alcramer [Alfredo Cramerotti]

Press coverage for MOSTYN exhibitions: Broomberg & Chanarin and WAR, Jul-Nov 2014

Posted in nEws and rEleases by alcramer on April 1, 2015

Art Monthly 380

Cover

28 September 2014

art montly 380-cover-l

This Is Tomorrow

by Rory Duckhouse

18 September 2014

this is tomorrow_Page_1 this is tomorrow_Page_2 this is tomorrow_Page_3

PHOTOMONITOR

by Rory Duckhouse

17 September 2014

Photomonitor - Divine Violence

The Independent

by Karen Wright

9 August 2014

Broomberg & Chanarin_Theindependent(Radar)_9Aug2014

Mousse Magazine

Divine Violence & WAR exhibitions previews

6 August 2014

Mousse_Adam Broomberg & Oliver Chanarin “Divine Violence” and “WAR” at MOSTYN, Llandudno - MOUSSE CONTEMPORARY ART MAGAZINE_Page_01 Mousse_Adam Broomberg & Oliver Chanarin “Divine Violence” and “WAR” at MOSTYN, Llandudno - MOUSSE CONTEMPORARY ART MAGAZINE_Page_02 Mousse_Adam Broomberg & Oliver Chanarin “Divine Violence” and “WAR” at MOSTYN, Llandudno - MOUSSE CONTEMPORARY ART MAGAZINE_Page_03 Mousse_Adam Broomberg & Oliver Chanarin “Divine Violence” and “WAR” at MOSTYN, Llandudno - MOUSSE CONTEMPORARY ART MAGAZINE_Page_04 Mousse_Adam Broomberg & Oliver Chanarin “Divine Violence” and “WAR” at MOSTYN, Llandudno - MOUSSE CONTEMPORARY ART MAGAZINE_Page_05 Mousse_Adam Broomberg & Oliver Chanarin “Divine Violence” and “WAR” at MOSTYN, Llandudno - MOUSSE CONTEMPORARY ART MAGAZINE_Page_06 Mousse_Adam Broomberg & Oliver Chanarin “Divine Violence” and “WAR” at MOSTYN, Llandudno - MOUSSE CONTEMPORARY ART MAGAZINE_Page_07 Mousse_Adam Broomberg & Oliver Chanarin “Divine Violence” and “WAR” at MOSTYN, Llandudno - MOUSSE CONTEMPORARY ART MAGAZINE_Page_08 Mousse_Adam Broomberg & Oliver Chanarin “Divine Violence” and “WAR” at MOSTYN, Llandudno - MOUSSE CONTEMPORARY ART MAGAZINE_Page_09 Mousse_Adam Broomberg & Oliver Chanarin “Divine Violence” and “WAR” at MOSTYN, Llandudno - MOUSSE CONTEMPORARY ART MAGAZINE_Page_10 Mousse_Adam Broomberg & Oliver Chanarin “Divine Violence” and “WAR” at MOSTYN, Llandudno - MOUSSE CONTEMPORARY ART MAGAZINE_Page_11 Mousse_Adam Broomberg & Oliver Chanarin “Divine Violence” and “WAR” at MOSTYN, Llandudno - MOUSSE CONTEMPORARY ART MAGAZINE_Page_12

We Heart

by Rob Wilkes, Executive Editor

31 July 2014

WeHeart_Adam Broomberg and Oliver Chanarin — Divine Violence_Page_1 WeHeart_Adam Broomberg and Oliver Chanarin — Divine Violence_Page_2 WeHeart_Adam Broomberg and Oliver Chanarin — Divine Violence_Page_3 WeHeart_Adam Broomberg and Oliver Chanarin — Divine Violence_Page_4 WeHeart_Adam Broomberg and Oliver Chanarin — Divine Violence_Page_5 WeHeart_Adam Broomberg and Oliver Chanarin — Divine Violence_Page_6 WeHeart_Adam Broomberg and Oliver Chanarin — Divine Violence_Page_7 WeHeart_Adam Broomberg and Oliver Chanarin — Divine Violence_Page_8 WeHeart_Adam Broomberg and Oliver Chanarin — Divine Violence_Page_9

ARTINFO.com

by Ashitha Nagesh

23 July 2014

ARTINFO_Photographers Radically Illustrate Bible for North Wales Show_Page_1 ARTINFO_Photographers Radically Illustrate Bible for North Wales Show_Page_2

Design Week

by Tom Banks

21 July 2014

Design Week_Divine Violence_images of conflict and the bible 2_Page_1 Design Week_Divine Violence_images of conflict and the bible 2_Page_2 Design Week_Divine Violence_images of conflict and the bible 2_Page_3 Design Week_Divine Violence_images of conflict and the bible 2_Page_4 Design Week_Divine Violence_images of conflict and the bible 2_Page_5 Design Week_Divine Violence_images of conflict and the bible 2_Page_6

 

