alcramer [Alfredo Cramerotti]

MOSTYN: End of year Exhibitions 2018

Posted in nEws and rEleases, Uncategorized by alcramer on November 15, 2018

November 17, 2018–March 3, 2019

Opening: November 17, 4–6pm

MOSTYN
12 Vaughan Street
Llandudno LL30 1AB
United Kingdom

 

T009495_300dpi_b_510px_0

Josephine Meckseper

Galleries 4 & 5

One of the foremost female artists of her generation working today, German born and New York based artist Josephine Meckseper melds the aesthetic language of modernism with the formal language of commercial display, combining them with her own images and film footage of historical undercurrents and political protest movements. Throughout her installations and vitrines, by simultaneously exposing and encasing common signifiers, such as advertisements, and everyday objects, next to abstract paintings and sculptures she creates a window into the collective unconscious of our time.

At the core of the exhibition will be a mirrored vitrine, and a set of glass, acrylic sheeting and stainless steel sculptures, along with two dimensional and film work.

The exhibition is curated by Alfredo Cramerotti, MOSTYN Director, and is supported by The Colwinston Charitable Trust. It is the first solo exhibition in Wales for the artist.

Gagliardi_Vicious

Louisa Gagliardi
Under the Weather

Gallery 3

Switzerland born and Zurich based artist Louisa Gagliardi pulls apart the construction of an image, and of our society, in a digital age, while appearing to explore the codes and history of painting. Her works pose questions around ideas of figure and ground, flatness and depth. Working digitally initially—using a freehand digital illustration tool—her pieces are later seemingly translated into paintings. Although brushstrokes might seem apparent, her works are digitally printed, replacing paint for printing ink, canvas for PVC and traditional lacquer for a gel material—mediums that are perhaps more at home with the advertising industry than they are with weighty history of painting. As a whole, the appearance of her pieces is caught in a state between human and machine, reflecting the confused, surreal tone of much of the images and worlds she portrays.

Presenting both new and existing works, this exhibition places a spotlight on the defining factors of Gagliardi’s practice, which has also turned to the location of the gallery itself for inspiration. In various ways, the works explore the urban environment and the countryside, and the conflict that can arise between the two. Dissatisfaction and the inability to be content in the present moment are recurring themes distilled into representations of urban and natural settings.

This exhibition has been curated by Adam Carr, Visual Arts Programme Curator, MOSTYN, and is supported by Swiss Arts Council Pro Helvetia,

 

This exhibition has been curated by Adam Carr, Visual Arts Programme Curator, MOSTYN, and is supported by Swiss Arts Council Pro Helvetia,

Both exhibitions by Josephine Meckseper and Louisa Gagliardi are part of the Conversation Series, a sequence of two solo exhibitions at MOSTYN that brings together two solo exhibitions and presents the dialogue, collaboration or similarity in exploring themes that can occur between artists.

Both exhibitions by Josephine Meckseper and Louisa Gagliardi are part of the Conversation Series, a sequence of two solo exhibitions at MOSTYN that brings together two solo exhibitions and presents the dialogue, collaboration or similarity in exploring themes that can occur between artists.

In Addition

Participating artists from July 2018:
Nina Beier, Sol Calero, Shezad Dawood, Gabriele de Santis, Diango Hernández, Alek O., Jonathan Monk, Simon Dybbroe Møller and Marinella Senatore
Gallery 2

Each participating artist has produced work using paper and has been asked to reconsider the traditional model of producing an edition, where each version of a work is identical. Although appearing formally similar, each In Addition piece will offer deviations and nuances that set apart each edition as a unique work, thereby playing with ideas of the original, the copy and work made in series.

MOSTYN is a charity registered in the UK and proceeds from the sales of the editions will be invested back into the gallery’s exhibition and engagement programme.

This project has been curated by Adam Carr, Visual Arts Programme Curator, MOSTYN.

 

Please find more information here.

