Curatorview [Alfredo Cramerotti]

Nottingham Contemporary – The Geopolitical Turn: Art and the Contest of Globalisation / Evidence and imagination: the urgency of geopolitics and the necessity of geopoetics by Alfredo Cramerotti

Posted in nEws and rEleases, shortEssays/cortiSaggi [English/Italian] by Curatorview on August 22, 2010

Talk for The Geopolitical Turn: Art and the Contest of Globalisation Conference 08 May 2010 at Nottingham Contemporary, UK.

What are the reference points for contemporary art in a global economy that creates enormous wealth as well as widening inequality? The opening conference explores the many strategies artists use to reveal the processes and human consequences of the globalised market economy.

Over the past five years Alfredo Cramerotti has written about the aesthetic merger of contemporary art and the news media. By adopting the ubiquitous tropes of interviews, graphic mapping, and Magnum style photography an increasing number of artists have borrowed from these visual languages to present their work into a context closely aligned with investigative journalism. Drawing from his recent book Aesthetic Journalism: How to inform without informing (2009, Intellect) and select works from Uneven Geographies, Cramerotti will be speaking about the growing overlap between global news media and contemporary art.

By addressing this topic Cramerotti will seek to answer a number of questions including: Does such an integration of art and journalism emancipate art from a closed sphere of discourse allowing it a more social and political dimension? Does the use of an investigative methodology within contemporary art practice shift an understanding of truth and subjectivity? By borrowing from forms of news media, what new modes of exhibition practice are artists, curators, and writers enabling to develop cultural relationships between the global relevance to local issues?

Audio of talk available at: nottinghamcontemporary.org/sites/default/files/Alfredo_Cramerotti.mp3

Dinu Li: Yesterday is History, Tomorrow is Mystery on The Guardian Guide, Derby Evening Telegraph and This is Derbyshire Magazine

Posted in nEws and rEleases by Curatorview on August 10, 2010

Artsway / QUAD – Dinu Li: Yesterday is History, Tomorrow is Mystery

Posted in nEws and rEleases by Curatorview on June 25, 2010

Manifesta 8 presentation in Berlin and new Manifesta Journal “Collective Curating”

Posted in nEws and rEleases by Curatorview on June 11, 2010

Friday June 11, 2010, 10 a.m.
Clärchens Ballhaus, Auguststraße 24, Berlin-Mitte

Meet the curators of Manifesta 8, the European Biennial of Contemporary Art, and Hedwig Fijen, Director of the Manifesta Foundation.

The editorial team of the Manifesta Journal will be delighted to launch the new issue of the Manifesta Journal “Collective Curating”, published by the Manifesta Foundation and Silvana Editoriale.

Manifesta 8 sbarca sulle coste spagnole, Roma ne parla…

Posted in nEws and rEleases by Curatorview on June 3, 2010

Enjoy Poverty: Screening and Conversation with Alfredo Cramerotti and Renzo Martens

Posted in nEws and rEleases by Curatorview on June 1, 2010

Presentation of Manifesta 8 in Rome / Alfredo Cramerotti’s interview

Posted in nEws and rEleases by Curatorview on May 29, 2010

29 May 2010

Interview to Alfredo Cramerotti, co-curator Manifesta 8, in occasion of the presentation of the biennial in Rome

At the historic Belle Époque cafe, Bar della Pace in Via Santa Maria della Pace, one-minute walk from Piazza Navona, from 11.00am to 12.30pm

The event will see the participation of Hedwig Fijen (Director Manifesta Foundation, Amsterdam), Alfredo Cramerotti (curator M8, from the curatorial group Chamber of Public Secrets, Copenhagen), Lisa Mazza (Manifesta Foundation, Amsterdam), Esther Regueira (the new general co-coordinator of M8 in Murcia) and Jonathan Turner (M8 editor, Rome).

The presentation will take place in concurrence with the art fair Roma – The Road to Contemporary Art, and with the press launch and official opening of the new MAXXI – Museum of 21st Century Art in Rome, designed by Zaha Hadid.

Alfredo Cramerotti: Aesthetic Journalism at Autograph ABP / Rivington Place, London

Posted in nEws and rEleases, shortEssays/cortiSaggi [English/Italian] by Curatorview on April 13, 2010

Autograph ABP London Newsletter

Thu, 25 Mar 2010

Alfredo Cramerotti: Aesthetic Journalism
13 April 2010, 6:30-8:00, Rivington Place, London

Autograph ABP is proud to present a talk at Rivington Place with writer, curator and artist Alfredo Cramerotti. Addressing a growing area of focus in contemporary art, Aesthetic Journalism investigates why contemporary art exhibitions often consist of interviews, documentaries and reportage.

Art theorist and curator Alfredo Cramerotti traces the shift in the production of truth from the domain of the news media to that of art and aestheticism – a change that questions the very foundations of journalism and the nature of art. The book probes the current merge of art with the sphere of investigative journalism and explores how this new mode of information is appropriating more and more space in modern culture. Aesthetic Journalism suggests future developments for this new relationship between art and documentary journalism, offering itself as a useful tool to audiences, scholars, producers and critics alike.

Cramerotti probes the current merging of art with the sphere of investigative journalism. The attempt to map this field, here defined as ‘Aesthetic Journalism’, challenges, with clear language, the definitions of both art and journalism, and addresses a new mode of information from the point of view of the reader and viewer.

Audio of the talk available from: OPEN-i (Open Photojournalism Edu

Ian Breakwell: The Elusive State of Happiness on Art Monthly

Posted in nEws and rEleases by Curatorview on April 5, 2010

David Briers / Art Monthly

Issue 5 April 2010

(excerpts)

[…] This exhibition, in Breakwell’s home town, is the first retrospective survey of the artist’s work since his death in 2005.

[…] Selecting a representative but not unwieldy group of works cannot have been an easy task, but one which the exhibition’s curators have achieved with perfectly judged restraint – this is the best exhibition of Breakwell’s work that I have seen […]

DAVID BRIERS is an independent writer and curator based in West Yorkshire.

Ian Breakwell: The Elusive State of Happiness on Art World

Posted in nEws and rEleases by Curatorview on April 4, 2010

Paul Carey-Kent / Art World

4 April 2010
Hi Louise / Alfredo

I just thought I’d congratulate you on The Elusive State of Happiness, which I thought was a fabulously put together show, as good as anything in the country at present. I did already like Ian Breakwell’s work (see eg my blog review for March 8 on the recent Anthony Reynolds show) but I didn’t expect such a comprehensive and effectively-installed presentation of his virtues.

Best wishes,

Paul Carey-Kent
(Editor at Large, Art World – currently suspended)
Recommended London shows @ blog: http://paulsartworld.blogspot.com