, City Observatory, Calton Hill

Edinburgh, UK

Friday 30 July 2010

To celebrate the launch of two new commissions, Collective devised a symposium which took place on 30th July 2010 featuring exhibiting artists Hito Steyerl, Kim Coleman and Jenny Hogarth. Other speakers included theorist Alfredo Cramerotti (author of Aesthetic Journalism), Francis McKee (curator and writer), Lisa Panting (Director of Picture This, Bristol) and Collective director Kate Gray. The symposium was chaired by Ian White (LUX, London) and was held at the City Observatory atop Calton Hill.

Audio of the Symposium available at: http://collectivegallery.podomatic.com/entry/2010-08-15T09_36_37-07_00

MANIFESTA 8 | Collective Curating: Means in Common at Art Basel 41

Posted in nEws and rEleases, shortEssays/cortiSaggi [English/Italian] by Curatorview on September 19, 2010

ART BASEL 41 | Art Salon Program
Friday June 18, 2010

Participants:
Alfredo Cramerotti, Chamber of Public Secrets (CPS), Denmark, Italy, Lebanon, Member of the M8 Curatorial Collective
Esther Regueira, General Coordinator, Manifesta 8, Murcia
Georg Schöllhammer, Member of the collective tranzit.org, Central Europe.

No Such Place: A Partial History of Imaginary Maps

Posted in nEws and rEleases by Curatorview on September 14, 2010


To tie in with Ground Level, QUAD commissioned Artist Cathy Haynes to curate an exhibition on the theme of imaginary maps. In a ‘residency of maps’ she journeyed utopias and fantasy lands with a list of questions such as: Did we really believe the earth was flat before Columbus? How have map-makers filled gaps in known territory? Can a map ever be perfectly true? What counts as an imaginary map? Can a map shape reality? Can it even alter our sense of identity?

To find the answers, she looked at maps from the Age of Discovery that combine new scientific thinking with mythical beasts and puzzled over secret codes and private jokes inscribed in official land surveys. She complemented this with research of Ocean charts, peppered with phantom landforms, including one respected scientist’s theory that the earth is hollow, plus a blueprint for straightening the Thames through central London.

Through the findings of her research process, she has made a collection of extraordinary maps and map-making stories from the history of cartography, engineering, philosophy, literary fiction, interwoven with pop culture, propaganda, contemporary art and feature films.

Image: The Carta Marina by Olaus Magnus, 1539: the most accurate map at the time of the Nordic countries.

Ground Level

Posted in nEws and rEleases by Curatorview on September 14, 2010

Maria Thereza Alves, Seeds of Change (Bristol), Heath Bunting with Kayle Brandon, Borderxing, Center For Land Use Interpretation, The Hydraulic

Hayward Touring Curatorial Open II

QUAD Gallery 18th September – 31st October 2010

Ground Level explores how contemporary art practice, mapping and cartography collide. Traditionally the role of the cartographer has been to provide a geographically precise description of the landscape. However, rarely has it been a wholly objective enterprise. While technology increasingly grants access to the precision of satellite imagery, the cartographer’s work has moved further from the ground into more contested areas such as ownership, rights to land, and the flows of people.

This exhibition brings together international artists who perform their own personal forms of cartography. The resulting works suggest maps and surveys, but rather than portraying a singular worldview they put forward idiosyncratic readings of language, peoples and signs, as well as geography.

The exhibition is curated by Kit Hammonds, winner of the 2010 Hayward Curatorial Open, a platform for innovative curatorship in the UK.

Artists include: Maria Thereza Alves; The Atlas Group; Ricardo Basbaum; Heath Bunting and Kayle Brandon; Center for Land Use Interpretation; Simon Evans; Yolande Harris; Christian Philipp Müller; Eyal Weizman; Stephen Willats. Ground Level is a Hayward Touring exhibition selected and developed in partnership with John Hansard Gallery; QUAD, Derby; Oriel Mostyn, Llandudno and Leamington Spa Art Gallery & Museum.

Click here to see a video interview with Curator Kit Hammonds.

Publication

Ground Level accompanies the second Hayward Touring Curatorial Open exhibition devised by writer and curator Kit Hammonds. This limited edition publication features work by Maria Thereza Alves, The Atlas Group, Ricardo Basbaum, Heath Bunting with Kayle Brandon, Center For Land Use Interpretation, Simon Evans, Yolande Harris, Christian-Philipp Müller, Eyal Weizman and Stephen Willats.

It also includes an illustrated essay by Hammonds exploring the way in which mapping relates to contemporary visual art as an experiential process that requires a direct relationship with the landscape, geography and people.

Exhibition copies feature a specially produced Risograph facsimile of Island Time by Simon Evans. Ground Level is published by Hayward Publishing and is available in all good art bookshops and at QUAD during the exhibition.

