Kunstforum International: CPS for Manifesta 8
Die Europäische Biennale zeitgenössischer Kunst die Region Murcia (Spanien) im Dialog mit Nordafrika
Texte und Auswhal: Susanne Boecker
Fotorundgang: Wolfgang Träger
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TVE Metropolis – Manifesta 8
Special Metropolis TV format from TVE Spain about Manifesta 8 / CPS Chamber of Public Secrets
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HumanKind: Interview with Alfredo Cramerotti
Introducing Alfredo Cramerotti, Associate Curator of Format International Photo Festival, Editor of the “Critical Photography” book series, and a member of the jury of “HumanKind”.
“HumanKind” is the New York Photo Festival’s second juried photo invitational (following the smash success of Capture Brooklyn), ongoing now and open until November 28, 2010
For more information, please visit humankind.newyorkphotofestival.com
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¿The rest is history? CPS’s Manifesta 8 – Trailer
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Penetration at Manifesta 8
Penetration at Manifesta 8 / for Northern African artists only

Manifesta
Thierry Geoffroy / Colonel, Penetration Space
until 9 January 2011
San Anton Prison
Cartagena
Spain
1@colonel.dk
www.manifesta8.es
Penetration
A Penetration is the act of an artist placing an artwork within another artist’s existing exhibition.
Manifesta
At Manifesta Biennial Thierry Geoffroy / Colonel is opening his exhibition space for last minute Penetrations.
The Colonel’s Penetration space at Manifesta is reserved only to artists from Northern Africa having pertinent work about today.
The theme of the Manifesta Biennial is: “in dialogue with Northern Africa”
Procedure
To be part of the Penetration, artists from Northern Africa can just come and install their work at San Anton Prison in Cataregna on any day that they have a pertinent art work. Every time they install a Penetration work they are kindly asked to send photographs of their installation to Thierry Geoffroy / Colonel so the blog can be updated and a catalogue created: 1@colonel.dk
Thierry Geoffroy / Colonel has responded to the invitation to take part at Manifesta by the curators of CPS: Khaled Ramadan and Alfredo Cramerotti and is co-working with BIENNALIST
Thierry Geoffroy creates a debating format.
More info on this Penetration:
www.emergencyrooms.org/manifesta/penetration.html
Penetration format
www.emergencyrooms.org/penetration.html
contact
Thierry Geoffroy / Colonel: 1@colonel.dk
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Inside-Out: David Rych at Manifesta 8
Art In America – International Review
by Ana Vukadin 10/27/10
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HumanKind – Meet the Jury
November 1, 2010 – 11:46 am
The New York Photo Festival is proud to announce the jury of HumanKind – our upcoming juried photo exhibition, opening at the powerHouse Arena on December 17.
Meet the Jury
James Estrin – Co-Editor, New York Times Lens Blog
Alisa Wolfson – Design Director, Leo Burnett, Chicago
Marc Prüst – Photography Consultant
Alfredo Cramerotti – Associate Curator, Format International Photo Festival & Editor, Critical Photography book series
Dr. Christos Lynteris – Social Anthropology Department, University of St Andrews, UK
Sam Barzilay – Festival Director, New York Photo Festival
HumanKind – Accepting submissions until November 28, 2010
To enter the contest, please visit http://humankind.newyorkphotofestival.com
James Estrin is a Senior Staff Photographer for the New York Times and co-editor of the New York Times Lens blog. He started at the Times in 1987. He is also an adjunct professor at the City University of New York Graduate School of Journalism.
Alisa Wolfson is the Design Director at Leo Burnett, Chicago. Over the last 15 years, she has worked on projects for Hallmark, Caesar’s Palace, Kelloggs, McDonalds, Crate and Barrel, The Joffrey Ballet and Archeworks. Alisa started her career as a Senior Designer at VSA Partners and then at Interface Americas. She studied Art History at Michigan State University and completed post-graduate work at the Yale Summer Program in Switzerland. She has been recognized by the Type Directors Club of America, The American Institute of Graphic Arts (AIGA), Critique Magazine, Print Magazine and Communication Arts.
In 2008, Alisa was selected to present her work at the AIGA Fresh Lecture series as one of three emerging Chicago Designers. She is also the Design Director for Lampo, a nonprofit that presents experimental music and intermedia events.