The Guardian Guide

by Rob Clarke

19 July 2014

Guardian Guide_Divine Violence_MOSTYN_19 July 2014

The Art Newspaper

‘In the Frame’ column

15 July 2014

The Art Newspaper_MOSTYN_Divine Violence_150714_Page_1 The Art Newspaper_MOSTYN_Divine Violence_150714_Page_2

The Telegraph

by Lucy Davies

12 July 2014

Lucy Davies 12 July 2014_Page_1Lucy Davies 12 July 2014_Page_2

Expanded Violences by Brumaria

Posted in nEws and rEleases, shortEssays/cortiSaggi [English/Italian] by alcramer on September 27, 2010

Expanded Violences is a project realized in the framework of Manifesta 8, The European Biennial of Contemporary Art.

IS VIOLENCE
THE ONLY MEANS TO CHANGE THIS
DEADLY WORLD?

Expanded  Violences

Throughout the past two years in Brumaria, we have been working on and over multifocal-terrorism art-war relations. A product of this has been a series of forays— Art and Terrorism, Iconoclasm-Iconolatry, and now Expanded Violences— which, by means of different formats—research projects, exhibition projects, artistic work, seminars and publications—have permitted us to affirm the amplitude of these topics and the conceptual, thematic, and discursive gaps that today persist in the art institution both in the Spanish region and in the world of global art.

We understand that we neither want nor are able to isolate contemporary art from the world in which it is produced, commercialized, or museumized, especially if we keep in mind the present characteristics of armed conflict and if we affirm that we live in a state of permanent war. Although in the past war (the institutionalized phase of violence) defined itself as a conflict among sovereign nation-states, given that in the last few decades this sovereign authority of the nation-state has been decaying in favour of the emergency of a supranational sovereignty, the nature and the conditions of both war and political violence in our present times have necessarily and considerably changed, leaving behind the memory of the defeated, the humiliated, the offended…the murdered. In our current environment war is a global phenomenon. We live in a state of ubiquitous, brutal, and permanent “civil war”: a new and monstrous state of exception.

Expanded Violences focuses its attention on a triangulation between violence as representation strategically administered by power, the operation by which mass media and the use of art form a critical vertex of this multiple dialectic. If it seems obvious that there exists interdependence between political and economic power and the strategic operations used in mass media, the role of art is not so clear in this context.

• Theodor W. Adorno & Max Horkheimer • Aeschylus • Giorgio Agamben • Louis Althusser • Anonymus (Deuteronomy) • Aristotle • Antonin Artaud • Graco Babeuf • Alain Badiou • Jean Baudrillard • Walter Benjamín • Ursula Biemann • Bertlolt Brecht • Pierre Bourdieu • Gustavo Bueno • Stokely Carmichael • Pedro Casaldáliga • Paul Celan • The Clash • Leonard Cohen • Alfredo Cramerotti • Noam Chomsky • Mike Davis • Guy Debord • Gilles Deleuze & Felix Guattari • Jacques Derrida • Terry Eagleton • Albert Einstein • Friedrich Engels • Euripides • Frantz Fanon • Michel Foucault • Sigmund Freud • Mohandas Karamchand Gandhi • Jean-Luc Godard • Antonio Gramsci • Peter Handke • G. W. F. Hegel • Jimi Hendrix • Eric Hobsbawm • Homer • Dolores Ibárruri • Peter Kropotkin • Jacques Lacan • Lao Tse • Sylvain Lazarus • Maurizio Lazzarato • Vladimir Ilyich Lenin • Robert Linhart • Lucretius • Rosa Luxemburg • Jean-François Lyotard • Malcolm X • Mao Zedong • Nicolò Machiavelli • Filippo Tommaso Marinetti • Karl Marx • Vladimir Mayakovsky • Mario Moretti • Muhammed • Jean Luc Nancy • Nawal El Saadawi • Antonio Negri • Friedrich Nietzsche • Anton Pannekoek • Cesare Pavese • Fernando Pessoa • Plato • Nicos Poulantzas • Khaled Ramadan • Jacques Rancière • Wilhelm Reich • RETORT • Los Reyes Católicos • Arthur Rimbaud • Maximilien Robespierre • Martha Rosler • Louis de Saint-Just • Saint Augustine • Saint Matthew • Saint Paul • Jean-Paul Sartre • Carl Schmitt • William Shakespeare • The Smiths • Sophocles • Susan Sontag • Baruch Spinoza • Hito Steyerl • Tacitus • Leon Trotsky • Tristan Tzara • Ramón María del Valle-Inclán • Víctor Hugo • Virgil • Paul Virilio • Paolo Virno • Oswald Wiener • Jean Ziegler • Slavoj Zizek • Joseba Zulaika •
With a foreword by Alejandro Arozamena, Darío Corbeira & Daniel Patrick Rodríguez
Brumaria works #1

– Double installation with moving images, sound and temperature.
– Two publications in English and Spanish.
– A seminar.

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