Curatorview [Alfredo Cramerotti]

Furla Award 2011

Posted in nEws and rEleases by Curatorview on November 25, 2010

VOGUE ITALIA

by Fabiana Gilardi

Published:
11/18/2010

 

The names of the five finalists and of the curators, protagonists of the eighth edition of one of the Italian excellence awards that support young contemporary artists, were announced

Pleure qui peut, rit qui veut (those who can, cry; those who want, laugh) is the title that accompanies the eighth edition of the Furla 2011 Award, contest that was born from the will of the Fondazione Querini of Venice, conceived by Chiara Bertola and promoted by the artistic sensibility of Giovanna Furlanetto, president of Furla, the Emilia leather brand, with MAMbo – Museum of Modern Art of Bologna, presented yesterday in Milan.
The slowness, portrayed by a graphic image that sees a clown in conflict between laughing and crying (under, the image), both pieces by the French artist Christian Boltanski, godfather of this edition, turns to open a new horizon of reflection on contemporary art that the Award is committed to represent, for ten years now, by supporting young Italian artists and curators, put to dialogue with art critics, museum directors and prestigious international art centers, to discover a new Italian way of art.
Protagonists of this new dialogue are the artists Andrea Respiro and Davide Gennarino, of the Alis/FilliolFrancesco ArenaRossella BiscottiMatteo Rubbi and Marinella Senatore, whose pieces, a mass of sculptures and installations of heterogeneous materials, selected by the curators Lorenzo BruniCecilia CanzianiAlfredo CramerottiVincenzoDe BellisSimone MenegoiCarson ChanVincent HonoréEmily PethickPhilippe Pirotte and Marianne Lanavère, will be exposed, one day after the announcement of the winner, from January 29 to the 6 of February 2011 at Palazzo Pepoli, historic Bologna building recently renovated by the Fondazione Carisbo, new partner of the Award.

“Pleure qui peut, rit qui veut (those who can, cry; those who want, laugh)” is the title that accompanies the eighth edition of the Furla 2011 Award, contest that was born from the will of the Fondazione Querini of Venice, conceived by Chiara Bertola and promoted by the artistic sensibility of Giovanna Furlanetto, designer and owner of the Emilia leather brand, with MAMbo – Museum of Modern Art of Bologna, presented today in Milan.
The slowness, portrayed by a graphic image that sees a clown in conflict between laughing and crying, both pieces by the French artist Christian Boltanski, godfather of this edition, turns to open a new horizon of reflection on contemporary art that the Award is committed to represent, for ten years now, by supporting young Italian artists and curators, put to dialogue with art critics, museum directors and prestigious international art centers, to discover a new Italian way of art.
Protagonists of this new dialogue are the artists Andrea Respiro and Davide Gennarino, of the Alis/Filliol, Francesco Arena, Rossella Biscotti, Matteo Rubbi and Marinella Senatore, whose pieces, a mass of sculptures and installations of heterogeneous materials, selected by the curators Lorenzo Bruni, Cecilia Canziani, Alfredo Cramerotti, Vincenzo De Bellis, Simone Menegoi, Carson Chan, Vincent Honoré, Emily Pethick, Philippe Pirotte and Marianne Lanavère, will be exposed, one day after the announcement of the winner, from January 29 to the 6 of February 2011 at Palazzo Pepoli, historic Bologna building recently renovated by the  Fondazione Carisbo, new partner of the Award.

Padrino: Christian Boltanski. Presentata a Milano l’ottava edizione del Premio Furla

Posted in nEws and rEleases by Curatorview on November 25, 2010

Exibart.com

Pubblicato mercoledì 17 novembre 2010


L’attesa era forte, ed in effetti decisamente motivata, con l’evento che non ha tradito le aspettative. A Milano si presentava l’ottava edizione del Premio Furla, che ha calato subito un asso in grado di sbaragliare la partita: Christian Boltanski, che sarà l’artista – padrino e l’ideatore dell’immagine grafica e del titolo, Pleur qui peut, rit qui veut. “Una sorta di ossimoro – spiega Chiara Bertola, curatrice del premio – che apre la strada ai finalisti per l’ideazione dei loro progetti”.

E chi sono i cinque artisti finalisti? Alis/Filliol – Andrea Respino e Davide Gennarino, nominati da Simone Menegoi e Marianne Lanavère; Francesco Arena, nominato da Vincenzo De Bellis e Philippe Pirotte; Rossella Biscotti, nominata da Cecilia Canziani e Vincent Honoré; Matteo Rubbi, nominato da Lorenzo Bruni e Carson Chan; Marinella Senatore, nominata da Alfredo Cramerotti ed Emily Pethick.

Una giuria internazionale composta dallo stesso Christian Boltanski, da Stefano Chiodi (storico e critico d’arte), Vit Havranek (curatore e project leader del team curatoriale tranzit.org), Jörg Heiser (co-editor di Frieze Magazine e guest professor all’Art University di Linz, Austria), Miguel Von Hafe Pérez (direttore del Centro Galego de Arte Contemporáneo di Santiago de Compostela, Spagna) sceglierà il vincitore, che sarà annunciato il 28 gennaio 2011 a Bologna.

Il vincitore sarà invitato a realizzare un’opera finanziata dalla Fondazione Furla e destinata alla fruizione pubblica attraverso la concessione in comodato al MAMbo – Museo d’Arte Moderna di Bologna. L’opera del progetto vincitore sarà presentata in anteprima presso la Fondazione Querini Stampalia a Venezia nel giugno 2011, in concomitanza con la 54. Biennale di Arti Visive.

“Con questa ottava edizione che segna la chiusura del primo decennio del Premio Furla – ha detto Giovanna Furlanetto, Presidente della Fondazione Furla -, alla Fondazione Furla si affianca per il futuro la Fondazione Carisbo come partner istituzionale, che ha messo a disposizione per la mostra dei cinque artisti finalisti uno dei suoi spazi più prestigiosi, Palazzo Pepoli a Bologna, recentemente restaurato”.

Radio Papesse Interview: Alfredo Cramerotti – Chamber of Public Secrets @ Manifesta8

Posted in nEws and rEleases, shortEssays/cortiSaggi [English/Italian] by Curatorview on November 21, 2010

RADIO Papesse INTERVISTA/INTERVIEW

Alfredo Cramerotti – CPS

15 NOVEMBRE 2010
>>the interview is in English<<
>>English text below<<

Il discorso sulla contaminazione e il dialogo fra mondo mediatico e mondo artistico non è nuovo. In fondo si può sostenere che l’arte, in ogni sua espressione ‘deve utilizzare dei media’ e che questi attingono a piene mani dall’immaginario artistico; è un dibattito che probabilmente non avrà mai fine e che è nato e sviluppato a pari passo con i media elettronici, dalla nascita della radio e del cinema ad oggi.

Ma cosa succede se si parla di ‘industria dei media’? se un insieme di artisti, scrittori, intellettuali viene invitato a confrontarsi con i sistemi della produzione medicata contemporanea?
È quanto hanno fatto Alfredo Cramerotti e Khaled Ramadan insieme al collettivo Chamber of Public Secrets – cps con il loro progetto per Manifesta8.

CPS non è una struttura formale, non ha una data di fondazione o un’agenda prestabilita, è un gruppo trasversale, un ‘meta-luogo’ di discussione e analisi critica ed è uno dei gruppi curatoriali di Manifesta8.

Abbiamo parlato insieme a Cramerotti di CPS, del metodo utilizzato nel lavoro curatoriale, del loro invito a confrontarsi con le strutture produttive dei media per la creazione di progetti artistici.

la musica che accompagna l’intervista è tratta dall’album a bell and a mirror di Let’s drive to Alaska pubblicato dalla netlabel muertepop

The contamination and encounter dicourse about the artworld and the mediatic world isn’t new.
It is a never-ending debate born and developed together with the electronic media: form the early days of radio and cinema until nowadays.

But what happen when we talk about the media industry? what happen when a group of artists, writers, intellectuals is invited to deal with the contemporary media industry production system?
It is what Alfredo Cramerotti and Khaled Ramadan did together with the Chamber of Public Secrets – cps collective curating their project for Manifesta8.

CPS isn’t a formal structure, do not have an official founding date or a fixed agenda, is an horizontal group, an ensemble of dicussion and critical thinking and is one of the curatorial teams of Manifesta8.

We talked with Cramerotti about CPS, about their curatorial method, their invitation to deal with the production structures of the media industry for the creation artistic projects.

The music used in this interview is A bell and a mirror by Let’s drive to Alaska published by the netlabel muertepop

Questa opera è prodotta da Radio Papesse, un progetto di Ilaria Gadenz e Carola Haupt

Kunstforum International: CPS for Manifesta 8

Posted in nEws and rEleases, shortEssays/cortiSaggi [English/Italian] by Curatorview on November 20, 2010

TVE Metropolis – Manifesta 8

Posted in nEws and rEleases by Curatorview on November 19, 2010

HumanKind: Interview with Alfredo Cramerotti

Posted in nEws and rEleases, shortEssays/cortiSaggi [English/Italian] by Curatorview on November 15, 2010

Introducing Alfredo Cramerotti, Associate Curator of Format International Photo Festival, Editor of the “Critical Photography” book series, and a member of the jury of “HumanKind”.

“HumanKind” is the New York Photo Festival’s second juried photo invitational (following the smash success of Capture Brooklyn), ongoing now and open until November 28, 2010

For more information, please visit humankind.newyorkphotofestival.com

¿The rest is history? CPS’s Manifesta 8 – Trailer

Posted in nEws and rEleases, shortEssays/cortiSaggi [English/Italian] by Curatorview on November 14, 2010

Penetration at Manifesta 8

Posted in nEws and rEleases by Curatorview on November 12, 2010

Penetration at Manifesta 8 / for Northern African artists only

Manifesta
Thierry Geoffroy / Colonel, Penetration Space
until 9 January 2011

San Anton Prison
Cartagena
Spain
1@colonel.dk
www.manifesta8.es
Penetration

A Penetration is the act of an artist placing an artwork within another artist’s existing exhibition.

Manifesta

At Manifesta Biennial Thierry Geoffroy / Colonel is opening his exhibition space for last minute Penetrations.

The Colonel’s Penetration space at Manifesta is reserved only to artists from Northern Africa having pertinent work about today.

The theme of the Manifesta Biennial is: “in dialogue with Northern Africa”

Procedure

To be part of the Penetration, artists from Northern Africa can just come and install their work at San Anton Prison in Cataregna on any day that they have a pertinent art work. Every time they install a Penetration work they are kindly asked to send photographs of their installation to Thierry Geoffroy / Colonel so the blog can be updated and a catalogue created: 1@colonel.dk

Thierry Geoffroy / Colonel has responded to the invitation to take part at Manifesta by the curators of CPS: Khaled Ramadan and Alfredo Cramerotti and is co-working with BIENNALIST

Thierry Geoffroy creates a debating format.

More info on this Penetration:

www.emergencyrooms.org/manifesta/penetration.html

Penetration format
www.emergencyrooms.org/penetration.html

contact
Thierry Geoffroy / Colonel: 1@colonel.dk

Inside-Out: David Rych at Manifesta 8

Posted in nEws and rEleases by Curatorview on November 11, 2010

HumanKind – Meet the Jury

Posted in nEws and rEleases by Curatorview on November 5, 2010

HumanKind – Meet the Jury

New York Photo Festival November 1, 2010 – 11:46 am

 

The New York Photo Festival is proud to announce the jury of HumanKind – our upcoming juried photo exhibition, opening at the powerHouse Arena on December 17.

Meet the Jury

James Estrin – Co-Editor, New York Times Lens Blog
Alisa Wolfson – Design Director, Leo Burnett, Chicago
Marc PrüstPhotography Consultant
Alfredo Cramerotti – Associate Curator, Format International Photo Festival & Editor, Critical Photography book series
Dr. Christos Lynteris – Social Anthropology Department, University of St Andrews, UK
Sam Barzilay – Festival Director, New York Photo Festival

HumanKind – Accepting submissions until November 28, 2010

To enter the contest, please visit http://humankind.newyorkphotofestival.com

James Estrin is a Senior Staff Photographer for the New York Times and co-editor of the New York Times Lens blog. He started at the Times in 1987. He is also an adjunct professor at the City University of New York Graduate School of Journalism.

Alisa Wolfson is the Design Director at Leo Burnett, Chicago. Over the last 15 years, she has worked on projects for Hallmark, Caesar’s Palace, Kelloggs, McDonalds, Crate and Barrel, The Joffrey Ballet and Archeworks. Alisa started her career as a Senior Designer at VSA Partners and then at Interface Americas. She studied Art History at Michigan State University and completed post-graduate work at the Yale Summer Program in Switzerland. She has been recognized by the Type Directors Club of America, The American Institute of Graphic Arts (AIGA), Critique Magazine, Print Magazine and Communication Arts.

In 2008, Alisa was selected to present her work at the AIGA Fresh Lecture series as one of three emerging Chicago Designers. She is also the Design Director for Lampo, a nonprofit that presents experimental music and intermedia events.

Marc Prüst (1975) studied International Relations and Japanese language in the Netherlands and Japan. During his studies he discovered his love for photography, and after graduation he started working as Project Manager for the World Press Photo Foundation in Amsterdam, travelling and setting up exhibitions all over the world. In 2004 he became head of the Exhibition Department and when, in 2005, World Press Photo celebrated its 50th anniversary, Marc was given the responsibility for the exhibition Things As They Are; 50 Years of Photo Journalism in Context. He worked in close cooperation with curator Christian Caujolle and editor Chris Boot on both the exhibition and the award winning publication with the same name. In early 2007, Caujolle gave him the opportunity to come and work for Agence VU’ in Paris, where he was mainly responsible for the international cultural activities of the agency. Currently Prüst is active as photography consultant and curator. In that capacity he teaches, creates exhibitions, edits books and portfolios, and advises photographers on their work and marketing.

Marc works in close cooperation with photographers, with the goal of telling the photographer’s story, to recreate through the images the things the photographer wants to say. By getting to know the person behind the camera, the aim is to create the story and the presentation fitting to the work.

Alfredo Cramerotti is a writer, curator and artist based in the UK. His cultural practice explores the relationship between reality and representation across a variety of media and collaborations such as photography, contemporary art, TV, radio, publishing, internet, media festivals, writing, teaching and exhibition curating.

Among his recent research and curatorial activity: Co-curator, Manifesta 8 European biennial of contemporary art (2009-2011); curator, QUAD Derby and associate curator FORMAT international Photography Festival (2008-present); co-curator, CPS Chamber of Public Secrets (2004-present) and AGM Annual General Meeting (2003-present).

University teaching positions include the University of Westminster London, University of Derby, Nottingham Trent University, DAI Dutch Art Institute and ArtEZ Institute of the Arts (Holland). External Examiner MA Curating Contemporary Art Royal College of Art London.

Author of Aesthetic Journalism: How to Inform without Informing (2009) as well as numerous specialist articles in international art, media and literary magazine. Editor of the book series Critical Photography with the publisher Intellect Books. Operator of the blogs Media Geographies, alcramer as well as the group Video essay on Vimeo.

Dr Christos Lynteris is a social anthropologist currently working at the Department of Social Anthropology of the University of St Andrews, Scotland, where he received both his undergraduate and doctoral training under a departmental scholarship. Dr Lynteris has recently presented a series of papers on Chinese epidemiology at conferences and seminars across the U.K. and is currently researching conflicting technologies of the self implicated in the rise of the barefoot doctor movement in China, a subject on which he will be completing a book as Residential Fellow at the Centro Incontri Umani in Ascona, Switzerland, during the first half of 2011.

Dr Lynteris is a co-editor of the peer reviewed anthropological journal ‘Anthropology + Materialism’ the first issue of which will appear in the following spring. Dr Lynteris is a Fellow of the Royal Anthropological Institute.

Sam Barzilay is the Director – and a founding member – of the New York Photo Festival. In past lives, he has been a curator, a visual artist, and a social documentary photographer. In 2007, his collaborative work on collective responsibility and the consumption of violence was the focus of a 3-month exhibition by the Oslo ByMuseum in Norway.

He is currently residing in New York City, awaiting marching orders from the voices in his head.