MOSTYN x DRAF (David Roberts Art Foundation): Upcoming Exhibitions

Posted in nEws and rEleases, Uncategorized by alcramer on July 11, 2018

She sees the shadows
July 14–November 4, 2018

In Addition
Editions by artists
March 3, 2018–February 27, 2021

Louisa Gagliardi / Josephine Meckseper
Opening November 16, 2018

MOSTYN
12 Vaughan Street
Llandudno LL30 1AB
United Kingdom

www.mostyn.org
www.davidrobertsartfoundation.com

MOSTYN, Wales UK is pleased to present a group exhibition of works by over 40 contemporary artists from the David Roberts Collection, marking the first off-site collaboration by David Roberts Art Foundation (DRAF).

Magali-Reus-online_web_0

Magali Reus, Parking (Legs At Eye Level), 2014. Courtesy the Artist and David Roberts Collection. Photo: Plastiques.

She sees the shadows

Works by: Caroline Achaintre, Horst Ademeit, Fiona Banner, Sara Barker, Phyllida Barlow, Neil Beloufa, David Birkin, Karla Black, Carol Bove, Martin Boyce, Lea Cetera, Susan Collis, Thomas Demand, Jason Dodge, Boyle Family, Theaster Gates, Isa Genzken, Rodney Graham, Harry Gruyaert, Jeppe Hein, Marine Hugonnier, Pierre Huyghe, Matthew Day Jackson, Tatsuya Kimata, Rachel Kneebone, Elad Lassry, Bob Law, Nina Beier & Marie Lund, Kris Martin, Marlie Mul, Nika Neelova, Man Ray, Magali Reus, Pietro Roccasalva, Analia Saban, Erin Shirreff, Monika Sosnowska, Oscar Tuazon, Gavin Turk, Franz West, Douglas White

Curated by Adam Carr (MOSTYN) and Olivia Leahy (DRAF)
Gallery 3, 4 & 5

“She sees the shadows… she even counts the tree-trunks along a promenade by the shadows, but sees nothing of the shape of things.”(1)

In 1886, a 22-year-old woman in Lyon saw the world around her for the first time. Objects instantly recognisable by touch were hard to distinguish with her new sight, and shadows appeared more concrete than solid forms. Her doctors described the sudden strangeness of familiar environments, and her singular experience of the world as a newly-sighted person.

In his 1932 book Space and Sight, Marius Von Senden collated the patient’s experiences alongside testimonies of similar cases dating from 1020 to the present. These captivating accounts, which later inspired writers including Maggie Nelson and Annie Dillard, express how something familiar can show a previously unacknowledged beauty when seen in a new way.

She sees the shadows is a group exhibition of works from the David Roberts Collection that resonate with the ideas found in Space and Sight. Each artist has re-conceived day-to-day objects and materials in unexpected ways—a bench, plug socket, grate, section of railing or broom—inviting viewers to see alternative qualities and narratives therein.

Each of the works in a collection, like the testimonies compiled by Von Senden, speak of personal experiences and moments. She sees the shadows is accompanied by a new publication with responses to the project from writers Orit Gat, Claire Potter and Sally O’Reilly and artists David Birkin, Jason Dodge, Marine Hugonnier, Marlie Mul, Magali Reus and Douglas White.

(1) M. Von Senden (trans. P. Heath), Space and Sight: the perception of space and shape in the congenitally blind before and after operation, 1932, Methuen & Co. Ltd.: London, 1960.

 

In Addition

Participating artists from July 2018:
Nina Beier, Sol Calero, Gabriele de Santis, Alek O., Jonathan Monk, Simon Dybbroe Møller and Marinella Senatore
Gallery 2

Each participating artist has produced work using paper and has been asked to reconsider the traditional model of producing an edition, where each version of a work is identical. Although appearing formally similar, each In Addition piece will offer deviations and nuances that set apart each edition as a unique work, thereby playing with ideas of the original, the copy and work made in series.

In Addition is permanently installed as an exhibition in MOSTYN’s Gallery 2, and will change shape over time as editions are purchased and as further artists participate in the future. MOSTYN is a charity registered in the UK and proceeds from the sales of the editions will be invested back into the gallery’s exhibition and engagement programme.

 

Louisa Gagliardi / Josephine Meckseper

Gallery 3, 4 & 5

Opening November 16, 2018, solo exhibitions by Josephine Meckseper and Louisa Gagliardi, curated by Alfredo Cramerotti (Director, MOSTYN) and Adam Carr (Visual Arts Programme Curator, MOSTYN), which are the first for both artists in a UK public institution.

%d bloggers like this: