alcramer [Alfredo Cramerotti]

Expanded Violences by Brumaria

Posted in nEws and rEleases, shortEssays/cortiSaggi [English/Italian] by alcramer on September 27, 2010

Expanded Violences is a project realized in the framework of Manifesta 8, The European Biennial of Contemporary Art.

IS VIOLENCE
THE ONLY MEANS TO CHANGE THIS
DEADLY WORLD?

Expanded  Violences

Throughout the past two years in Brumaria, we have been working on and over multifocal-terrorism art-war relations. A product of this has been a series of forays— Art and Terrorism, Iconoclasm-Iconolatry, and now Expanded Violences— which, by means of different formats—research projects, exhibition projects, artistic work, seminars and publications—have permitted us to affirm the amplitude of these topics and the conceptual, thematic, and discursive gaps that today persist in the art institution both in the Spanish region and in the world of global art.

We understand that we neither want nor are able to isolate contemporary art from the world in which it is produced, commercialized, or museumized, especially if we keep in mind the present characteristics of armed conflict and if we affirm that we live in a state of permanent war. Although in the past war (the institutionalized phase of violence) defined itself as a conflict among sovereign nation-states, given that in the last few decades this sovereign authority of the nation-state has been decaying in favour of the emergency of a supranational sovereignty, the nature and the conditions of both war and political violence in our present times have necessarily and considerably changed, leaving behind the memory of the defeated, the humiliated, the offended…the murdered. In our current environment war is a global phenomenon. We live in a state of ubiquitous, brutal, and permanent “civil war”: a new and monstrous state of exception.

Expanded Violences focuses its attention on a triangulation between violence as representation strategically administered by power, the operation by which mass media and the use of art form a critical vertex of this multiple dialectic. If it seems obvious that there exists interdependence between political and economic power and the strategic operations used in mass media, the role of art is not so clear in this context.

• Theodor W. Adorno & Max Horkheimer • Aeschylus • Giorgio Agamben • Louis Althusser • Anonymus (Deuteronomy) • Aristotle • Antonin Artaud • Graco Babeuf • Alain Badiou • Jean Baudrillard • Walter Benjamín • Ursula Biemann • Bertlolt Brecht • Pierre Bourdieu • Gustavo Bueno • Stokely Carmichael • Pedro Casaldáliga • Paul Celan • The Clash • Leonard Cohen • Alfredo Cramerotti • Noam Chomsky • Mike Davis • Guy Debord • Gilles Deleuze & Felix Guattari • Jacques Derrida • Terry Eagleton • Albert Einstein • Friedrich Engels • Euripides • Frantz Fanon • Michel Foucault • Sigmund Freud • Mohandas Karamchand Gandhi • Jean-Luc Godard • Antonio Gramsci • Peter Handke • G. W. F. Hegel • Jimi Hendrix • Eric Hobsbawm • Homer • Dolores Ibárruri • Peter Kropotkin • Jacques Lacan • Lao Tse • Sylvain Lazarus • Maurizio Lazzarato • Vladimir Ilyich Lenin • Robert Linhart • Lucretius • Rosa Luxemburg • Jean-François Lyotard • Malcolm X • Mao Zedong • Nicolò Machiavelli • Filippo Tommaso Marinetti • Karl Marx • Vladimir Mayakovsky • Mario Moretti • Muhammed • Jean Luc Nancy • Nawal El Saadawi • Antonio Negri • Friedrich Nietzsche • Anton Pannekoek • Cesare Pavese • Fernando Pessoa • Plato • Nicos Poulantzas • Khaled Ramadan • Jacques Rancière • Wilhelm Reich • RETORT • Los Reyes Católicos • Arthur Rimbaud • Maximilien Robespierre • Martha Rosler • Louis de Saint-Just • Saint Augustine • Saint Matthew • Saint Paul • Jean-Paul Sartre • Carl Schmitt • William Shakespeare • The Smiths • Sophocles • Susan Sontag • Baruch Spinoza • Hito Steyerl • Tacitus • Leon Trotsky • Tristan Tzara • Ramón María del Valle-Inclán • Víctor Hugo • Virgil • Paul Virilio • Paolo Virno • Oswald Wiener • Jean Ziegler • Slavoj Zizek • Joseba Zulaika •
With a foreword by Alejandro Arozamena, Darío Corbeira & Daniel Patrick Rodríguez
Brumaria works #1

– Double installation with moving images, sound and temperature.
– Two publications in English and Spanish.
– A seminar.

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Mediascapes. Nolens Volens 4

Posted in nEws and rEleases, shortEssays/cortiSaggi [English/Italian] by alcramer on September 26, 2010

This fourth issue of Nolens Volens has been edited in collaboration with Alfredo Cramerotti, member of the curatorial group Chamber of Public Secrets, in the framework of their participation in Manifesta 8.

The subject explored was “mediascapes”. And the contributors have worked with the concept of how the media construct rather than reflect the world; they are hardly a public forum, and have transformed into an industry which has a powerful influence and exerts discursive manipulation over the audience and society.

Extending the notion of reality as a construct, as symbolic coordinates that determine our experience of reality, the central importance of the media in the definition of the framework in which reality takes place in the contemporary world is evident. Since the spread of what is denominated as communication technologies, the construction of reality through the media establishes the limits of our possible experience in a construction of the world with a totalizing vocation. Baudrillard’s critical considerations of simulacra and hyper-reality or Debord’s spectacle are positions which, although they are an efficient diagnostic of the state of matters, do not leave many options for operating in an effective way in the construction of a set if images that determines our experience of reality from other positions, opposing the versions of media power. Thus, the experiential framework proposed by the business conglomerates of communication should be confronted with other forms of treating, narrating and, finally, constructing this certain sense of reality.

Lastly, we are printing an excerpt of Alfredo Cramerotti’s book “Aesthetic journalism: How to Inform Without Informing” (2009), published by Intellect, which discusses how the production of truth has shifted from the domain of the news media to that of art and aestheticism, which marks a new approach to the debate of the possibility of the critical potential of art within the aestheticization of the information.

The contributors to this issue are: Los colaboradores de este número de Nolens Volens son: Carlos Jiménez, Alfredo Cramerotti, Arturo/ fito Rodríguez Bornaetxea, Jesús Aguilera, Ramon Parramon, Anders Eiebakke, Erlea Maneros Zabala, Andreja Kulunčić, Daniel García Andújar, Extrastruggle, Michael Takeo Magruder, Nada Prlja, Nemanja Cvijanovic, GenderArtNet, Virginia Villaplana and Michael Baers

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