Marc Prüst (1975) studied International Relations and Japanese language in the Netherlands and Japan. During his studies he discovered his love for photography, and after graduation he started working as Project Manager for the World Press Photo Foundation in Amsterdam, travelling and setting up exhibitions all over the world. In 2004 he became head of the Exhibition Department and when, in 2005, World Press Photo celebrated its 50th anniversary, Marc was given the responsibility for the exhibition Things As They Are; 50 Years of Photo Journalism in Context. He worked in close cooperation with curator Christian Caujolle and editor Chris Boot on both the exhibition and the award winning publication with the same name. In early 2007, Caujolle gave him the opportunity to come and work for Agence VU’ in Paris, where he was mainly responsible for the international cultural activities of the agency. Currently Prüst is active as photography consultant and curator. In that capacity he teaches, creates exhibitions, edits books and portfolios, and advises photographers on their work and marketing.
Marc works in close cooperation with photographers, with the goal of telling the photographer’s story, to recreate through the images the things the photographer wants to say. By getting to know the person behind the camera, the aim is to create the story and the presentation fitting to the work.
Alfredo Cramerotti is a writer, curator and artist based in the UK. His cultural practice explores the relationship between reality and representation across a variety of media and collaborations such as photography, contemporary art, TV, radio, publishing, internet, media festivals, writing, teaching and exhibition curating.
Among his recent research and curatorial activity: Co-curator, Manifesta 8 European biennial of contemporary art (2009-2011); curator, QUAD Derby and associate curator FORMAT international Photography Festival (2008-present); co-curator, CPS Chamber of Public Secrets (2004-present) and AGM Annual General Meeting (2003-present).
University teaching positions include the University of Westminster London, University of Derby, Nottingham Trent University, DAI Dutch Art Institute and ArtEZ Institute of the Arts (Holland). External Examiner MA Curating Contemporary Art Royal College of Art London.
Author of Aesthetic Journalism: How to Inform without Informing (2009) as well as numerous specialist articles in international art, media and literary magazine. Editor of the book series Critical Photography with the publisher Intellect Books. Operator of the blogs Media Geographies, alcramer as well as the group Video essay on Vimeo.
Dr Christos Lynteris is a social anthropologist currently working at the Department of Social Anthropology of the University of St Andrews, Scotland, where he received both his undergraduate and doctoral training under a departmental scholarship. Dr Lynteris has recently presented a series of papers on Chinese epidemiology at conferences and seminars across the U.K. and is currently researching conflicting technologies of the self implicated in the rise of the barefoot doctor movement in China, a subject on which he will be completing a book as Residential Fellow at the Centro Incontri Umani in Ascona, Switzerland, during the first half of 2011.
Dr Lynteris is a co-editor of the peer reviewed anthropological journal ‘Anthropology + Materialism’ the first issue of which will appear in the following spring. Dr Lynteris is a Fellow of the Royal Anthropological Institute.
Sam Barzilay is the Director – and a founding member – of the New York Photo Festival. In past lives, he has been a curator, a visual artist, and a social documentary photographer. In 2007, his collaborative work on collective responsibility and the consumption of violence was the focus of a 3-month exhibition by the Oslo ByMuseum in Norway.
He is currently residing in New York City, awaiting marching orders from the voices in his head.
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Manifesta 8: Ach ja, der Dialog
MONOPOL
von Kolja Reichert
erstellt am 29.10.2010
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Region of Murcia embraces Manifesta 8
The Region of Murcia embraces Manifesta 8 – more than 30.000 visits in the first week
Manifesta8, the European Biennial of Contemporary Art, takes place in the Region of Murcia (Spain) in dialogue with northern Africa, from October 9, 2010 until January 9, 2011
Image: Opening of Manifesta 8 at the former post office in Murcia, venue of Manifesta 8.
© Ilya Rabinovich
http://www.manifesta8.es/ http://www.manifesta.org
+34 868 950 750
contact@manifesta8.es
On October 9, 2010, Manifesta8, the European Biennial of Contemporary Art with its special focus on stimulating the dialogue with northern Africa, opened in the Region of Murcia in south-eastern Spain. Manifesta 8 showcases art from all disciplines featuring multi-media installation, film, performance, dance and music, and makes use of both traditional and unconventional art channels in co-operation with such media outlets as newspapers, radio, television and the Internet.