Images:

Maria Thereza Alves, Seeds of Change (Bristol), 2007 © the artist, 2010
Heath Bunting with Kayle Brandon, Borderxing, 2004 © the artist, 2010
Center For Land Use Interpretation, The Hydraulic Models of The Army Corps of Engineers, 2010. ©the artist, 2010

Ground Level / No Such Place at QUAD Derby

Posted in nEws and rEleases by Curatorview on September 11, 2010

Manifesta 8 se presenta en Madrid

Posted in nEws and rEleases by Curatorview on September 9, 2010

EL CULTURAL.ES

Edición digital |  ARTE

by PAULA ACHIAGA | Publicado el 09/09/2010

100 artistas internacionales invaden Murcia durante 100 días

Desde el 9 de octubre y durante 100 días, Murcia y Cartagena se convierten en escenario de la creación más vanguardista e innovadora del panorama internacional. 12 sedes, entre edificios históricos (como los antiguos Molinos del Río Segura), museos (desde el Museo de Bellas Artes al moderno Centro Párraga) y espacios no convencionales (una cafetería, el local de una asociación vecinal o varios medios de comunicación, por ejemplo), acogerán las obras de casi un centenar de artistas, de los que poco más de una docena son españoles (destacan los nombres de Pedro G. Romero, Marcelo Expósito, Rosell Meseguer o el colectivo Brumaria).

Desde la primera edición de Manifesta en 1996, y siempre con la idea de eliminar barreras y cruzar fronteras como lema, la bienal se ha celebrado en ciudades como Rotterdam, Frankfurt o Liubliana. La prevista en 2006 en Nicosia (Chipre) no pudo siquiera inaugurarse por problemas políticos, mientras que ésta de Murcia es la segunda española: San Sebastián fue sede de la quinta edición en 2004. “No sé si será mejor o peor -dice Hedwig Fijen, directora de la Fundación Manifesta-, pero sí que será muy diferente. El norte de España es completamente distinto al sur y este diálogo con norte de África que pretende establecer esta Manifesta 8 será muy interesante”. Y es que es precisamente esta relación con el continente vecino una de las diferencias con las anteriores ediciones, siempre centradas en las relaciones entre Occidente y el antiguo bloque del Este.

Producción propia
Otra de las características importantes es el esfuerzo de esta Manifesta por la producción propia: el 85 por ciento de los trabajos expuestos habrán sido desarrollados para el espacio concreto que van a ocupar. De hecho, cuando todavía falta un mes para su inauguración oficial, ya son muchos los artistas que trabajan in situ y otros tantos los que llevan meses trabajando con las sedes y los equipos españoles.

Chamber of Public Secrets, Alexandria Contemporary Arts Forum y tranzit.org, son los tres colectivos que firman el comisariado de Manifesta 8. Ellos han seleccionado, no sólo a artistas, si no también a escritores, productores de cine, filósofos o activistas, lo que da también una imagen de la diversidad y multidisciplinaridad que pretende difundir el evento. Sorprende por ejemplo, la cercanía con la que han trabajado los artistas seleccionados por Chamber of Publics Secrets con medios de comunicación locales. Algunas de las sedes del proyecto de este grupo serán las oficinas de la televisión y la radio locales o de los diarios La Verdad y La Razón. “Ha sido interesante ver la conexión entre el mundo artístico y el de los medios, a priori tan distintos”, comenta Alfredo Cramerotti, miembro de Chamber…

No hay duda de la rentabilidad turística que para la Región de Murcia supone la celebración de Manifesta 8, lo importante es que efectivamente la organización sea consciente de la necesidad de que este tipo de eventos de perdurar más allá de las fechas de la exposición y de los beneficios a medio y largo plazo en cuanto a la construcción de una infraestructura artística duradera y útil.

MANIFESTA 8 | DESAYUNO DE PRENSA Madrid

Posted in nEws and rEleases by Curatorview on September 8, 2010

09 DE SEPTIEMBRE 10,45H

Restaurante Museo Nacional Centro de Arte Reina Sofía (MNCARS)

Acceso por la Plaza Del Museo


Hedwig Fijen directora de la Fundacion Manifiesta, Esther Regueira Coordinadora general de Manifesta 8  y  representantes de los  equipos curatoriales Alexandria Contemporary Arts Forum (Bassam el Baroni) y Chamber of Public Secrets Forum (Alfredo Cramerotti) presentarán en Madrid los avances de la preparación de Manifesta 8.

Se entregará dossier de prensa con información general, descripción detallada de proyecto, listado de artistas e imágenes para publicar.

Una de las innovaciones de esta edición es la introducción de un equipo curatorial compuesto por tres colectivos – Alexandria Contemporary Arts Forum (Egipto), Chamber of Public Secrets (Escandinavia y el Medio Oriente) y tranzit.org (Europa Central) – responsables tanto del enfoque temático como de la selección de artistas. Como la muestra dinámica que es, Manifesta 8 se sitúa en una intersección, en un lugar en el que los tres colectivos curatoriales ofrecerán respuestas a los desafíos planteados por las nociones del diálogo transregional y transcontinental a través de diversos formatos. http://www.manifesta8.com