The event was officially opened by Ramón Luis Valcárcel Siso (President of the Region of Murcia), Pedro Alberto Cruz Sánchez (Minister of Culture and Tourism for the Region of Murcia), Miguel Ángel Cámara (Mayor of Murcia), Pilar Barreiro (Mayor of Cartagena) and Hedwig Fijen (President Manifesta 8/Director Manifesta Foundation).
In the first week Manifesta 8 has counted the record number of more than 30.000 visits by local audience, artists, curators, art professionals from around the globe and over 500 international journalists (source: Regional Ministry of Culture and Tourism of the Region of Murcia). Emerging from the experiences gained through former Manifesta Biennials, Manifesta 8 focuses on the concept of collective curating and has been developed by three curatorial teams coming from the most diverse areas of Europe including Scandinavia, the U.K., Central Europe and the Mediterranean as well as the Middle East and the U.S. The curatorial team of Manifesta 8 is composed of ACAF – Alexandria Contemporary Arts Forum (Bassam El Baroni, Jeremy Beaudry), CPS – Chamber of Public Secrets (Khaled Ramadan, Alfredo Cramerotti) and tranzit.org (Vít Havránek, Zbyněk Baladrán, Dóra Hegyi, Boris Ondreička, Georg Schöllhammer).
More than 85% of the exhibited works have been newly commissioned and produced by Manifesta 8, often supported by the most important international cultural bodies, art institutions, museums, art galleries and ministries of culture.
Manifesta Foundation places special focus on sustainability by building networks and creating goodwill in its host regions. “Manifesta 8 is not a social activists group, but many works in the biennial have been conceived in collaboration with unions, political parties, special interest groups, blind associations, the lottery, schools, and other educational services,” says Manifesta Director Hedwig Fijen. “By working with craftsmen, technicians and local professionals, Manifesta creates a greater know-how in the entire region, which remains longer after Manifesta has moved on.”
This is part of Manifesta’s spirit of collaboration, incorporating the use of otherwise discarded examples of local history, namely five previously abandoned buildings – Pavilions 1 and 2 at the former Artillery Barracks and the former Central Post Office in Murcia, the declassified San Anton Prison and the once popular El Parque Restaurant on the highest hill overlooking Cartagena. This is one of the sustainable effects of Manifesta in each of its successive editions. Manifesta leaves behind buildings which were under-utilized in the past, for future use for cultural and social events.
On Sunday, October 10, 2010 the Symposium “Bringing you the answers before you know the question: four positions regarding the idea of a pan-African roaming biennial” took place in Murcia as part of the “Incubator for a pan-African roaming Biennial” initiated in the framework of Manifesta 8. The Incubator is a one-year-long project formed in response to a proposal by two of Manifesta’s curators, Bassam El Baroni and Jeremy Beaudry of Alexandria Contemporary Arts Forum (ACAF), and relates to the motto “in dialogue with northern Africa”. It consists of the symposium during the opening weekend of Manifesta 8, the development of a website, a workshop in April 2011, and the production of a publication in September 2011.
On the same Sunday, October 10, 2010, Toronto-based professor of psychology, John M. Kennedy lectured at MUBAM, Museo de Bellas Artes de Murcia, one of the venues of Manifesta 8, to a large audience on the phenomenon of the blind painter Eşref Armağan whose contribution to the exhibition was curated by Chamber of Public Secrets.
Manifesta 8 – the roaming European Biennial of Contemporary Art is organized by the Manifesta Foundation (Amsterdam) together with the Region of Murcia. Access to all venues and education activities is free. More information on the ongoing education program can be found at: http://www.manifesta8.es/medular and booking via mediacion@manifesta8.es. The Manifesta 8 catalogue in English is available for purchase at http://www.silvanaeditoriale.it.
On the occasion of the opening of Manifesta 8, the next destination of the roaming Manifesta biennial was announced. In 2012 Manifesta 9 will be hosted by the region of Limburg, Belgium.
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Babélica Manifesta
EL PAIS
REPORTAJE: ARTE – Exposiciones
by MARA MIRA 23/10/2010




























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